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I don't know if I am a role model, but I've had young kids write to me. I try to write songs that I wish I would have heard when I was younger. It's kind of strange to think of yourself as a role model. That wouldn't be a bad job.
I live in rural Alabama, and it's very conservative. I've had one guy say 'you can't be a minister and a DJ at the same time'. I thought 'how does someone get to choose what God has assigned me to do - God has given me a ministry.
I didn't want to try and borrow kudos from Indonesian culture. I was trying to get a fresh perspective on these instruments. I'm not doing a Paul Simon Gracelands and stealing all this African music and not give anyone any credit.
I have always been the life of the party. When I got to the point where I wasn't anymore, I knew something was wrong. I didn't know what it was. Once you figure it out, you can start to fix the problem. It's a day-to-day struggle.
Every time I'm home, it's like a vacation, but I've been playing in bands since I was 11. I guess our goals were always small goals. It started off my goal was just to be in a band. Then it was to have a drummer that would show up.
A lot of my musical education was done simply by listening. If you really want to excel on your instrument, it's almost impossible to not develop and analyze what you see and hear and to incorporate all of it into your own playing.
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer... if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
I don't need anyone. Because I can do every single thing that a person in a relationship can. Everything. Even zip up my own dress. You know, there are some things that are actually harder to do with two people. Such as monologues.
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My biggest advice to people now is that when you go through something traumatic, you've got to go talk to somebody. You've got to be able to understand it, make peace with it inside yourself, and you've got to be able to let it go.
I write about what I know and what I've experienced. That's the only way it can be real to me. I love songwriting. There is something so satisfying in coming up with an idea and turning it into a song that means something to people.
We're from Athens, Alabama. That's my town. People think it's Muscle Shoals, but they have no idea. It's a quiet, sleepy little town, about 45 minutes from Muscle Shoals. It's really hard to be a band in Athens; there are no venues.
We feel this passion that we have for music and this relentless need to pursue it and follow it and go wherever it takes. It's just something that's ingrained into us - it's ingrained in us so deeply that we say it's 'in our bones.'
I'm open about having bipolar disorder. I'm open about being of mixed race. I'm open about being bisexual, and I have this wantingness to talk about it, and for me, it's about more than being a role model for any specific community.
Don't terrorize. Organize. Don't burn. Give kids a chance to learn . . . The real answer to race problems in this country is education. Not burning and killing. Be ready. Be qualified. Own something. Be somebody. That's Black Power.
If you get half a million, at a certain stage you probably will get 4 million people, if they are able to hear it. The touring thing is unbelievable. It really is amazing from what we did the last tour even to what we are doing now.
I don’t care what you write man, just make sure you make us sound sexy. Say that we looked like we’d just come from the beach and that our bodies were glistening. Say we got no hair on our chests. Anything so the girls will like us.
I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.
As Conchita, I've got everything that I need to be glamourous and in the spotlight, giving interviews, doing photo shoots. And on the other side, there's Tom, this shy, boring boy. And I love to be shy and boring when I'm in private.
When I'm standing in front of all those lawmakers in the European Parliament, then I'm a speaker, when I'm singing, I'm a singer. If I'm on the catwalk, then I'm being a model. That can all happen in one week or even on the same day.
You love the way it makes me feel when I can't catch my breath Like walkin' on a high wire, Lord, it scares me half to death You're always high above me and I'm always fallin' down Our loves just a circus baby, and I'm just the clown
Each song had a different way of coming about. In some, the music was written first while others it was the lyrics. We didn't want to overthink anything too much - we just wanted to, writing-wise, chuck out as many ideas as possible.
I'm a good listener, you know. My gran used to say that's why you've got two ears and one mouth. I just truly love what I do and treat it with a lot of respect and all these relationships in the music business that people talk about.
Certain kinds of people will always have an issue with my music. But that's fine; it's OK. I don't want to be the McDonald's of music. I don't want to not turn anyone off. If you were everybody's cup of tea, you'd probably be boring.
There's a book called 'You're Not a Stranger Here' by Adam Haslett - short stories, a lot of them are about mental illness and gay people - that classic combination. But they're really well-written, really powerful. It's pretty good.
Are you an artist? Look about you. Is there a physical tool whose use you have mastered, a part of your body that responds utterly to your control? Is your motive esthetic? If so, you are an artist. If not, you are probably a writer.
If I said who I was influenced by, it would be really weird and pretentious because it would be people who have nothing to do with what I do. From a listening perspective, there's just something in their playing that I'm inspired by.
What you share about how you've overcome in some area in life, it helps someone else believe that they can make it through whatever situation. You can give them some insight into how to pick up the pieces from whatever's been broken.
Well, I don't throw things. This particular night I brought one from the floor so to speak, and he ended up getting a cut over his head, and the police came, took him to another side of the hotel, and that was like September 6, 1981.
So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.
It's hard to decide how to match words to music. It's not like it's twice the work. It's always difficult for me to explain to the composer what I'm looking for. I'm not a professional; I lack even basic knowledge about writing music.
For me, I wanted somebody that got me musically, that understood that I'm an artist and this is who I am. I'm not going to be like another artist on your label, probably - hopefully. I found all those things with the Broken Bow group.
I was 19 when I first auditioned for 'American Idol.' I'd never been on an airplane; I'd never been outside of my hometown, except to go to Myrtle Beach. I'm 22 now. I'm learning a lot about life, and it's all in front of the cameras.
At one point, I didn't get out of bed for, I think, three months, and I went down to the bottom of the hill one day and I had to call somebody to get me to come back up - come pick me up because I couldn't physically walk up the hill.
The more people told me that, you know, wow, you should be so blessed. Dont you feel blessed? And you have all this - mansion and all these beautiful things. And I said, you know - the more they told me that, the more depressed I got.
You see, for me [art]'s not one of life's ornaments, rococo relaxation to be greeted affably after a day of hard work; I'm inverted on this : for me it's my very breath, the one thing necessary, and all else is excretion and a latrine.
There's a lot of shoes that people consider high-end fashion, from Balenciaga to this and that or whatever, and the Pro Models are very similar to me. They're very fashionable to me - the design and the shape of them. I just like them.
I would love to write a screenplay for 'Badlands' one day. I don't think I could ever have the patience to do it; I don't even have the patience to write songs. I write some of the shortest songs ever because I don't have the patience.
I always feel like the less I think of stage presence, the better, because then I have to face the fact that I have really complicated guitar parts, I'm singing almost all the time, and I have like six pedals I've got to keep on top of
Not to be narcissistic, but I truly believe in order to make yourself better, you should see what you did before and what was good about that and what wasn't - same way a football team plays a game and then they go back and watch film.
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So I had to just kind of go back to the hotel, take a shower, sit quiet, dig down deep, warm up, and allow myself to move into some kind of zone. And then I remembered that a lot of my favorite musical moments are not about perfection.
The more people told me that, you know, wow, you should be so blessed. Don't you feel blessed? And you have all this - mansion and all these beautiful things. And I said, you know - the more they told me that, the more depressed I got.
I wear a lot of black, and it's not because I'm depressed or anything. I like black jeans - they're pretty much the only colored jeans I wear. James Jeans have the most comfortable fabric. I'd say in general, I dress pretty comfortably.
I decided I was just going to sing the type of songs I gravitated toward and inspired me and moved me. I was going to let the people whose job it was to decide what places to put it, and let them do that. I'll stick to the singing part.
People behind the Iron curtain have such an incredible image of America and jazz. I expected to find a Gerry Mulligan or Miles Davis on every corner...I almost expected a Shorty Rogers to deliver the milk, a Bud Shank to be the mailman.
Hip-hop wasn't actually the genre that made me want to make sound, and I couldn't actually really pinpoint what genre it was. Growing up, my favorite music was my parents' music, and eventually I started to develop some taste of my own.
The 'Room 93' EP was just kind of picking apart the sense of voyeurism and the sense of isolation and turning it into, essentially, a little black book and reflecting on - at that time - 19 years of me forming relationships with people.
You just realize that you have to be committed to this thing in this kind of world that we're in the more your support group dwindles and you start seeing your peers buying houses and getting corporate jobs. So that can be discouraging.
If you are a young girl who wants to be a country singer, just don't try to do it too early. Be a high school kid, be a cheerleader, do your thing. And also, just know who you are; know what you want to say and stick with it throughout.