A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.

If the election of the Father is not universal and the regeneration of the Holy Spirit is not universal, why would the atonement of the Son be universal? That would put the persons of the Trinity completely at odds with one another-but the triune God is completely unified.

I think you feel more liberated in a foreign country. You're more open. You understand less about the social constructs that exist in a certain place, so you take people more at face value, and you're also taken more at face value, which makes you more able to be yourself.

When I first started, I was much weaker of a singer because I wasn't used to singing so much. Now I've learned, when I'm singing on stage, not to go over. You can go over and mess yourself up. I used to do it all the time, wouldn't know how to preserve it for the next show.

I'm a musician with a very unique mental state, I suppose. I'm agoraphobic. I'm scared to leave my house. I haven't been alone in, like, two years. I'm either with my boyfriend or my assistant, my manager or my tour manager. I won't go anywhere by myself; I'm too terrified.

I look at my little girl and I wonder what she's going to be and what she's going to do and what is it that leads girls certain directions in life. I think a lot of that goes back to what kind of father they had, and so it makes me want to be the best dad I can possibly be.

I mean there are so many different colors of life, of feeling, of articulation... so when I meet someone who's an 8-color type... I'm like, 'Hey girl, magenta!' and she's like, 'Oh, you mean purple!' and she goes off on her purple thing, and I'm like, 'No - I want magenta!'

I mean there are so many different colors of life, of feeling, of articulation... so when I meet someone who's an 8-color type... I'm like, 'Hey girl, magenta!' and she's like, 'Oh, you mean purple!' and she goes off on her purple thing, and I'm like, 'No - I want magenta!'

Considering you are pretty much like this the whole time whether you're onstage, whether you're in the van, whether you're eating, whether you're in the hotel room. So everyone has their moments and you kind of learn to respect people's space when they're not in a good mood.

My career is a development and that's a big thing because when I decided this was what I wanted to do it wasn't like "I want to be a rapper, I love the words and the beats in my headphones" it was more I wanted to live for music. I love music and I just want to be around it.

Anyone who has been with me from the beginning has worked from the trenches with me and they've worked really hard. People that I have brought in where I am now, they haven't worked the way that we have, they haven't lost the sleep, and you know, the blood, sweat, and tears.

In music, I don't think there's any need to be an all-rounder and do everything yourself. Play to your strengths, and do what you feel. Or do whatever the material itself demands. In this case, I felt like it would benefit from me singing, and I wanted it to have that sound.

In L.A., I called every scrap yard and surplus place that was listed, about 50 or 60 places, and only at one of them did the owner get intrigued and let me go around the yard to find stuff. Because the insurance regulations are such that you can't go into the places anymore.

What I've found is that country doesn't refer to where you grew up as much as where your heart grows down, where it takes root. Country is a state of mind. I believe what ultimately defines being country is simple: a loving heart, a helping hand, an open mind, poor in spirit.

I needed to step away from music because the truth was I couldn't be the dad I wanted to be to my kids. My truth was that I could not reconcile the two worlds - the entertainment world and being the dad I wanted to be in the present. You can't substitute time, you just can't.

When a pastor continually makes light of the character of our Lord by speaking in scatological tones about the Son of Man's bodily functions in incarnation or wearing T-Shirts that rather mock the King of Righteousness rather than glorify Him, then something is terribly awry.

I do feel like I've changed a great deal, but not anything outside of the norm of what most people experience as they grow and they take on the responsibilities of parenthood and being more engaged in their business and all that stuff. I think it's a pretty natural evolution.

I don't want to see an experiment. Experiment at home - when you show up on stage, I want to see a result. I think a lot of improvisers, you'll see them some nights and they just stink, and they go, "Well, we're just improvising." Like that's a license to have a shitty night!

Some artists will tell you that's all they want to do is write their own music, and that's great, but George Strait, Kenny Chesney, Tim McGraw, Garth Brooks, they didn't write everything they recorded, and they've had major, major careers. I think it's all about the best song.

Your clothes smell heavily of clothing. Your den is filled with low-hanging palls of fresh air. The only rattle in your car is the sound of toll change in the ashtray. The absence of telltale tobacco stains on your shirt collar tells the tale - you've licked the smoking habit.

I wanted to be a teacher. I love children, so I wanted to deal with children. Then I wanted to be a veterinarian. But by the age of ten or eleven, when I opened my mouth and said, 'Oh, God, what's this?' I kind of knew teaching and being a veterinarian were gonna have to wait.

I'm 21 years old, and it's kind of uncomfortable for me to talk about, but I'm in the 1 percent as far as my income and tax bracket. But now that I'm here, there's no amount of money you can wave in front of my face that will make me understand depriving people of human rights.

If you're good, and you know you're good, and you know you're better than those people getting paid to do it, you still have to have an open ear….Nobody's music is the enemy of your music…The idea that someone else has made it when they shouldn't have made it is toxic thinking.

I guess it's a bit like not claiming your brother at school. This kind of disowning of the thing that you're most like. You want to be something cool, like Michael Jackson say, with a boom box over your shoulder and wearing leather. But you know deep down you're just a hayseed.

All I knew was I just wanted to make music, I wasn't thinking about label politics or what that means. It was really much simpler back then but yea I was discouraged a little bit. I felt really confident in my skills when I was that young, I was really cocky when I was younger.

I think that anyone who is in any way creative or is creating something, whether an architect or fashion designer, I think if you have the opportunity to create something that is fully you, it frees your mind and your spirit and gives you the opportunity to really find yourself.

I don't jerk off because I'm horny. I'm sort of half-chick. It's like District 9. I can fire alien weapons. I can insert a tampon. No, I do it because I want to take a brain bath. It's like a hot whirlpool for my brain, in a brain space that is 100 percent agreeable with itself.

There are certain times in a concert when I'll call an audible because I feel like God is calling me to play a different song. But truthfully, I feel called to play for the church whether it's song being played on Christian radio or it's concerts I'm doing primarily in churches.

If I'm not writing about myself, then I sit down with people I really dig writing with and throw 'em out and see if something sticks. Their brain plus mine hopefully will make something interesting and cool and it will just snowball and we'll have a unique song by the end of it.

There's a spectrum of possibilities. You can underline the bass, or not at all. You can create something that is well-anchored or that is floating and never arriving. You can make a melodic line dominant or barely visible. The conducting gesture is akin to painting or sculpture.

There's certain things as a songwriter that I don't really care to write about, and there are certain things I won't sing about anymore. There are just so many things that I probably thought was OK for me, or have been in the past, that I would never want my son to think was OK.

I could kiss you in the rain forever Turn all your pain to pleasure Fill up all your days with sunlight Make the passion last every night Give you my every possesion Make you my only obsession Climb up to the sky and pull down all the stars above But I could never love you enough

Sometimes I write it down, sometimes I freestyle. I get lines coming to me randomly throughout the day and I'll jot it down and build on that. If I get a line that's about love, it starts up a whole love verse... And if a beat speaks to me, it's like I already know what to write.

I find it interesting when I look back at songs and it's what I've been thinking and feeling for the past two years. There's some sexual stuff in this record and I'm sometimes like, "Is that too far?" There's a confidence in it. It's over-sharing, but in a really therapeutic way.

I don't really write any of my raps down. The same, Kanye don't write any of his raps down. Common. It's easy that way. For me, personally, I figure I will lose some of the inspiration in the time of me writing it down, or I'll say it a certain way because I wrote it a certain way.

When I was starting, I was very much influenced by the straight up, eyes to camera style of August Sander. He is really the only one. Had I known then the work of people like Ken Russell, Vivian Maier, Helen Levitt, and Steven Berkoff, they would undoubtedly have influenced me too.

Country music is the combination of African and European folk songs coming together and doing a little waltz right here in the American south. They came together at some cotillion, and somebody snuck a black person into the room, and he danced with a white lady, and music was born.

Just need to rave for a moment about the scrubbing cleanser...I have only ever found one (chemical filled) product that REALLY cleans my shower/tub, until now. The Ava Anderson scrubbing cleanser is amazing! Cleans the toughest dirty spots and smells absolutely delightful. LOVE IT!

But millions at one time, beyond gender or race, had their attention fixed on her, and with that power, she chose to flash the word "feminist" all over our TV screens. If that don't do nothin' but make people Google the word, then that should make every feminist in the world proud.

I like Costco. They got me to be an executive member, so I'm, like, a business class member. Somehow, I'm going to end up saving money or something. The thing is, I don't moderate very well, so I buy things that are supposed to be for a family or last for a week, but they never do.

Under normal circumstances, women go through a lot; and breast cancer compounds the situation of our daily lives. Supporting other women is paying forward and cementing part of my legacy in giving my time in helping others to either live a better life or reach their full potential.

The way I view touring and shows, for me, is that I really like playing, but that's not the thing that fuels me. I am much happier writing and recording. For me, performing is exclusively for other people. I let people write me to tell me what they want to hear. I'll play any of it.

When you're adopted, no matter what, you've got issues with unconditional love. And you find out you're the product of the worst situation for a young girl to be in and start her life, and I'm so grateful that my birth mom made the decision she made. She came from a rough situation.

Yeah and she's my kinda crazy The little games she plays Lord they'll never get old She's too cute to get on my last nerve The way she throws her little fits Pokin' out her lip and bitin' mine when we kiss There ain't a fight that she can't win That's my baby And she's my kinda crazy

Minneapolis just embraced me. There are a lot of weirdos here. It's awesome, because I'm a weirdo. Thankfully, the city embraced me with open arms. A lot about Minneapolis helped carve my musicality and open my eyes. The whole town is so open-minded compared to like, you know, Texas.

I've always been the underdog, and I've always had to work much harder than the next person just to get a look. But I feel like that's Black people as a whole, to be honest with you. We have to do so much more and work so much harder to get certain kinds of looks within this industry.

The first song I remember listening to in a language other than German was 'Goldfinger,' by Shirley Bassey. I was seven years old at the time and I had no idea which language it was or who the lady was singing it, but it touched me and I realised that it was the sort of music I liked.

I wake up every day and think about what I am to other people. What I am to the people I employ, who depend on me to wake up and do my job that day and keep this career going? I think about what I am to the kids who listen to my music and all the other people involved in this project.

That isn’t about money, fame, or power. It’s about will, dedication, commitment, and knowing your self-worth. You can be poor as dirt and have those traits. Money can’t buy you values. You just need to know what is important to you and then feel secure in your pursuit to achieve that.

And the whole online thing is like, I just, that to me is a world that doesn't exist. It's not something you could touch or lick or smell. And as my eyes get worse, it's very hard to read. And there's no money in it. I mean, it's like they pay, like the best you can go is 1970 prices.

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