Quotes of All Topics . Occasions . Authors
If you don’t learn constantly, you don’t grow and you will wither. Too many people wither on the vine. Sure, it gets a little harder as you get older, but new experiences and new challenges keep it fresh.
I always feel that if you're gonna be uncomfortable and unhappy in something, just because you think it's in or it's chic, I would advise you to be happy rather than well-dressed. It's better to be happy.
There are a million studies that say the money you put into a kitchen and bath update you get back. That's one of those places you can't go wrong. It can be as simple as updating counters and a backsplash.
If you don't learn constantly, you don't grow, and you will wither. Too many people wither on the vine. Sure, it gets a little harder as you get older, but new experiences and new challenges keep it fresh.
Buying found objects means repurposing something that was already made years before, sometimes decades before. It strikes a nice balance between the new and used equation we should strive for in our lives.
My mother knew if you bought a couple of really good architectural outfits and put your money into accessories, you could create a million different looks. She taught that to me, which I think was invaluable.
Fashion really is women's liberation in a lot of ways. Look at how many women in this country are depressed about how they look and how they think they have to look! It's really sad. And it's not about money.
You can't try to be somebody you're not; that's not style. If someone says, 'Buy this - you'll be stylish,' you won't be stylish because you won't be you. You have to learn who you are first, and that's painful.
In America, it has been proven that the bulk of spending money is in the hands of women between 60 and 80, so it's so stupid. The people who do have the time and money to shop are either retired or empty-nesters.
I didn't necessarily want to be famous growing up, but I knew I would be a good famous person because I'm not offended if somebody comes up to me and knows things about me and wants to engage me in a conversation.
In design-speak, 'a library' means a room lined with books, floor-to ceiling, but it all depends on the space you have. You may have a free-standing bookshelf of your favorite books if that's all you have room for.
You can't be around Oprah and not have her influence you, and I don't mean that because she's doling out the free advice. I mean it because she is someone that leads with truth and follows her heart. She's a force.
I never had a fondness for gems or the extravagance of Harry Winston or Van Cleef & Arpels. I've always liked the more flamboyant, imaginative things. I lusted after costume jewelry. My husband was a very lucky man.
The one thing I never get involved with is selecting art or pictures for a client. This is a very personal thing. If the clients have pictures, I will hang them. When they do not own pictures I leave the walls blank.
I've always felt that color is intrinsically personal. It evokes a tremendous amount of emotion. If there's a color you respond to, that's something you can incorporate into your home. No one can tell you it's wrong.
When Van Truex defined the difference between designing and decorating, he used the analogy of preparing a roast of beef. Design, he said, is the preparation and cooking; decorating is the final seasoning, the savoring.
I'm not out to preach. I just live my own life. I'm very happy if I can help somebody - that's wonderful. But it's up to them what they want to think about it or what they want to take away; it's their business, not mine.
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
I think some people like me because I'm different. I don't think like everybody else. People are so tied up in the worst parts of technology these days. They live a life pressing buttons. They don't use their imaginations.
Caviar used to be my drug of choice, but since my husband is on a no-salt diet, I've kind of given it up. I still have dreams of sitting down and gorging, though. I love it with a good vodka; I don't like it with champagne.
When you go to a nice restaurant, you want to be relaxed and have a drink and everything, you want to look at people who look well. You don't want to look at some slob with an open shirt and a hairy chest. At least I don't.
I credit my mom with inspiring in me a love of design, matched by her creative problem-solving abilities. This is a woman who could find an old, discarded piece of furniture, bring it home and turn it into something fabulous.
I never want to hold myself up as the poster child of the successful mother-businesswoman. It's a total 'Gong Show.' I won't pretend. When you do so many things, something always suffers. You just can't be great at everything.
A common mistake people make regarding dining rooms is to buy a matching set of table and chairs, which can be monotonous. I like to mix guest chairs in one style and head chairs in another for a more interesting, dynamic look.
Creativity is down the tube. And people give a lot of lip service to individuality. I know they all appreciate it, but they all say they would like to do it, but they don't want to work at it, and it doesn't come out of the sky.
I go out in New York, and I think, boy, you can look at someone and pretty much determine their zip code. Everyone seems to want to conform. I wonder, are they all just button-pressers, on the Internet all day long? I don't know.
I think that if you have to work very hard at dressing up and it makes you nervous or uptight, then you won't look very well because you won't be comfortable. I think it's much better to be comfortable and happy than well dressed.
My father told me once not to expect anything from anybody so I wouldn't be disappointed. If somebody was nice and did nice things for me, I should be overjoyed, but I shouldn't go through life expecting it, which is very good advice.
There are so many empty headed people in the fashion business who take themselves way too seriously and I don't think I am at all like one of them. To me there are lots more important things in the world than just having the right shoes!
The woman should learn who she is and what she looks like and try to find the best points of dress accordingly. I also think that being appropriate has gone out of fashion. There are appropriate times to wear appropriate kinds of clothes.
I have always believed that the more educated the clients are, the easier they are to work with. Clients with a knowledge of decorating, and an ability to articulate what they want from the finished project, make the designer's job easier.
You don't have to paint your walls lime green just to try to have your home feel decorated. If you're a classic dresser or preppy dresser or a modern dresser, you wear a lot of black - whatever it is - your home should reflect that as well.
I think that if you have to work very hard at dressing up and it makes you nervous or uptight, then you won't look very well because you won't be comfortable. I think it's much better to be comfortable and happy than well dressed, don't you?
The essence of interior design will always be about people and how they live. It is about the realities of what makes for an attractive, civilized, meaningful environment, not about fashion or what's in or what's out. This is not an easy job.
I've never seen anything like the way some young people behave. They go out on a date, and they're sitting opposite each other at a table, and they're not looking at each other, and they text each other as though they're deaf-mutes. It's insane.
They used to tease me at the 'Oprah' show, 'Are you really going to do another white Shaker kitchen, with white subway tile and stainless steel appliances?' And my answer is, 'I can vary it a bit, but I'm never going to err from classic materials.'
You learn as you grow up, if you're intelligent - or even three-quarter witted - that there's no free lunch. You pay for things in various ways. Living, loving, everything else is a matter of the same principles: you learn to work with what you have.
Flair is a primitive kind of style. It is innate and cannot be taught. It can be polished and refined. When a person has flair, a grounding in the principle of design, and self-discipline, that person has the potential of being an outstanding designer.
Thread count is actually a lie. Just because a thread count is 1,500 on a set of sheets doesn't mean that they're well-made sheets. Truly, the quality of the cotton and the quality of the way something is woven is much more important than thread count.
Things have changed a lot since the earth was cooling and I was a teenage girl, but the basics of teenage bedrooms have remained the same. Every girl wants a place that they are proud to call their own and where they can express their own individuality.
When you buy things that are expensive, like a sofa or something that really feels like an investment, you need to keep it as plain as possible, as simple as possible. Make sure that it's a clean design that will work with whatever style you want it to.
Why do guests always end up in the kitchen at parties? Is it a social phenomenon? Some strange gravitational pull? I don't know, but one thing is for sure: If your friends are going to congregate in your kitchen, you'd better make it as nice as possible.
I think people should express themselves more and not just buy what's in. While it can be very beautiful, and it may suit you perfectly, I'm sure it doesn't suit everyone in the same way. I like people who express themselves and are more individualistic.
The world is not black and white; there are lots of shades of grey. There are good things and bad things in every era, and I think it's kind of very blindfolded to say one era was wonderful, as it was wonderful, but there were a lot of bad things as well.
There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
I've always been attracted to unusual eyewear. I thought glasses were an interesting accessory, depending on the shape of your face. People would always ask me, "Why are your frames so large?" And I would say, "The bigger to see you!" And that shut them up.
Even as a 10-year-old, I remember trying to explain to my mother and stepfather how upset and frustrated a messy room made me. But they just couldn't grasp it. They wanted me to be playing with baseballs and frogs while I wanted to be scouring garage sales.
I used to love to create outfits, and I still do - I just don't have the time. How can you wear one thing and never wear it again? Even my wedding dress - I had a dress made that I could wear again. I'm a child of the depression, so I'm very, very practical.
My philosophy has always remained the same, it's about creating calm balanced environments based on Eastern cultures, ie order and creation of harmony. How people feel in a space is as important as the way it looks, one can't be without the other to succeed.
The Things That Matter convincingly lays out Nate Berkus’s philosophy that things do matter. Our homes tell our stories, they reflect the places we’ve been and the people we’ve loved along the way—and there can be no more beautiful design for living than that.