I keep making the music I do because I feel very purposeful about making things that would be helpful or quell some loneliness in people. I really needed that when I listened to music growing up and even now, so I don't mind that sense of duty.

It has always felt like a failure that Bjorn and I couldn't keep our family together. You never get it back, but to this day I don't regret splitting up. The reason behind our separation is one of those things I definitely don't want to go into!

I have always had strong maternal instincts. Even when I was still a child I cut out pictures of prams from newspapers and imagined the feeling of pushing my own pram through fresh winter snow and seeing the wheels' tracks behind me in the snow.

I feel like, big city or small town, you can relate to following your parents' footsteps or putting your own dreams on the back burner or vices that we get caught up in - that whole cycle. That's not just a small-town thing. That's a life thing.

I've seen my whole family struggle, with money, with relationships, with alcohol, and I thought there must be a better way. As you mature, you realize you don`t choose your parents. It`s not your fault what they do and you should not be ashamed.

When a young artist asks me a question, I want to do what I can to give them an answer if I have it within me. I know what I know. I won't make up stuff. But if it's something I've been through, I'll share my experiences and tell them the truth.

I had a girlfriend when I was about 13 but we didn't stay together for very long and I've not really been out with many people since. I've still never had a serious girlfriend but I would happily go out with someone if the right girl came along.

I have ended up on so many weird Men's Rights Twitter accounts filled with weird anime. I don't know. It's so bizarre to me that people can think that way, and so I feel like I can decode them or figure it out. But you can end up so grossed out.

It's pretty strange because you have images of people in your head when you left, then you just think they're going to be the same when you come back, like time freezes. I have sisters and from the ages of 11 to 13 - it's a big change for girls.

I traveled and made money and I wouldn't let anybody get between me and my music. If I belong to anything, I belong to my music. ...What you were born to do, you don't stop to think, should I? could I? would I? I only think, will I? And, I shall!

What helps with aging is serious cognition - thinking and understanding. You have to truly grasp that everybody ages. Everybody dies. There is no turning back the clock. So the question in life becomes: What are you going to do while you're here?

I end up pleading my case to alternative programmers - you're telling me that my music is too dark for pop, too pop for alternative, and urban radio won't touch it - so we have a record that doesn't fit in. And what is more alternative than that?

Americans want action for their money. They are fascinated by its self- reproducing qualities if it's put to work. Gold- hoarding goes against the American grain; it fits in better with European pessimism than with America's traditional optimism.

I love film. I'm a movie buff. So it really does pique my interest. For me, it all kinda bleeds together. The music, dance, the film, the cinematic effect ... and then I love comedy. And so I'd like to put it all together and then make something.

I don't like it when they [media critics] see me as this little person who doesn't know what to do with herself -- like I have no idea what I want, like I'm just a puppet ... That's demeaning to me, because that ain't how it is, and it never was.

Telling people that I wanted to make dance music, or be on the radio, they looked at me like I was crazy because there was nothing like that in Lichtenstein when I was getting started. That's why I went to Germany, because there is industry there.

I had always loved music. I grew up listening to classic country, Waylon Jennings, Merle Haggard. My dad loved Vern Gosdin and Keith Whitley. So I kept going to class and started getting totally into playing guitar and teaching myself these songs.

I only work with a couple of co-writers who I'm really close with, so they always know what's going on in my life and we talk about things openly, they know every song is true to something that I'm either going through or have gone through before.

After writing anything, there's always that postpartum feeling of, "What do I do now?" - I think particularly for nonfiction writers. I feel myself pulled back to the same themes, sometimes even the same moments, and I'm not sure that I want that.

I would say that for the younger musicians, technical proficiency is necessary and a given these days. But the study and the way you function in society, your beliefs and the way you live, that is where you will find a real musician, a real artist.

If I go way back to Loretta Lynn, I always cite her as being able to capture what I think is every woman's story... she very openly used her art as an expression of what she was going through in her life. So that authenticity is something I admire.

It's always a pleasure to perform for people who love country music. And Australians definitely fall into that category. Each time I go back, I learn something new about the country, and I get to see some of the most beautiful places on the planet.

Then when I went to Iraq and saw the strength and character the men and women in our military service exhibit every day and their belief in what they're doing, I knew I wanted to get that on film and share it with everyone. They are my inspiration.

I want to look my best, but I'm not a model. I'm not an actress. I'm representing normal girls. It's OK to have a little bit of curve. I'm happy with my body. So many girls come up to me and say, "Thank you for being normal," and I'm proud of that.

I think people have a hard time dealing with a bunch of things at once. They can't have something be disturbing and funny at the same time. They can't have that kind of combination. Which is weird to me because I feel complicated about most things.

I'm focused on the music. I think, as long as I keep making music just because I like to make it, people are gonna like it. But if I start going after different aspects like money, blah blah blah, then I don't think people are gonna like it anymore.

The greatest thing about being in a band, and the strength of having companionship and collaboration, is also the thing that makes a band break up because then you begin to feel confined. Like, who am I as an individual, as a writer, as a performer?

So I really did stop and change what I saw I was about, and really try to put that principle into play as the center of everything - my friendships, my marriage, my career, my family, my way of being in the world. And that changed everything for me.

It should be if you're a good singer and a good songwriter, you should have your spot. You get everybody trying to release the prettiest guy, but that doesn't mean they're the best artist. Most of the time the true artists are just normal old dudes.

Music was fundamental in my family. Sang at bars, all the way to church on Sunday. Music in school, played guitar pulls at the house, go to other people's houses and break out the guitars, it was fun. It was always there, I've just been a part of it.

We have had some great shows this summer, the Jammin Against the Darkness event was pretty incredible and it was good to see everyone at the festivals. Today we head to South Dakota for the start of the tour with Falling Up, The Wedding and Mainstay.

When I was born, my father named me Melissa, and I am still Melissa but I got the nickname Lizzo around the time I was in the Cornrow Clique. I'm from Houston, so naturally, everyone dropped the second syllable of your name and just put an "O" there.

Sex education pretty much taught me about how my body works, why certain things happen when I'm around girls, and what sex was, and I think that there's a lack of clarity between sex and love - a lot of people think it's the same thing when it's not.

I think our fans are a bit like us — they’re very fun, like to have a laugh, like to party. I think that’s what comes across on our album as well. It’s very fun. It’s music that you could play at a party, but it also deals with teenage relationships.

The Creed of the Assassin Brotherhood teaches us that nothing is forbidden to us. Once, I thought that meant we were free to do as we would. To pursue our ideals, no matter the cost. I understand now. Not a grant of permission. The Creed is a warning.

You hear about people your whole life, 'So-and-so has cancer,' and you're like, 'Wow, that's too bad,' and then most people tend to go about their day. But when someone tells you that it's your father or it's your family, that doesn't tend to go away.

It's true that bluegrass is a virtuosic form and asks that of its performer. Old-time music is older rawer and purer. It's less stylized. We don't solo. Well sometimes we do, but it's different it has more to do with rock-and-roll than bluegrass does.

As you reach for understanding, you find that your ladder of facts isn’t long enough, and you try to extend it by adding a rung of faith. Eventually you see that the task is hopeless, and you put away your ladder of facts and go get a ladder of faith.

I definitely do live my life at a different pace now than I used to... I feel like I'm guilty of all the overindulgences of a guy in his 20s and early 30s could've gone through, but I look back on it with great fondness. I don't have a lot of regrets.

You have to realize that, if you don't get signed right away, it's not because you're not talented. It's not because you're not good enough. The stars have to align perfectly in order to get signed. And sometimes it works out, and sometimes it doesn't.

I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.

Man, I live in Nashville. I know how good other songwriters and singers are around here. There's a wealth of talent in this town, not to mention the people who shoot in for a week or two to try their hand on lower Broad or the other venues around town.

Theater is definitely something that, through the course of my childhood and even in college, I enjoyed participating in. I would love to do theater, or as far as movies or television goes, if the right thing came along I would definitely entertain it.

I've certainly had to bite my tongue on occasion and live to fight another day, so to speak, on certain things. But when you're new and fresh, you come out and think, 'I don't want to screw my chance up, so I'll go along with what everybody else does.'

For me, it's not about the awards. I don't define success by how many awards you have or how much money you have. To me, success is if I'm happy. If you have $20 million in the bank and you're not happy, you're not successful to me - that's my opinion.

It feels like it's just starting in America and the UK. It's great to have a loyal fanbase in Australia and New Zealand. People in America say how polished our band are, but that didn't happen overnight; that came from doing all this touring back home.

I think 'SNL' is so well-known for its musical performances, as well, and people really breaking into America through a really great performance on there. So I think me and Gotye are both really excited to be amongst such company. You know, it's great.

And I'm proud to be an American, Where at least I know I'm free, And I won't forget the men who died, Who gave that right to me And I'll proudly stand up next to him to defend her still today, Cuz there aint no doubt I love this land, God bless the USA

You can't live for God until you learn how to live because of God. And you can't go and make good choices for God until you understand the gospel that says the choices you make don't make you who are, what Christ has done for you makes you who you are.

We are all shades of gray. Its been said again and again; Lifes a process we are fleeting moments that come and go, and I'm grateful for my time, my aspirations, my mistakes, my flaws and my abilities, think of me what you will but before you do, don't.

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