Quotes of All Topics . Occasions . Authors
To claim that science and religion pose different questions to the world is not to suggest that if the bones of Jesus were discovered in Palestine, the pope should get himself down to the dole queue as fast as possible. It is rather to claim that while faith, rather like love, must involve factual knowledge, it is not reducible to it.
If mythic violence is lawmaking, divine violence is law-destroying; if the former sets boundaries, the latter boundlessly destroys them; if mythic violence brings at once guilt and retribution, divine power only expiates; if the former threatens, the latter strikes; if the former is bloody, the latter is lethal without spilling blood
The second thing that happened is, DNA analysis is much more sophisticated. All you have to do now is spit in a test tube and you find out all kind of things in six weeks - where they are from in Africa or Europe. You can prove or disprove the fundamental African-American myth that you descended from a Cherokee great, great grandmother.
Christian faith, as I understand it, is not primarily a matter of signing on for the proposition that there exists a Supreme Being, but the kind of commitment made manifest by a human being at the end of his tether, foundering in darkness, pain, and bewilderment, who nevertheless remains faithful to the promise of a transformative love.
One can re-create what was in the mind of a mathematician a thousand years ago, recapture the truth of the intellect wherever it may have once come to light; but the image of art, that infinite variable of perception and expression in the individual, - that is not easily re-created, at least, not with certainty and in its original fulness.
The poet's discourse can be compared to the track of a charged particle through a cloud-chamber. An energised field of association and connotation, of overtones and undertones, of rebus and homophone, surround its motion, and break from it in the context of collision .. in Western poetry so much of the charged substance is previous poetry.
The British are supposed to be particularly averse to intellectuals, a prejudice closely bound up with their dislike of foreigners. Indeed, one important source of this Anglo-Saxon distaste for highbrows and eggheads was the French revolution, which was seen as an attempt to reconstruct society on the basis of abstract rational principles.
Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
Reminiscences, even extensive ones, do not always amount to an autobiography. For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have at the moment of commemoration.
In the downhill of life, when I find I'm declining, May my lot no less fortunate be Than a snug elbow-chair can afford for reclining, And a cot that o'erlooks the wide sea; With an ambling pad-pony to pace o'er the lawn, While I carol away idle sorrow, And blithe as the lark that each day hails the dawn, Look forward with hope for to-morrow.
Only he who can view his own past as an abortion sprung from compulsion and need can use it to full advantage in the present. For what one has lived is at best comparable to a beautiful statue which has had all its limbs knocked off in transit, and now yields nothing but the precious block out of which the image of one's future must be hewn.
The more you learn about yourself and your family tree, your self-esteem goes up. They will learn archival skills, historical analysis and science skills. You learn all this in the most seductive way, and that is through learning about yourself. Who doesn't like talking about themselves? It doesn't seem like science or history, it's just fun.
Secular thinkers have no more been able to work free of the centuries-old Judeo-Christian culture than Christian theologians were able to work free of their inheritance of classical and pagan thought. The process... has not been the deletion and replacement of religious ideas but rather the assimilation and reinterpretation of religious ideas.
I noticed affixed to a laboratory door the following words: "Les théories passent. Le Grenouille reste. [The theories pass. The frog remains.] &mdashJean Rostand, Carnets d'un biologiste." There is a risk that in the less severe discipline of criticism the result may turn out to be different; the theories will remain but the frog may disappear.
In a one-hour documentary, you can tell maybe ten stories. That's how the documentary is structured. I wrote to forty of the greatest historians of both African and African-American history, and hired them as consultants. I had them submit what they thought were the indispensable stories, the ones they felt this series absolutely had to include.
I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol.
By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action.
I won't say he [Shakespeare] 'invented' us, because journalists perpetually misunderstand me on that. I'll put it more simply: he contains us. Our ways of thinking and feeling-about ourselves, those we love, those we hate, those we realize are hopelessly 'other' to us-are more shaped by Shakespeare than they are by the experience of our own lives.
Everybody wants to have sex - you don't have to have a baby when you're 16. You don't have to do drugs. I think our Sunday schools should be turned into Black history schools and computer schools on the weekend, just like Hebrew schools for Jewish people, or my Asian friends who send their kids to schools on the weekend to learn Chinese or Korean.
In high school I read [Lev] Tolstoy's "Anna Karenina" and loved it. Then I read [Friedrich] Nietzsche's "On the Genealogy of Morals" and that hit me hard. I don't know where I got it. My parents warned me not to mention either of those books when I went for my college interviews so I wouldn't seem like an egghead. They told me to talk about sports.
All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that.
I've heard the government say many nice things. But it did make some gestures, like writing human rights protection into the constitution - that surprised me. And it improved the conditions for foreign journalists: It used to be impossible for you to meet with me personally. But there still hasn't been a real improvement in the human rights situation.
Since fresh examples and proofs could always be found of the alleged relation between guilt and punishment: if you behave in such and such a way, it will go badly with you. Now, as it generally does go badly, the allegation was constantly confirmed; and thus popular morality, a pseudo- science on a level with popular medicine, continually gained ground.
People cannot stand the saddest truth I know about the very nature of reading and writing imaginative literature, which is that poetry does not teach us how to talk to other people: it teaches us how to talk to ourselves. What I'm desperately trying to do is to get students to talk to themselves as though they are indeed themselves, and not someone else.
It might pay to be resilient, if this was all being vulnerable and skinless got you. People didn’t stop and cluck over damage done unless you made it worth their while. Indeed, maybe it was time to rethink this whole salvation business. Or maybe I was less desperate, less teetering on the edge than I cared to admit. Now, that was a refreshing possibility.
A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send checks to radio stations for the relief of suffering heroines in soap operas.
The destructive character knows only one watchword: make room. And only one activity: clearing away. The destructive character is young and cheerful. For destroying rejuvenates, because it clears away the traces of our own age; it cheers, because everything cleared away means to the destroyer a complete reduction, indeed a rooting out, of his own condition.
To prevent wars, people must criticize, in their own country, the abuses that occur in their own country. The role taboos play in the preparation for war. The number of shameful secrets keeps growing incessantly, boundlessly. How meaningless all censorship taboos become, and how meaningless the consequences for overstepping them, when your life is in danger.
Literally, the Bible is a gigantic myth, a narrative extending over the whole of time from creation to apocalypse, unified by a body of recurring imagery that "freezes" into a single metaphor cluster, the metaphors all being identified with the body of the Messiah, the man who is all men, the totality logoi who is one Logos, the grain of sand that is the world.
The twentieth century saw an amazing development of scholarship and criticism in the humanities, carried out by people who were more intelligent, better trained, had more languages, had a better sense of proportion, and were infinitely more accurate scholars and competent professional men than I. I had genius. No one else in the field known to me had quite that.
Not to find one's way in a city may well be uninteresting and banal. It requires ignorance - nothing more. But to lose oneself in a city - as one loses oneself in a forest - that calls for a quite different schooling. Then, signboard and street names, passers-by, roofs, kiosks, or bars must speak to the wanderer like a cracking twig under his feet in the forest.
The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races. The economics of this musical Esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.
I bargained with Life for a penny, and Life would pay no more. However I begged at the evening when I counted my scanty store. For Life is a just employer, he gives you what you ask. But once you have set the wages, why, you must bear the task. I worked for a menial's hire, only to learn, dismayed, that any wage I had asked of Life, Life would have willingly paid.
It is told of Faraday that he refused to be called a physicist; he very much disliked the new name as being too special and particular and insisted on the old one, philosopher, in all its spacious generality: we may suppose that this was his way of saying that he had not over-ridden the limiting conditions of class only to submit to the limitation of a profession.
There's a huge amount of work on Adam and Eve, from the ancient world to the present. Saint Augustine was obsessed with them.I don't know if it helps my research, but I get a big kick out of Mark Twain, who wrote "The Diaries of Adam and Eve." He wrote very funny stuff on them. I sometimes read things that are loosely related to what I'm thinking and writing about.
There would be no history as we know it, no religion, no metaphysics or aesthetics as we have lived them, without an initial act of trust, of confiding, more fundamental, more axiomatic by far than any “social contract” or covenant with the postulate of the divine. This instauration of trust, this entrance of man into the city of man, is that between word and world.
Like the amazing story of Anthony Johnson. This man was a slave, then became free, accumulated 250 acres, and even had his own slave, a black man who took him to court in Virginia in 1654.That man argued that he should be freed like an indentured servant. But Johnson, who we believe was a pure African from Angola, said, "No way, you're my slave." And the court agreed.
The true use of Shakespeare or of Cervantes, of Homer or of Dante, of Chaucer or of Rabelais, is to augment one's own growing inner self. . . . The mind's dialogue with itself is not primarily a social reality. All that the Western Canon can bring one is the proper use of one's own solitude, that solitude whose final form is one's confrontation with one's own mortality.
Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties.
The truth is I would do my job for free! I love it every day. If you can possibly choose a vocation that's an avocation, a job that's really a hobby, then you'll be way ahead of the game. You should not pick an occupation because your think your parents want you to do it, or because you think it's the noble thing to do. You should only pick a job because it turns you on.
Thousand years ago, we all descended from Africans who left the continent. Those ancestors, we will never know their name. We can go back 200 or 300 years and actually populate your family tree with real people who had names and documents. They had customs, characteristics that, unbeknownst to you, you have inherited. Almost through osmosis it has been passed down to you.
I try to be sensitive, but the atmosphere I create is very supportive. One overriding premise of the series is that guilt is not heritable. It's good to know about them, but you are not responsible for them. You don't have to apologize for them. It's a process of knowing, and the more you know, the richer the sense of yourself. The firmer your foundation as a human being is
It is clear that all verbal structures with meaning are verbal imitations of that elusive psychological and physiological process known as thought, a process stumbling through emotional entanglements, sudden irrational convictions, involuntary gleams of insight, rationalized prejudices, and blocks of panic and inertia, finally to reach a completely incommunicable intuition.
But in this world of morally-warped phenomena there are rare and happy exceptions of truly great magnitude, which always pay dearly for their exclusiveness and fall a prey to their own superiority. Natures of genius, themselves unaware of their genius, they are relentlessly killed by an unconscious society as an expiatory sacrifice to its own sins … Such is Pushkin’s Tatiana.
He who asks fortune-tellers the future unwittingly forfeits an inner intimation of coming events that is a thousand times more exact than anything they may say. He is impelled by inertia, rather than curiosity, and nothing is more unlike the submissive apathy with which he hears his fate revealed than the alert dexterity with which the man of courage lays hands on the future.
We have chaos reigning in the Middle East. There is a great deal of instability. In the past, people would have turned to their church, and some still do. Counterintuitively, people are now turning into themselves to find their roots. The way you do that is through your family tree. "Where did I come from?" There is an urge to preserve the names of the people who produced you.
The first slave came to Florida in 1526. The first one we know by name, Esteban, which means Stephen, came a couple of years later. So, we start with the stories of Juan Garrido and Esteban to show that African-American people have been here a century longer than anyone thought, and that the diversity we see in the African-American community today has existed since the beginning.
Talk can neither be verified nor falsified in any rigorous sense. This is an open secret which hermeneutics and aesthetics, from Aristotle to Croce, have laboured to exorcise or to conceal from themselves and their clients. This ontological, which is to say both primordial and essential axiom (or platitude) of ineradicable undecidability needs, none the less, to be closely argued.
I'd say imagine that you wake up one morning when you're going through a midlife crisis. You're getting divorced. Your kids won't speak to you. Their faces are covered with acne, and you have to decide why you should get out of bed. That's the career you should pick. The one that keeps you going no matter what, even if your life is falling apart. That's how I feel about my career.
A man who has the courage of his platitudes is always a successful man. The instructed man is ashamed to pronounce in an orphic manner what everybody knows, and because he is silent people think he is making fun of them. They like a man who expresses their own superficial thoughts in a manner that appears to be profound. This enables them to feel that they are themselves profound.