Quotes of All Topics . Occasions . Authors
An artist is made to entertain. That's their primary goal, to entertain you. But some artists record the moments of time. You wouldn't know what was happening in the '20s and '30s; you got to check the song or art.
I do think it imperative that you recover from fear of rejection. Forgive me, but that is the sin of pride, and you must avoid that particular manifestation of the sin if you are to reach the goal . . . you hope for.
I think, in the early years, my biggest influences would have been... Daft Punk was a huge one for me, I bought their main record when I was nine; at a young age, I was into music. The Prodigy, Gorillaz were big ones.
Being yourself is what will make you survive through anything. If you make music to please someone, it's the first step in the wrong direction. Always do what you believe in, no matter what people say. Only way to go!
When it's your own thing there's a lot more pressure to make it awesome, since these people bought tickets specifically for you. Whereas at the festivals, you're one of many acts on a bill so I find it's less pressure.
Making sounds that literally no one has ever heard before because the software and the technology's never been there, and pairing that with great songwriting, then that's what's exciting for me. That's what I wanna do.
The first thing an unpublished author should remember is that no one asked him to write in the first place. With this firmly in mind, he has no right to become discouraged just because other people are being published.
The truth shall set you free. When you hear the truth, it sets you free. So mathematics is truth. It adds up. There's no error. Only time there's an error is when man miscalculates his own problems or his own equations.
I do not like people writing songs and then other people singing them. A lot of people don't even sing their own songs anymore. It's like producers these days have ghost producers; 'I don't produce, but I am a producer.'
I like to think of 'the studio' as a laboratory where I can go in, learn tricks, apply, revise, and release. I'd figure I had about the same emotional attachment to my craft as a guy over at NASA does over... NASA stuff.
There are some great songs - like, I really like 'Snowcone' and 'Whelk Then' and 'No Problem.' I think I'm dissatisfied that it's not written from start to finish; it's over a year's worth of work that doesn't correlate.
What So Not used to be a lot more dance-y, and now it's becoming a lot more melodic. Flume has always had that melodic thing, but it's starting to become a bit heavier, so it's just difficult to navigate between the two.
Once you've got an inspired spark, you've got to strive. You've gotta keep putting wood on it, so they say, to keep it burning. But then there's the alchemist side of it, that's the fire that's burning but it don't burn.
The industry has always had a problem with the 18-to-25 market, but EDM is perfect - a unique identifier for a group in that mental and fiscal state; in their youth, but free to do whatever they want. We filled that void.
I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
I'm exploring this world of game development and GPU and getting involved in any capacity that I can to meet talented artists and programmers and developers. That's what you're gonna need to get a high-end experience done.
When I made '1983,' there were a bunch of tracks that were in the early drafts that didn't make it because they just sounded like tracks for rappers, and that's not really the sound I look for when I produce my own albums.
Confusion is a gift from God. Those times when you feel most desperate for a solution, sit. Wait. The information will become clear. The confusion is there to guide you. Seek detachment and become the producer of your life.
If you’re convinced as an artist of what you’re doing the only move is to, no matter what people say or what management says or your best friends say or people on Facebook. Do what you do and people will find its way to it.
Sydney's beautiful, the weather's great, and the air's fresh and clean, but it doesn't have the scene and the amount of likeminded people. At home, things are very comfortable, but I feel like putting myself out there a bit.
People are stupid; given proper motivation, almost anyone will believe almost anything. BecauHse people are stupid, they will believe a lie because they want to believe it’s true, or because they are afraid it might be true.
I think the compositional side of my productions have progressed and matured a lot more, and creating melodies is actually what I have always enjoyed the most, so my productions will always contain that strong musical element.
What I don't like to hear in music is something has not been thought through: that a sound is just there randomly. I want to make sure that every single little noise that's in my song is there because it's supposed to be there.
If you're convinced as an artist of what you're doing, the only move is to, no matter what people say or what management says or your best friends say or people on Facebook, do what you do, and people will find their way to it.
An architect is a person who builds homes or structures, stadiums even. A Supreme Architect is someone who actually built the universe. So, if I say I am the Supreme Architecture, I'm letting Allah speak. I'm becoming a vehicle.
Once a week i have to do my radio show, 'A State of Trance', usually on Wednesday night. I try to go running at least three times a week and spend at least a day without turning my laptop on and spend it with my wife and daughter.
Part of what I like to do with Brainfeeder is to get the younger kids hearing jazz, because they don't know where to go to really hear it. Brainfeeder gives me a platform to put out people like Kamasi Washington or Austin Peralta.
The director can be a dictator, but it's not wise to be. You have to choose the days to be a dictator and the days to deal with diplomacy and democracy. Every great leader should know that, even a dictator. Tyrants get overthrown.
I never feel like I need to make a song that sells 5 million copies; that's not the point of why I make music. It's great if that happens, like it did with 'Clarity,' but my goal is to always make a better track than the last one.
A lot of EDM is not bad at all when it's simple, but a lot of it is not really musical. That's just what I really like to do: taking what I had at the beginning, which is classical and jazz influences, and putting it into electro.
The younger generation has embraced Twitter and Facebook massively, and they spend most of their time on there. So if I want to reach new fans or keep in touch with my current, I try to use Twitter and Facebook as much as possible.
I live a very satisfying life. Not because I've made a few dollars, but because I have a wife who loves me and children who wait for me to come home. And that is beautiful. I think that's the American dream: to be at peace at home.
I've been making electronic music since I was 12. I was making music as soon as I knew how to make sounds on a piano. My parents had a baby grand, and the piano is still my favorite instrument. I look at it as a songwriting machine.
I think I prefer producing a little more than DJing because you have more freedom, you can make anything you want; it doesn't necessarily have to be four to the floor. You can go more with your mood, or the atmosphere that you're in.
The people who need help, run and get help. They don't remember where they get the help. If the devil wants to reach the top, then the devil trying to use God to reach the top. 'Cause the devil have no creation. The devil can't copy.
Kung fu was made so the monks could train their bodies and move their bodies with strength, so they could be physical enough to gain mental enlightenment. Before that, they kept falling asleep when [masters] were trying to teach them.
I'm very grateful I went to school to study law, particularly tax law, which really is interesting to me and very useful to me now with my position. Music, however, will always be my number one passion; I like how it connects everyone.
I don't think I can name any names or anything, but this is what I've wanted to do for a long time: to have Flume as my creative outlet and to work on the biggest songs in the world, like pop, and come up with the idea and send it off.
Before saying, 'This track is so dope; it's gonna go on the album,' I like to take some time away from it and see how I feel about it in a few months. If it's gonna get released, I gotta love it - it's gonna have my name on it forever.
When I was eight or nine years old, my older cousin took me to the St. George Theatre on Staten Island to see a Bruce Lee movie and a Jim Kelly movie. Those were my first martial-arts films, and I fell in love with the genre back then.
People always say, 'How is it to be so successful?' I'm not successful yet. Richard Branson is successful. That's successful. Michael Jackson was successful. U2 was successful. I'm just a guy, doing okay. But I'm a happy guy doing okay.
Holland was one of the first countries to adopt dance music into their culture, and we were the first ones to have really big raves. I grew up in that atmosphere in the early 1990s, and I was very interested in how dance music was made.
Going out and being nice to the world at large doesn't make me feel good, so I replace that with things, with technology that does get me excited and does get my brain spinning, until one day it stops spinning, and then you can bury me.
The city is always influential in the work, though I've had that temptation to leave, but only recently. It's difficult because whenever I start working someplace else, I'm like, "Man, this would have been better if I had my subwoofer."
Holland is a really small country, but with a very strong club and festival scene. Dance music has been huge in Holland since the late eighties. So there were a lot of opportunities for producers and DJs to release records and play live.
I'd like to think I wouldn't get booed off stage if I chose not to wear the head - I did gigs prior to having the head made and never had any problems. I'm aware though that, as a gimmick, it can create its own little monster as a brand.
As I grew older and got into the late teens and early 20s, I wanted to be a voice of the people. You know, getting locked up all the time and going through so much oppression and seeing it all around myself, I wanted to be a voice for it.
In the old days, a TV sync was perceived as not so cool or whittling away at your indie cred. Now it's seen as much more of an opportunity than a sellout, as a way to find fans who wouldn't have ordinarily come across their genre of music.
I feel like the first record was really finding my feet, figuring out what music I wanted to make... Now that I've done that, I feel like I've got a much clearer idea of what I want to sound like and what I want to discover. It's exciting.
I wish more artists would do that sort of thing - just focus on one sound on a record instead of "Here's my club banger, here's my metro booming track, and then here's my Americana song." I like albums to feel like a world. That's just me.