Quotes of All Topics . Occasions . Authors
Lil Wayne is somebody who I used to ride to school listening to in my car. You know from Tha Carter to Tha Carter II, to Dedication 1 & 2, to Da Drought, his mixtapes. You know you got that for him as him being a rap legend, somebody who you look up to.
I do know many a band out there, because believe me, we've played with most of them, who are together because they have to be. They might not talk to each other offstage, but they realize they can earn a living by going out and keeping that music alive.
You can't judge a book by its cover, though. People think I'm bad because I got tattoos or snort a little cocaine here and there. They think I'm a killer. But what if I wasn't a killer? Then what? Don't be tripping on me. I pay my damn taxes, OK? Chill.
Just try to keep the heart turned outward, as well as having moments inward. I think the threat of an industry like this is that you can become sort of self-obsessed. There's so much praise being given to you - there's a real threat of exalting the ego.
I'm going to make music that reflects me and my life now. So I think people who like my music and who listen to me should appreciate change as well, because I've definitely evolved, and that's a great thing, to celebrate that is what music is all about.
You're in good spirits when you create and produce great music. All situations inspire music in different ways, man, from good situations, bad situations, depression, falling in love, falling out of love. I've been going through all those type of things.
I used to like smoking before I recorded, but, now it's just kind of like thinking about executing it... I just want it to be the best and all that. That's what really gets me in the zone nowadays. I want to put my best foot forward and make a statement.
The zenith of virtuosity, a violinist like Jascha Heifetz, the supernatural in a pianist like Vladimir Horowitz, these are performers who were so idiosyncratic and personal that to imitate them would be like filling somebody else's bottle with your wine.
Certainly one of the more common experiences in the jazz field is discovering someone new. Improvising musicians are capable of being musical travelers, voyagers. We want to join in on whatever we hear. There is a freedom to wander the musical landscape.
Once the rudiments of loyalty are in place, the ambitious have been inclined to work with them to promote their own political advancement, and they have availed themselves of the symbols of loyalty to mobilize popular support for their own personal ends.
Everybody's bones are just holy branches cast from trees to cut patterns in the world. And in time we find some shelter, spill our leaves, and then sleep in the earth. And when we're there, we'll belong, 'cause the earth don't give a damn if you're lost.
I’ve always been a sort of self-imposed outsider, not a geeky outsider or a snobby outsider but, I just have a natural desire to live on the fringe. I’m not like a weirdo with a trench-coat but I just prefer to be alone or minimally surrounded by people.
Honestly, like, American football is not that big over in the U.K., so we hadn't really heard of Drew Brees before. I did know that he was, like, a massive football player. He's a massive star, so I was still a little bit anxious and nervous to meet him.
You know, when I was 14, a kid from our community said to me: ‘Everyone’s talking about you, Caleb. They say you’re the chosen one.’ That quote always made me so nervous, that I seriously started to think about my future. I changed a lot during that time.
Just dwelling on the past, I think it's really important for me to surround myself with positive people and just work really hard and really make the most out of the opportunity that God has given me, being able to make music, which I always wanted to do.
That’s the thing about success and happiness. Every time I fall in love I become absolutely, pathologically obsessed. The moment that you have what you want, and you’re not totally ready for it, you become obsessed with the idea that you don’t deserve it.
It's always performing for me. I write and I record so I can perform. It all ties to that. I've done it since I was a little kid. That's my absolute rush, is playing for different people every night, bringing something else to the table they've never seen.
I am deeply saddened to hear the news of Dan's passing. He was a dear friend for many years. Dan & his music will live on in the great songs he shared with us all. My sincere condolences go out to Catherine and the entire Peek family. May he rest in peace.
I always hate people that complain about showbiz after they've had a good run. To me there are so many great bands that never get their due, that are struggling away. And I'm like, if you hit the lottery, man, you can't expect it to come around every time.
It took me a long time to not think of the universe as a judgmental debit-credit system. I haven't completely shaken it, but I no longer think that I am overdrawn with God. Grace is not something you earn; its always there. I find this idea a lot more fun.
When I first met my wife, I really just settled down quite a bit and I started living a much cleaner lifestyle. I was able to concentrate on things that I neglected in the past a little more and I was spending a lot more time at home than I normally would.
In America, for a brief time, people who followed Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal effort.
No matter what, I'm never going to get an anthology from an actual publisher, though I could always score another music anthology. But if this is going to be a document of a multiplicity of my writings, it'll do. It feels like a birthday party or something.
If you like my music and it brings you emotions whether Joy or Pain, I feel I have done my part to give you insight from my perspective and that it continues. I think music suppose to bring us all together and I am glad I can take you along on this journey.
Things are very different now because a lot of those little clubs don't exist. In Soho for instance, where nearly half my nightlife photographs were taken, it's rapidly changing. There isn't the same after dark frisson of excitement about the place any more.
The first year with the success that we had and let me point out that the time frame changes depending on which decade you look at it. In the seventies acts were kind of expected to do an album a year. If you look at the Beatles they were doing three a year.
If you surround yourself with the wrong people, if you surround yourself with people that constantly tell you how great you are and never tell you the truth and just tell you what you want to hear, I would imagine it would be very easy to get above yourself.
Performing live is not my favourite. I am more of a recording person; I prefer to be private. I didn't mind doing videos, even if they came very close with the camera. I can take that, but walking on stage in concert and singing live, that is a bit difficult.
Tom [Collins] was a great influence on me. He really pushed me...constantly demanded rewrites. And, as much as I despised them, it was the best thing that could have happened because he just wouldn't settle for less. It had to be right, and it had to be good.
Obviously as a performer there's nothing more direct and emotionally satisfying than playing s**t for someone who likes your stuff, but I don't think I can make big room. No shade to the old guys, there's some dudes who are about that life and are good at it.
You just kind of go and do your own thing. Sometimes it's really hard to compare apples and oranges, so you don't really think of it that way. You just perform to your fullest potential and hope everybody else does too. And however it works out, it works out.
If I wake up in the morning and I don't want to get you a coffee or if I don't see you for a week and I don't want to go figure out something to FedEx you, then we've got a problem. You can fake the words I miss you, but you can't fake getting someone a book.
'Lemonade' is made out of bubbling, fizzing, popping, and 'Hard' is made from metal and latex - they are sort of sculptures in this way. I synthesize all sounds except for vocals using raw waveforms and different synthesis methods as opposed to using samples.
I think I've grown a lot in the last few years, and I needed to express myself as an artist on this. It wasn't necessarily about going in and making an album chocked full of hit singles... there were a lot of things I did out of the joy and the want to do it.
I grew up with very hands-on jobs. I was raised on a farm and taught to work hard. In this high-tech, high-speed society, somewhere along the line, we got the message that if we're not a brain surgeon or an astronaut, we really shouldn't be proud of ourselves.
Nothing is easy, and life can be extremely tough, but there's always a yin to the yang, so to speak. It's up to you to seek it out, embrace it, and live happily ever after. No matter how bad the hand you've been dealt may seem, there's always a way to play it.
The private person Tom Neuwirth and the art figure Conchita Wurst respect each other from the bottom of their hearts. They are two individual characters with their own individual stories, but with one essential message for tolerance and against discrimination.
Because as much as I love figuring out other people's puzzles, and love putting words together in ways that feel good to sing and sound good together and suit the melody, I think most of the best songs in the world are fairly clear about what they mean to say.
Can you blame them? We have to filter so much information these days. But it does make it difficult for an artist. I'm 46 years old now. I've had a lot of life experience and my voice has changed. People who expect the same old me are bound to be disappointed.
There's a lot of influences that I have from Detroit that are subliminal. I mean, I spent the first 10 years of my life there. My mom and dad were born and raised there, so a lot of that rubbed off on me. When I get angry, sometimes a Detroit accent comes out.
When I was a child I accidentally made a chemical bomb. I also ate my grandfather's heart pills. I got my stomach pumped for that one. I got over that so by the time I hit my teens I was kind of mild. Now I'm like an old lady who occasionally parties real hard.
Could've come like a mighty storm. With all the strength of a hurricane. You could've come like a forest fire with the power of Heaven in Your flame. But You came like a winter snow, quiet and soft and slow. Falling from the sky in the night to the earth below.
It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.
Stage presence is not something I spend a whole lot of time thinking about. On the one hand, I do, because I have, like, favorite front-people and I know what's excited me to see in a band. But I can't be David Yow [Jesus Lizard frontman] and still play guitar.
Some people choose to go on 'American Idol' or another singing contest, and some people choose to beat down barrooms before anyone even knows who they are, in order to get a fan base, so when they do get a record deal, they have that to put in front of a label.
It's a really cool time for artists who want to strive for a little more depth in what they want to say to come forward. We live in a very fast world right now. We've got all this media and music which is so accessible to us, it's here one minute gone the next.
In America, for a brief time, people who followed John Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal effort.
There's definitely a thin line between being tasteful and tacky. I feel like tasteful is very unique...it's not necessarily wearing a bunch of chains - that could be either tasteful or tacky. It just depends on how you wear them and what kind of chains they are.
I had an advantage because people would post me on blogs because I had co-signs from Kanye West, Def Jam, and G.O.O.D. Music. Everything I put out, the blogs would put up. When I realized that, I used that to my advantage and helped build my following on my own.
As a crew, G.O.O.D. Music is taking it to levels that really haven't been done collectively. Kanye is someone who knows how to make classic albums, a true thinker. He got me in the mindset of being a true thinker and always planning out every move you got going.