Quotes of All Topics . Occasions . Authors
It's always funny to me when people use the phrase 'Best guitar player in the world'. There are too many variables such as technique, uniqueness, emotional investment in the notes, etc. But If I had to pick one, it would be Tommy Emmanuel. Watching him perform can be a study in artistic and virtuosic human achievement.
... so much of what we do now started in 1954 at Sun Records in Memphis Tennessee ... those guys were inventing that stuff (Rock & Roll) ... you can really tell on some tracks ... they were actually afraid at times of what they were playing. But Rock & Roll definitely didn't come before that time; it started right there
Of all the things that your company owns, brands are far and away the most important and the toughest. Founders die. Factories burn down. Machinery wears out. Inventories get depleted. Technology becomes obsolete. Brand loyalty is the only sound foundation on which business leaders can build enduring, profitable growth.
Bruce Katz is a spectacular talent! He's a brilliant composer and arranger who uses uncommon and unique musical intelligence to redefine jazz and blues far beyond the pale of the accepted definitions of keyboard competence. Whether on piano or organ, when you hear Bruce Katz you know it's him, unmistakably and uniquely.
I know what it's like being with a major label. But I've always wanted to do things differently. And when I found out that the internet was a digital medium that could transfer binary code, the 0s and 1s - which is what a CD is - I knew it was only a matter of time before the feed would be fast enough to transfer files.
Sometimes if I'm not playing well on stage, I'll purposely play even worse; I'll tear it apart, because I'm so disgusted with what I'm playing that I'll go the wrong route: instead of trying to make it better, I'll go the other way and really make myself sound bad. Which is a kind of a strange outlook I suppose, really.
As an artist, I move along in my life, into whatever things I'm doing, and I hear things where it's like, "Oh, that'd be a great [song] title! I'll use that!" So I keep a running list of titles on my computer. I've got these words and phrases that just sustained my interest. So I'm a step ahead, really, with the titling!
The vagaries of the industry and show business itself would not lead one to conclude a lengthy career - because things change. Popularities come and go. The tragedy of it is that somebody like Robin Williams should suffer from that, and be driven to commit suicide. If ever there was an untimely, unfair death, it was him.
I love music. I love making songs. I feel like I've been given a path where I can contribute, where I can protest if somebody does something really obviously wrong or inhuman right in front of me, where I can make a difference. Where I can most especially elevate, make you happy, elevate the condition, elevate the thing.
My favorite song he ever wrote was 'Cold Cold Heart.' If you think about it, the lyric to 'Cold Cold Heart,' see how many two syllable words are in that song. Very, very few. ... Verses and the choruses have very few two syllable words. 'I tried so hard my dear to show that you're my everything.' One three-syllable word.
If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.
The follow your dreams thing is really important because so many people are railroaded into taking other paths by their family, their friends, people who should be supportive going, 'What are you talking about?' Even just seemingly regular career paths, but if it's not what people expect for you they kind of react funny.
I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.
I found that pedals were too much to fool around with. You'd be halfway through a solo, and the batteries would go dead and conk out. And if you tread on the lead going to the pedal, something would always go wrong. Or some crazy kid would pull the lead out just at the moment when you're about to do your big number on it.
A lot of Manchester now - it's creating jobs and that's great, but some of the character is getting sucked out. There's good and bad, but our personal perspective is that it's just a shame. You in Chicago protect your buildings, we don't have that. You'll find a good building will get replaced by a horrible looking thing.
Biggest lesson? Discovering that the less I think about myself and the more I think about what I can do for others, the more I get out of life. Ultimately, it makes me a happier person. You have to give it away if you want to get it back. After all, humility isn't thinking less of yourself, it's thinking of yourself less.
Sometimes I wonder if I shouldn't leaving being musician because I use to like it when noone came to see me playing, because I didn't feel any pressure. I can enjoy myself and probably play better. Sometimes when I play, people expect something of me, and I'm not always able to to that. Quite often. So I get totaly nervous
I have a pretty clear picture of the whole weight of my life, and there are things that I've done that are good, and I'm proud of them. There are things that I'm really not proud of, and that they, you have to look at me with a perspective, and I try really hard to do that, to keep from thinking I'm cool and ever so smart.
I think music is a lifting force, I think love is the lifting force in the human condition. I think you see someone loving on their child, and it moves you, and you can't help it. It rings a bell inside of us that elevates us as human beings, and I treasure that. I think it's one of the few great things about human beings.
I do hear snippets on the radio. I do hear a little bit of me, sometimes great chunks of me. But I have to take that as a compliment; there's no way you can get sour grapes about that. But if somebody starts taking your whole new thing lock, stock, and barrel, and do their own version of it before you do it, that's not on.
Women, you have all this power, I'm telling you. In business, you have something called an inferred fiduciary duty to yourself. Look at the other hugely successful women in industry, commerce, science and everywhere else and you'll see women who are feminine, beautiful but also do not rely on men for their self-empowerment.
Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
The result was the same as tuning down the strings by a semitone and using a capo at the first fret. With less tension in the strings, the sound was more mellow and softer; it also allowed me to cover a larger span of the fingerboard. I used this for quite a few years, but eventually I went back to the standard fingerboard.
I think the more people you add on stage, the more locked it things become. Whereas fewer members on stage gets the audience to notice any small idiosyncrasy or unique moment that one of the three people onstage is having. It also means that mistakes are accentuated, but to good affect generally if you are that type of band.
I don't collect the way other people do. Some people collect rare guitars, like, 'I have a '54 Strat worth $50,000.' And I don't collect the way Nash does. Nash has Duane Allman's guitar and Johnny Cash's guitar. I bought guitars because they sounded good. I played them, they sounded unbelievably good, and I couldn't resist.
There was nothing that I ever did, no conscious effort to do one kind of behavior or another, I can't explain what it was, but I can explain that the thinking of the time was that we didn't want to emulate our heroes. That wasn't kosher. 'Don't try to play the old cliches, play like yourself' - that's what people were saying
Every July, August and part of September I escape of the guitar, I escape of Paco de Lucia and I go to Mexico to the Carrabian. I have a little house there where I spend two months listening to music, no playing because I don't bring the guitar with me, fishing and cooking my fish and charging the batteries for new concerts.
Nicky Egan has the finesse of Bonnie Raitt merged with the primal force of Janis Joplin. It is a rare combination. Her passion is a joy to behold - and her talent is undeniable. She belongs in any conversation about great contemporary female soul singers. If you're up for a revelatory evening, then put her high on your list.
I've always been much more of a guitar picker, but I began to feel forced into a position of being the epitome of a rock & roll guitarist. Originally, TYA wanted to make it without having to compromise to pop. It worked for a while, but after five or six years, the fun went out of it for me; a lot of the music went out of it.
You come off of this screaming audience of many, many thousands of people. I used to find it very weird. You have two choices. Either you can stay and pump flesh with hundreds of people after the show, which really gets old, or you can come off stage, get into the car, and go straight out the back and away, back to the hotel.
Technology has given us convenience, but at the same time it's making musicians work harder in that if you really want to make money making music and selling albums, you have to go out there and perform. And hope you sell stuff like merch, and get on YouTube, and all the other ancillary sort of things that go along with that.
I kept listening, kept going to see people, kept sitting in with people, kept listening to records. If I wanted to learn somebody's stuff, like with Clapton, when I wanted to learn how he was getting some of his sounds - which were real neat - I learned how to make the sounds with my mouth and then copied that with my guitar.
We don't think about how the songs are going to translate so much during the writing process. Once the song is recorded, and once we're mixing, that's when it occurs to me. Then you start rehearsing to play shows. I never concern myself about how we're going to pull it off live, because I know we'll figure out a way to do it.
When the glam metal thing of the late '80s became too glammy, then instead of having two bottles of hairspray in your hair, it became better not to wash your hair at all. To me it's all trend stuff. I don't follow that stuff. I just do what I feel is the right thing. I don't know what the reason is for that. It's not fashion.
With a four-string, the middle range is less of an option. That kind of 5th that you play on those A and D strings isn't there. So a lot of traditional rock sounds, you can't play them. But to be honest, there was no particular intention when I started playing with four strings. It just worked out that way and it sounded cool.
There's a site on the internet that swears up and down that I'm worth $46 million and that I'm one of the most highly paid and richest guys in show business. I really wish it was true! Then there's those where it's like my mother was raped by a martian and that kind of thing. National Enquirer-type stuff. They just make it up.
I worked at a vintage guitar store, and the owner had ties with a lot of Japanese manufacturers and U.S. manufacturers that were beginning to pop up. So I was ordering parts and screwing them together and contacting local luthiers to finish and do frets and things, and I had put together two guitars, a red one and a black one.
Today I saw cancer, cigarettes, and shortness of breath. This is why I walk to the ocean. Swim with sharks and jellyfish. I may never get this chance again. This is why if you want to kiss, you should kiss. If you want to cry, you should cry. And if you want to live, you should live. You don't have to love me. You already did.
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
I was a guitar player in a band that had two keyboard players, sometimes two other guitarists, a bass player, and a drummer, four or five singers, and percussion. We did a two-and-a-half hour show where the music spanned from the early Sixties to the present. Whereas the David Lee Roth thing was like, Now. Very big and intense.
Alec Guinness classed up that movie [Star Wars]. Nobody else in that movie knew how to act. Nobody else had a clue of what they were doing. The young guy was a complete loss, absolutely couldn't act his way out of a bag, but Alec Guinness carried that movie. He was such a class act that it elevated the film to be a joy to watch.
We are very, very fortunate to have built a career based on playing the kind of music we play. In a lot of ways, it's a very eclectic style. It's not pop; it's not mainstream; so the fact that we have been able to have the career that we have had internationally, with all the success we've had, it's like a miracle. It's amazing.
You cannot be worrying about what other people think. You have to be sure that what you do is what you love to do, because if you love it, maybe another hundred thousand people might love it, too. Some other people might not like it, but it doesn't matter, because you have to express what you want to express. You only live once.
After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'
I think that every artist dreams of renewing the forms which came before, but I think very few can be considered to have achieved that. We are all dwarves standing upon the shoulders of the giants who preceded us, and I think we must never forget that. After all, even iconoclasts only exist with respect to that which they destroy.
The music industry the last 120 years has been insane. It's just continual chaos. So it's not unusual that something like the Internet comes around, but as one door closes another one opens, and that certainly is the case where now, artists can have a lot of control over how they display to the world, all at once, their new record.
I've learned over the years that you're going to be most successful at the things you're most excited to do. Every artist has a special set of tools. When you really use those tools, and you make yourself feel really good about the product you create, I think you'll find an audience for it. I've been very fortunate in that respect.
Can't stand it. Too many amps, too much volume, it's just flat-out ear assault. Speedy guitars leave me not feeling detached but physically upset. When you think of all the subtleties that were built into the guitar and amps for you to discover they completely cover the whole lot with a rack of effects. The guitar doesn't need that.
I remember times when I was at shows and the person onstage locked eyes with me. And in that moment, everything was right with the world. I think that's part of my job, to create these thousands of moments every night. And for the rest of their life, they can say, 'You guys looked at me,' or 'You sweated on me,' or 'I got your gum.'
Five years after Aerosmith got back together, I realized how fragile we are as humans. There was a time I thought we were bulletproof, but then things happened and I came to the realization that I had to play every gig as if it was my last show. You have to start thinking that way, because you never know what's going to happen next.