Quotes of All Topics . Occasions . Authors
There was one time I flagged every 'Brokeback Mountain' review on Netflix that was negative. I was, like, 'not helpful,' and I spent, like, an hour doing it, and I wrote a really serious review about it. It's hard for me not to get really sensitive. I don't brush things off like that very easily.
Yes here I am doing what I do best; and that's taking a selfie. People make fun of me but the reality is if I didn't take them you would never see me as I want to be seen. I'm a difficult subject and my greatest fear is dying and someone finding my phone and the hundreds upon hundreds of selfies.
'Modern Love' completes the EP as an intricate musical piece weaving in and out of complex rhythms. There is even a beatless ambient mix that shows Subb-an has more strings to his bow. We are always keen to push artists out of their comfort zone and really show the world what they are capable of.
It was probably in third grade - I had a super-fake gold herringbone chain. Yeah man, it was, like, super fake. I don't remember if it was my mom's or how I got it, but ever since then, I've loved chains. The first real chain I got was from Kanye. It was a Jacob the Jeweler Kanye West Jesus piece.
I am happy being a man in a dress. Some people get confused and think I'm a trans woman, but I'm strict about the difference. What I do is performance, it's staged, it's glamour - it's not real life. But for trans people, being born in the wrong body - there's nothing glamorous or easy about that.
I'd been in a couple situations where I'd seen bands realize that they didn't have to get a good take in order to get something that sounded like a song. The musicians are there and they don't quite have it together, and then the engineer says, "Oh! That's okay, I'll just cut and paste the verse!"
So every time I rap about being a big girl in a small world it's doing a couple things: it's empowering my self-awareness, my body image, and it's also making the statement that we are all bigger than this, we're a part of something bigger than this, and we should live in each moment knowing that.
My approach to music is very deep. I do not compromise with anybody or anything else in the world. I do not care. I want to really go beyond this materialistic world...not for the sake of enjoyment, entertainment, no. A musician must lift up the souls of the listeners, and take them towards Space.
Anytime I get to be around the fans it's always a good time, especially during Music Fest. CMA puts together an event that allows artists to make that personal connection with the fans and it's wonderful. I look at it as our chance to give back to them and let them know we appreciate their support.
One of my favorite things about Tom Waits is not only his songs, but when he does do live shows, it's the theatrics involved. It's like Kabuki theater, really old-fashioned theatrics. Like, standing on top of a piece of plywood lying on some cinderblocks and clapping his hands, banging on a bucket.
I always thought I'd be the one to go first. ... The world might be mourning an Everly Brother, but I'm mourning my brother Phil Everly. My wife Adela and I are touched by all the tributes we're seeing for Phil and we thank you for allowing us to grieve in private at this incredibly difficult time.
I could be on 52nd and Third in Manhattan up and ask a strange for directions and they will help you, that's a rural heart. Your car breaks down in the middle of Iowa or somewhere, or Tennessee where I'm from, people want to help each other. Given each opportunity, you see how people come together.
I love Jimi Hendrix obviously, and Jimmy Page and Prince. And also Elvis Presley is a really great guitar player. I don't think he ever took lessons; he was piecing it together himself. But he has great rhythm. And rhythm, to me, you can use it to your advantage if you're not all over the fretboard.
If you want to talk about EDM, let’s talk about Detroit underground music, Chicago house and let’s talk about all the things that got us to this place. We all get on the train of dance music. We need to all respectfully look through the carriages that have come before us and realize how we got here.
An artist is somebody that puts themselves in a room, they're a wee bit self-indulgent and you know, sink into their music and it [will] be a very personal experience. An entertainer was somebody that took their God-given talent and shared it with people. And I've always wanted to be an entertainer.
I'm very sensitive - I'll cry during every movie or commercial - but when it comes to my own feelings, I don't really think about them that much unless I'm making music. Otherwise, I'm either checked out or laughing because that's how I do regular stuff. I have a hard time talking about my feelings.
I remember periods where we didn't even have beats in our club sets, but people kept dancing. The beat wasn't even necessary, because it was a biokinetic experience - that's our metaphor for the dance and the body and all its expressions. From today's point of view, this would be totally impossible.
You can go up to the editor of 'Vogue,' and she might think I have horrible style, or maybe she thinks I have great style. Who knows? I don't really know too much about it: I just know what I like and what I don't like. I love clothes and making my own clothes and shoes, like I got to do with Adidas.
If I'm not writing, I can download a newer album everybody's making a fuss about. But when I'm writing, I keep myself in my own zone - I worry about listening to new music that'll inform me too much. I'm the kind of person who goes to another country and starts speaking in an accent after three days.
My little boy, West, and my wife, they're my rock and that's the thing that keeps driving me to do better at what I do professionally. There was a time in my career where I had been on this huge roller coaster ride and I'd really got in the spot where I could've hung up it and just been a songwriter.
I was a sickly baby, and after two sets of adoptive parents took me home, they returned me to the orphanage because of a serious respiratory infection. But as they say, the third time's a charm, because my mom and dad adopted me and took me into their home where I was raised in a family full of love.
To write poetry, like sincere poetry, it is like performing heart surgery on yourself without anesthesia...in public...You are peeling back layers. You are dissecting yourself...You do not know what they [the audience] is going to do when you reach into yourself and rip out your organs to be displayed
I had a long distance relationship going while we were writing the album so a lot of it is about that constant struggle— you look up at the moon and wonder if that person is looking at it too. I was trying to write love songs that weren’t sappy Ben Affleck movie songs, but kind of a … man’s love songs
When Phil and I started out, everyone hated rock n' roll. The record companies didn't like it at all - felt it was an unnecessary evil. And the press: interviewers were always older than us, and they let you know they didn't like your music, they were just doing the interview because it was their job.
But for me I think it's just about taking that time of reflection and contemplation. That's probably my process in every decision that I make: to make sure that I spend time just with myself, and really times of silence and mediation to go through that process; and music is a big part of that as well.
I preferred that option, where my camera (and by proxy, me) could look them straight in the eye. The way they reacted to me was always interesting. Sometimes hard young men would reveal vulnerability and a softer side. In the case of teenage girls, I often got a fascinating glimpse of the woman inside.
I think the best mood for writing is a heavy feeling that's a little bit removed from you. Sometimes I feel very self-indulgent and bratty and ungrateful, and no good music comes out of that. But sometimes I can be really sad or have an excess of feeling yet somehow be able to see the big picture more.
You can hear some artists, hear five of their albums and still have no idea who they are. But if you've heard most of what I've recorded, you know me. You go from 'Honesty' to 'Going Through Hell' - you can listen to the hits, and they pretty much reflect who I am. 'Take a Back Road' is the same thing.
The pop-music video is one of the most powerful communication tools we have. Most people have access to a phone, and you can click a video and absorb it in three minutes. If it's potent enough, you can take in the message or have some sort of experience in multiple dimensions, the music with the image.
We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.
In the age of social media, you have the selfie and some people - not always young people - seem obsessed with showing the world what their face looks like almost every day. Just like some people are obsessed with showing the world what their dinner looks like. It's beyond my understanding to be honest.
I think Supernatural is the last WB show that's still on the air. It came from The WB and transitioned to The CW. I've been with The CW from the start of The CW, and it says a lot for our network and for our studio that they stood by the show and continued to keep the show high on their priorities list.
My previous visits to Australia created fantastic memories, so I'm definitely looking forward to another visit. It is one of the most beautiful places I've ever been. I think every person in the entire country is nice. Seriously, I haven't seen or heard of a mean person yet. And they love country music.
Everyone wants to be an arena act, and it's making country music evolve. People are cutting things more for that arena environment. But who's to say that that is a sign of any more of a successful career than what James Taylor has been able to do, when he still comes and plays the Ryman every two years?
I want to live my life on full. I want to die empty, whatever that means - giving myself to my three kids now, giving myself to love or a relationship, giving myself to my career, devoting myself to being a healthy person. I have to give my full self to something, because that's what makes me feel alive.
Definitely just growing up in general influenced me; Detroit happened to be where I was. I feel like the city definitely has made an impact on my life and made me who I am. Detroit has an unmistakable soul - nobody can duplicate the soul we bring to the game. From Motown to J Dilla to Eminem to anything.
I got an invitation to speak in the European parliament and I met Ban Ki-moon, the secretary-general of the U.N. I took those opportunities to talk about what I thought was right. That those people, who are more important and powerful than I am, think I'm relevant enough to give a speech is mind-blowing.
I believe that if I don't take care of my family as a great leader and husband and father, I could have all kinds of accolades and awards and a big mantle up there or something with a bunch of statuettes, but if my children don't respect me, if I haven't been a good husband, then that's all a joke to me.
One of the things that 'Too Bright' refers to is how there's a lot of times where I see things that I could change that could make me more contented, but I usually just don't make those changes because they seem new and scary. I just stay where I'm at, even if I'm miserable, because I'm familiar with it.
For a while, I thought I would maybe be a writer. But with music, I was such a nerd; I was really obsessive about it. The problem was I couldn't really sing. I think one day I sang from a different part of my body, from my gut for the first time, and I was like, 'Oh! That's how you're supposed to do it.'
First time I walked out on the Opry stage, Vince Gill was there. He kind of 'daddied' me through the whole thing. My knees were knocking. I walked out there, and I was literally shaking. They say it's the spirits or the ghosts. And out of respect for that whole establishment, I was really really nervous.
I started doing some demos and got online and bought a refurbished laptop, bought a microphone off of eBay. A lot of folks said you can't really do it that way at a pro level, but I did some vocals that way, turned it into the label and they said, 'Wow, where did you record this? The vocals sound great!'
I have my views and obviously my music has connotations that lean toward what I believe, but I've learned through other artists' mistakes that I'm never going to use my career as a platform for politics, especially at shows. People come to hear music. It's my job to entertain them, and it's my escape too.
Eric Roberts, for all the criticism he gets, is at least having fun with the script. His decision to devour large swaths of scenery locate him firmly in the tradition of Graham Crowden and Joseph Furst. Which is to say that he's not destined for fan acclaim, but he's easy to like if you're of the mind to.
Music is a language, and it's like a dictionary that has a lot of words, but if you limited yourself to a couple of definitions you would be illiterate. If one limits oneself to a peculiar definition like 'new music,' 'avant-garde,' or something like that, I think it's like cutting out half the dictionary.
I still got a lot to learn about fashion. I'm somebody who experiments, somebody who's finding their way. I'm young, and I don't really know if there's any guide to style in what's right and what's wrong. I just dress as an extension of how I'm feeling. If I feel crazy, then I'm gonna rock something crazy.
I hear the word 'tolerance'-tha t some people are trying to teach people to be tolerant of gays. I'm not satisfied with that word. I am gay, and I am not seeking to be 'tolerated'. One tolerates a toothache, rush-hour traffic, an annoying neighbor with a cluttered yard. I am not a negative to be tolerated.
Everything is super personal. Basically all of the songs are 'this is my life and what I feel about it.' That's how my brain works and thinks about things. It's really strange because I never really think about what I want to write about - it sort of just comes out. I literally say whatever is in my brain.
Courage is......following your conscience instead of "following the crowd." Sacrificing personal gain for the benefit of others. Speaking your mind even though others don't agree. Taking complete responsibility for your actions and your mistakes. Doing what you know is right, regardless of the consequence.
What I enjoy about the live experience is getting onstage, being handed a guitar that is in tune, taking it off mute, knowing that the very moment I want to play a note, I can play it. People are waiting on me and I'm waiting on me, and I have no idea what I'm going to play. That's the biggest joy in life.