Quotes of All Topics . Occasions . Authors
I think you might be considered a terrorist for asking the question! It can be so broadly defined now. And the thing is, you’re not privy to those decisions. Anyone who expresses any opinion can be considered a terrorist.
Sadly, I've seen a lot of bands hit that sort of peak and then eventually start supporting again, you know, which we will never do. We always put a lot of thought into the way that we are going to go, and we always change.
When I plug in my guitar and play it really loud, loud enough to deafen most people, that's my shot of adrenaline, and there's nothing like it. That's what it's always been for me - to be the flame the tribe dances around.
I'm a Republican, but I'm a Republican from the old school. I was taught that you get what you put into it. You can be anything you want to be if you work hard enough at it, and you can earn your place. That's the old way.
I was never ready to give up, but I did get words of confidence to move forward from a few musicians that had climbed up the totem pole of rock. They were encouraging words that struck a nerve with me and made me stronger.
So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending.
I just couldn't take school seriously: I had this guitar neck with four frets which I kept hidden under the desk. It had strings on it so I would practice my chord shapes under the desk and that's about all I did at school.
Here's Iraq, where irrigation was invented, where law was invented, where writing was invented. All these things that we consider necessities of civilization started there. And the people who live there damn well know that.
My sense is that file sharing started in predominantly white, middle- and upper-middle-cl ass young people who were native-born, who felt they were entitled to have something for free, because that's what they were used to.
So happy that Broken Bells is a thing in my life and really cool in so many ways. Not only, like, as something to sell records and be a band and whatnot, but just to give me an outlet and give me a fresh approach on things.
I think what people see in me is one slice of who I am. It does permeate my life in the sense that I don't like to be told what to do, or how to be, or how I can do it. But I'm probably a lot tamer than people would expect.
Distortion pedals are just fantastic for not only rehearsing quietly but also for all those moments when you are going to play in highly compressed environments like radio, television, or recording against compressed loops.
Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
When you're sick on the road, it's the worst. That's when you become the most vulnerable and neurotic. You become scared. If I had a cold or a chest infection, and I had to sing all those high parts, there was stage fright.
Basically, I try to let the song dictate what guitar I use. If it's a really loud, crazy song, I'll pull out the cheapest, oldest guitar I own, one that feeds back easily. But most of the time, I just use whatever's around.
The classical guitar has a dynamic to it unlike a regular acoustic guitar or an electric guitar. You know, there's times when you should play and there's times when you gotta hold back. It's an extremely dynamic instrument.
The electric guitar's a pretty cheesy thing when you think about it, still working on those bits of wire and magnets for its sound. It's all of the things that are wrong with it that have made it the unique instrument it is.
I don't know how many bands I saw who would try to wreck a hotel room, but I never wrecked a hotel room in my life! If I'm gonna sit there and throw a TV out the window... if it's a good TV, maybe I should just take it home.
I think the '60s was a great time for music, especially for rock and roll. It was the era of The Beatles, of The Stones, and then later on The Who and Zeppelin. But at one point in the '70s, it just kind of became... mellow.
I really love 'Cold Song.' If anyone really listens to that song and thinks about their life, there's a lot of good material deep down in there. I think if you listen to the lyrics, it may take you on some sort of a journey.
We had a lot of riots. We came under attack from many of the police departments. It certainly wasn't some publicity thing. I was afraid for many years. We couldn't play in LA for many years. A lot of people got very cynical.
I've never been one to think it was cheating to sample this or to loop the drum part there - I've always done that. Even using four-track cassette recorders, I was always doing whatever I could to make it as good as I could.
I love playing live, but our tours generally last about a year. I could never do this without the understanding and support of my wife. She's also a guitar player, and we knew each other before Dream Theater started touring.
Using modern guitar techniques and modern methods on an early instrument is not a very clever thing to do, because it is the authentic spirit of the instrument that should dictate the quality and characteristic of the sound.
My own style on the guitar grew out of my experience with the lute. I suppose some people might say I play each like the other. And of course I know a lot of guitar fans who wish I would stop playing the lute and vice versa.
I want the people of New Jersey to jump off a cliff like Kurt Vonnegut so I can show them how to fly. This way, nobody needs to grow any wings, which would be impossible anyway because we're humans and not some kind of bird.
I just play to the people I can see. So it's almost like you are playing to the first few rows of the crowd. You can see the faces of the first hundred people, but then it becomes a blur as the crowds disappear over the hill.
The media, being what it is, is always looking for the next new thing. There are still bands out there playing, no matter what the new thing is. The Stones go out there, and people go see them without records or even airplay.
I didn't even write the lyrics down. I got in the booth, I put down a little guitar riff and the idea I had was it was going to be really simple, I just want it to be all about the lyrics and I just literally sang the lyrics.
"Music, for me, has always been a place where anything is possible--a refuge, a magical world where anyone can go, where all kinds of people can come together, and anything can happen. We are limited only by our imaginations.
We are civilized animals, right? Then why do we continue to slaughter for sport? What if you were a Chicken, how would you feel? I grew up in a Chicken Coop and I was not a Chicken at first, until I was faced with your World!
Once I was checking to hotel and a couple saw my ring with Blues on it. They said, 'You play blues. That music is so sad.' I gave them tickets to the show, and they came up afterwards and said, 'You didn't play one sad song.'
We played a festival in Ireland once, and in the middle of 'New Slang,' the Scissor Sisters kicked in across the field on this mega stage. It was a little distracting. It was hard to keep track of what I was supposed to sing.
I'm really in such a fortunate position to have that foundation with Hall and Oates that lets me do whatever I want. That's the dream of a lot of creative people, and I don't take it for granted. I try to make the most of it.
Going to the Sahara Desert and meeting the Touareg band Tinariwen was a life-changing experience. All through that time, I have just carried on learning and meeting musicians, and I keep finding links between different forms.
We just sang real simple songs in a simple way that got to people. We didn't try to tart them up with orchestral arrangements and all the stuff. We were all blues fanatics. We like R+B and blues and simple, gut-feeling music.
After I changed the string we picked up right where we left off - and punched back in at the same time. I don't know if this has ever been done before. The engineer sort of looked at us weird, but we got it on the first take.
Racism is a problem, economic inequality is a problem, not enough rock n' roll on the radio is a problem. But all those problems will become insignificant when the oceans rise in a way that threatens organised human activity.
With guitar, I'd always mixed more sounds that occur in hip-hop, or occur on Crystal Method records, or occur at the zoo - so I've never been sort of tethered or have limited myself to the traditional rock n' roll vocabulary.
Coming from the era of vinyl you could argue that everything went wrong in the music business the moment we went digital. The day the first CD came out, it all went downhill in the music industry. Digital destroyed everything.
I've found that since I've been playing the acoustic, listening to a horn player has left me thinking, well, what can I do with that? But somehow piano players, I feel more of a connection to , now that I'm using the acoustic.
Intimacy comes from being yourself on the stage and making the audience feel, without trying, that you're sittin' down there with 'em, playing, and that can happen in a big hall, if you have a good audience that want to listen
We auditioned a lot of great drummers; every one of them was world class. We had a lot of fun playing with each of them and had some great jams. With Mike [Mangini] it was just something really special about what was going on.
It was very satisfying knowing I could come in not really knowing what I was going to do, and at the end of the session feeling that I'd really done interesting guitar work and knowing that I'd really contributed to the music.
I was a kid, 12 or something, when the Partridge Family was big on TV. I liked the curly cord running from the bass to the amps, which were real fancy. That cord looked so cool. I said, 'Wow! I gotta play something like that!'
Everything that makes a society run is broken in Iraq. The only real structure is the people's own sense of themselves as Iraqis, which was very strong. They're a proud people, and they trace their historic roots way, way back.
Intimacy comes from being yourself on the stage and making the audience feel, without trying, that you're sittin' down there with 'em, playing, and that can happen in a big hall, if you have a good audience that want to listen.
There is pressure that comes with everything being a big deal. I remember thinking, 'I need to survive the Shins. I don't know what I'm going to do to make a living otherwise, but I really don't want to do the Shins right now.'
I sure saw a lot of kids that I'm sure didn't know a lot about us, or we were definitely new to them. The kids who came up to me afterward, we'd talk about music, sign a lot of autographs. So I'm sure we made a lot of new fans.
We all make judgments on people, but some are much more brutal than others. It's easy to say, 'Ya know, I'm not crazy about what she's wearing,' but you don't have to be nasty about it, and you don't have to be public about it.