The only thing an artist is useful for, and the only reason why we don't just line 'em up against the wall and shoot them, is because, at their best, they're the reflection of our lives, that most regular people can't even afford to think about.

I do these records. All of these ideas that I have, that I put out there, that inspire me to write, are a purging in a lot of ways. I have to expel them in order for myself to walk around and actually smile and be a regular, or a living, person.

I would challenge more hip hop artists that are rapping about what it`s like to be real and the social ills that we face, if you aren`t backing Bernie Sanders, I have to question your credibility in terms of do you mean the songs you`re writing.

G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music.

I remember listening to 'Low End Theory': I had been kicked out of high school. I was in GED school in the LES, and all I could do was listen to 'Low End Theory.' I was in a strange time in my life, and 'Low End Theory' kind of defined that time.

Antwan Patton and Andre Benjamin saved my life. That's how I view them giving me a record deal, with nothing but love and adoration. I saw Big Boi have to do what he kept doing after Dre said he didn't want to do touring and Aquemini [the label].

I might feel like one day is one of my best performances ever and I may top that performance or I may just pace myself for the next 5 shows. Rather I'm giving them a good show it will always be a solid same show so it always depends on my energy.

Goodlife was originally a ski management/athlete management company. I have a couple friends who are sponsored for skiing and my manager linked up with their manager. We worked out a deal, because they wanted to branch out into music and culture.

I work with a lot of production that's really positive and contains a lot of soul stuff. Those instrumentals project the happiness out of me. But, sometimes I get a darker beat, with some dark piano or something... and then I'll do darker tracks.

Whatever obstacle comes your way, you gotta be prepared to jump over it! And I think that's what separates the legends from the regular artists. It's all in how you manage that success, and how you deal with the controversy when it actually comes.

I think artists sometimes go back to something when we never should, for many different reasons. You hear a lot of stories that make you feel good about the work and the project; sometimes you try to relive that, like, 'I want to make a part two.'

I think artists should be able to do different things whenever they want and I like the way I am. I'm like - I ain't gonna say the only street rapper, but the only mainstream, new, young street rapper there is right now and I'm doing well with it.

When you make albums like I do, and it's based off fanfare and based off touring - I make these albums, and I get on the road. It's not really a radio-driven thing. I get on the road, and I see my fans, and I touch each and every last one of them.

Early on, it was real tough for me to stick to my guns and say 'I'm retired, I'm not rapping, don't ask me for nothing.' But I had to do that because I love rapping and I love music, so if I don't do that, you can't be halfway in it and halfway out.

The reason I speak out is because it's necessary. I feel like it's my responsibility. I feel like it's what I'm put here to do. Even on a simpler level, I feel like why can't we speak on what we feel is right or what's wrong? What's wrong with that?

It's less to do about me - 'Hey, I'm black and it hurts my feelings; it's a symbol of slavery and oppression' - and more to do with the fact that, as an American, I will not honor a group of treacherous traitors. That's why I despise the rebel flag.

I've worked with incredible producers in the past, but when me and El-P got in a room, there was no way I was going to let off his head because not only was he one of the greatest producers I heard, he was one of the illest rappers I had ever heard.

I talk specifically to the lifestyle and those who can relate to it. And I feel like, where the creativity comes in, is where you draw the parallels that everybody can relate to. That's where it's creative for me. I feel like it works best that way.

That competition grew through high school and you step outside more and it grew through college. Then you had regional style speak volumes through college. As you get older, and begin to travel and see more, that was the progression of style for me.

I'm not the 'rappity-rapper' type dude. All my music is really true. I can't just rap about nothing, just metaphors and putting words together. I can't just smash out material like other guys. I just want my albums to be crazy every time I drop one.

Lean gives you such stomach pain. I'll never forget the time I was at South by Southwest and had to do all these shows, and I sitting on the couch curled up, hours of pain...That wasn't the moment I quit, that was the moment when I said I need more.

The best advice that I've gotten from Nas is honestly to just be me and to keep staying true to myself. It took me a long time to figure out how to pop, but then, when you get famous, people are kind of like, 'Oh, well, we don't want as much of you.'

I listen to Meek, Blac Youngsta, Playboi Carti, Lil Uzi Vert, Kodak, Lil Bibby of course.I listen to pretty much everybody I like different music I listen to The Weeknd, I may listen to Common I might be in the crib and I might play some New Edition.

I think a lot of people are making music that shares their life experiences, and that's what I choose to do, too, but in my life experience, I also choose to try to find the hope in the music, and I think a lot of it has to do with my Christian faith.

I loved plays, I loved films, but I had no desire to act until I had just put out my album 'Like Water for Chocolate.' Creatively, I felt like I'd hit a ceiling, and I needed something else to express myself, and I just decided to take acting classes.

I think that`s the obstacle, because once black people hear Bernie Sanders policy, it`s almost instantaneous they switch. Hillary is good enough, but the policy of enough is enough that we`re going to radically change thinks really seizes with people.

I`ve never been a passive political supporter. My grandmother, Betty Kleitz , god bless her soul, was from Tuskegee, Alabama, took parts in the civil rights movement and after that became of course like a lot of blacks in the South a staunch Democrat.

We tend to harp on little things, or worry about something, when, really, it's just not that important. If you have a roof over your head, and you're healthy, and your family is healthy, that's all that matters. Don't let the little things get you down.

Well not really to get attention, but to entertain, but you know to show some elements of rural life as well, it kind of blended all in, its kind of like a mockery in a sense, kind of stab back at people that have those stereotypical ideas of the south.

I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.

I just look at capitalizing on everything that I feel like G.O.O.D. Music brings to the music industry, our following, and the culture. First of all, we have incredible artists. It's definitely about getting those albums out in a very manicured fashion.

Acting is just another way to express myself as an artist. I realized if you're an artist, you're an artist and you can express that through music, through painting, through photography, through acting - this is just another way for me to express myself.

Mixtapes are extremely important, especially for New York or North East artists. They allow you to be creative, to get feedback and criticism, but most of all, it gets your name out there. I would say about 90-100% of my success was down to the mixtapes.

Saying I want to pay women a fair wage is doing something and saying young black people deserve not to be called super predators but to be engaged from an economic standpoint that gives them an equal opportunity says doing something.I`m tired of talking.

There's no borders or lines you can't cross anymore. Everything is getting blended with everything. That's the dope thing about music now. Some people don't like it, more of the older people. They want to, you know, go back to old-school New York hip-hop.

I am making art. It's not a job that you've gotta show up to and fill in your slot. This is a dream come true. You get the opportunity to say something, to make a piece of art and hang it on the wall forever. Sometimes you're gonna have to take your time.

It's gonna sound so boring to most people. There have been times when I've been told, 'Oh, you're doing an album about physics? I hope it's not boring.' They don't get the idea. Because rappers are so one-dimensional, so narrow-minded, it comes off corny.

If you look at it on just a very cold scale, corporations and the government do not care about the poor. So in what's considered a poor area, you got to look at things. What's going on there? The actual environment is sick, and sickly, and causes illness.

That's something I can never lose: my love for the art of rap. As I grew older and became more interested in song writing, it just pushed my possibilities further. I always have to have a foot firmly on the floor as a rapper, because that's how I started.

The disparity between the haves and have-nots was always blatantly obvious to me, and it's that exact gap that drove me to start writing and pick up a pen. I wanted to explain and understand the world around me because it was easy to see it was corrupted.

The human being that I strive to be is a great human being, like a loving human being, but as an actor, you take on roles that are not you and that's the fun part for me as far as acting goes. You really get to learn about other human beings and not judge.

I don't let people talk bad about Rick Ross around me. Like, you can't do it. He owns - I've heard a legend - 30 Wing Stops in the areas he grew up near. You can never say anything about him. If that represents ten jobs per place, that's 310 jobs provided.

You could be Top 5 on iTunes, but for people to buy an album, they've got to have a connection with an artist. Every time I bought someone's album, it was about the connection. I was loving everything, from their raps to their style. I wanted to meet them.

My feet might fail me, my heart might ail me, The synagogues of Satan might accuse or jail me, Strip, crown, nail me, brimstone hail me... They might defeat the flesh but they could never ever kill me. They might feel the music but could never ever feel me.

Being that I went to jail and came back, I went through a whole new experience in life. I went from being at the top to back down at the bottom again. In jail, you get stripped of your freedom and everything, so I experienced different things, learned more.

Because many people deny the Palestinian struggle. They deny them everything. They deny them humanity, they deny them the right to be on the land they were born in. They deny them the right to return to the homes that were stolen from them, to build Israel.

I try my best to be honest. A lot of the greats before me did the same and what you come to find out is that, when you have the opportunity to share your words with millions of people, you're not the only one who had that experience. That's the beauty in it.

I think that Gordon Ramsay is maybe one of the most entertaining people ever on television. And I would love to pretend to be Gordon Ramsay and walk into a restaurant uninvited and attempt to make them change their menu. It's just a personal fantasy of mine.

I didn't know that Left Eye's dad passed away right when she wanted to tell him that she just signed to LaFace Records. After I signed to Jive Records and just before I put out my first album, my mother passed away. It was very odd how much we had in common.

A song can be a song where somebody thinks you're crazy. A song that gets released has got to be something that everyone can relate to. Most of the songs that I keep are un-relateable for most people - some of the music I make only for myself and the homies.

Share This Page