Quotes of All Topics . Occasions . Authors
I think that selling rights is a bad move commercially, not just morally. It cheapens the songs. When people come to my concerts, they often hold up candles when we do "Let It Be." I don't think they'd do that anymore if the song suddenly became part of an Oldsmobile ad.
For me, the best thing I can do is play live. The best way for me to put over what I'm trying to do is to play live. Whether it's an acoustic show, electric or whatever... if I shine at all, that's where it all really happens - it just took me a while to rediscover that.
As a young man, every bone in my body wanted to pick up a machine gun and kill Germans. And yet I had absolutely no reason to do so. Certainly nobody invited me to do the job. But that's what I felt that I was trained to do. Now no part of my upbringing was militaristic.
If I would have been in a different world Like I frequently am when I see you Oh I might have missed All the ways you try to give If only you knew what you do to me Sometimes I think about eternity If it would have been another time I wonder what you would of had in mind
I think sometimes all you need is to hear someone else say the same thing that you're going through to realize that you're not alone. I try to put some sense of hope into the songs, into whatever the situation is so that it's not just dirt, drudgery and a life of misery.
Music is very nebulous, and you can conjure up a lot of moods with music. But lyrics - they're a lot more tangible. They're much more specific. And you want to say something meaningful and creative and artistic and that tells a story and that takes people someplace else.
I'd never imagined myself in a band. So the fact that I've had such a long career without really naturally pursuing it is really astounding. It's taken me a long time to accept what I do for a living and actually feel like I have anything of value to add to the equation.
For me, I guess the general reason for using social media is that the connection I have with people who are interested in my music is extremely important to me. That connection is like the pillar in everything I do. I want to embrace that connection and make it stronger.
I guess my favorite way to travel is in a car, especially if you get to go some place cool. The bullet train in Japan is cool; but overall, driving through certain areas, like the desert in the United States, or the Black Forest in Germany, you feel the nature unfolding.
I'll never understand why people somehow support pollution. It's completely irrational, and I don't get it. Somewhere along the line, they bought into this fiction that one has to choose between the environment and business, which is just a complete falsehood and absurd.
If you want to be an entertainer, then go be an entertainer and give people what they want. If you want to be an artist, then you have to be true to yourself, and you have to be prepared to confront expectations - and you have to be prepared to disappoint your fans, too.
Hanson has rapid female fans, which I’m completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There’s younger fans. More and more guys are Hanson fans [but they’re] musicians or kind of guys who were into a Beatles record.
Switch off the mind and let the heart decide who you were meant to be Flick to remote and let the body glide There is no enemy! Etch out a future of your own design Well tailored to your needs Then fan the flame and keep the dream alive ... ...the future is roses! Roses!
Working with devices and guitar pedals and mixers and synthesizers is what I do, and I prefer people not focus on that because it's kind of distracting from what the point should be. At least for me, it's to have the primacy of aurality in the experience of that evening.
The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not disrupt that feeling.
I think the most important thing to putting on a good show is to always mix things up. Sometimes we wear makeup; other times we don't. The point is, you'll never get the same Avenged show twice. I think it's really important to be theatrical. I mean, look at Iron Maiden!
I'm so busy trying to breathe through the pain that I'm breathing through the pain of being with people, and that is no way to spend a life. Eventually, they'll just go away, because you will make them sad. That's something I've proven quite adept at doing over the years.
There are different people who got me into music, but what I liked about Beethoven is that even when I didn't understand it or it was too long, there's still something about it that drove me to it. Then it got me excited about actually learning music, like a theory of it.
The Beatles were huge for me, ... I used to jump around the room to the red album, the one with all the early hits on it. It made you feel euphoric. It was a sensation I couldn't get from anything else, whether it was playing football, swimming or even seeing 'Star Wars.'
'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minimalist aggressive rock.
If I would get an album out every eight months and if I would write songs that were more up-tempo and try to focus more on making singles, then I could probably get more attention. But I don't think the albums would be very fun to listen to, and it would be a drag for me.
Basically, when I did 'Infinity' in 1997, I had thoughts in my head that left me with a lot of questions. I've gone to certain personal limits with 'Infinity' that, at the end of it, I think, scared me. And I've made a lot of really kinda bad mistakes as a result of that.
You might not feel like playing pretty all the time. Instead, you might want to play something nasty....you might want to play something out of context with the tune. It might be a note that creates so much tension it becomes unpleasant, but you want it to sound that way.
I also hope that with the assistance and expertise of Dome Records, that I will be able to further pierce the UK and European market. I really like playing there and I want to do more! I've found that the audiences get quite involved and really listen to what's happening.
From a very early age, I was in tune with pop radio, and most of this listening was done driving. We had an old '67 or '65 Buick LeSabre, and whenever we would drive around, I would actually stick my head right against the speakers in the back and sing along to the music.
Well all the big companies are really panicked by the internet thing and all that, and sales went down, although sales have gone up again in this country a bit and also the big companies, because they're so big, they need big sales really so they're not really interested.
The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.
I know all we're doing is travelling without moving. Speed freak faster than a speedin' bullet, slow down. If I don't, I might just lose it, locked up. You've got me honey, locked up under heavy brakin', yeah. You know I've got to hang on, drive too fast, I might be last.
I think the Muslim religious is a little too tight. It doesn't fit humans. Humans can't possibly fit into it, so there are a lot of really unhappy people, terribly repressed. It is a religion that works against you because the template don't fit. It's not human, you know.
Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you're playing an instrument that is really hard.
'Blood Host' is super heavy. Especially on the verses, it has an industrial stomp. It's one of my favourite tracks just because the plot of it is so heavy. It's a total crushing tune; it doesn't get any heavier than that main riff, just a straight quarter-note powerhouse.
It's important for me to have different tiers of value for the art. Some of the silk-screens are really affordable, but I do have some high-end silk-screens that are several color layers and a little more expensive, and then I have the paintings that can get way up there.
Happiness Is A Warm Gun not about heroin. A gun magazine was sitting there with a smoking gun on the cover and an article that I never read inside called 'Happiness Is a Warm Gun.' I took it right from there. I took it as the terrible idea of just having shot some animal.
I believe Jesus was right, Buddha was right, and all of those people like that are right. They're all saying the same thing - and I believe it. I believe what Jesus actually said - the basic things he laid down about love and goodness - and not what people say he said.
Occasionally, a great band would come along, like Blondie or OutKast who could be pop and bring interesting ideas into the mainstream at the same time. That's now gone, because of this weird mutation of pop, rap, R&B, bad rave, and supposedly soulful singing on top of it.
At the point where I'm trying to force something and it's not happening, and I'm getting frustrated with, say, writing a poem, I can go and pick up the brushes and start painting. At the point where the painting seems to not be going anywhere, I go and pick up the guitar.
Every time I get sexually harassed, I'm supposed to turn around and yell at the person, but there are safety issues. Sometimes the best thing you can do it just walk right past that person and have a great day. But sometimes you feel like you really need to say something.
I'm aware of how pop culture really infiltrates your expectations in a way that even if you think you're savvy about pop culture, it's so hard not to have these expectations of what a relationship should be. So I constantly feel like I have to bat those expectations down.
People think of life as being so sacred and they feel like this is their only chance and they have to do something with their life and make an impact As far as I'm concerned, it's just a pitstop for the afterlife. It's just a little test to see how you can handle reality.
Trans people should be able to fall in love and sing love songs too, and have that be just as valid. You turn on the radio and every other song is some guy singing about some girl who broke his heart, or vice versa. And there's not a lot of trans representation with that.
I wrote about drugs, and I didn't think I was being unsafe or careless by writing about them. I didn't want fans to think heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen.
Being a guy who was a geek with tape machines in the early days and really interested in how records get made, I was inspired in particular by how the Beatles were innovating when they were making those records late in their career while using the studio in a maximal way.
It's very important to have a good song - one where you can strip away all the production and just play it on guitar or at the piano. It has to hold its own. That's why I've put videos online with acoustic versions of my songs, so you can hear them in their original form.
Music is an amazing thing. I don't know if we really think about it the same way we consider a painting an amazing thing. I mean, a painting is, in quotes, imaginary. There is nothing on the canvas when you start; and writing a song, there is nothing there when you start.
When you think of rock and roll and metal, a lot of it is based around the riff. If you can sing over the riff and what the arrangements are going to be like, you have to leave space for what most people consider one of the most key essential parts, which is the vocalist.
I'm a really skinny guy, I'm real tall, and I have a very high metabolism, so if I drink anything with caffeine in it, it makes me have an anxiety attack. So I can't do coffee, or cola, or coffee ice cream, or any of those things. They make me feel like I'm going berserk.
'The Warmth of the Sun' was a very beautiful song that Brian and I wrote in the time period associated with President Kennedy's assassination. We didn't write words about that, but it was around that time we recorded that song, and there's a lot of emotion involved there.
We're always working on our communication, which is something that's important. Instead of going through managers to discuss things, we will sit down and have meetings about things. That's a process. And you have to be able to be honest with each other as much as you can.
Right now, when it comes to making an album, we really want to give our fans just Linkin Park. We don't want to water it down with anything else or confuse it with anything else. Meteora is just us and that's where our focus has been. So hopefully the fans can enjoy that.
This is how it essentially is for Bunny Junior. He loves his dad. He thinks there is no dad better, cleverer, or more capable, and he stands there beside him with a sense of pride - he's my dad - and he also, of course, stands beside him because he has nowhere else to go.