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Charles Manson loved the Beatles but didn't understand them. Governor Chris Christie loves Bruce Springsteen but doesn't understand him. And Paul Ryan is clueless about his favorite band, Rage Against the Machine.
My fourth birthday, I was given a violin, and my fifth birthday, a guitar. I didn't start to play until I saw Hendrix on TV. They showed him setting his guitar on fire and burning it for the Monterey Pop Festival.
We were all 16 and 17. When you're that age, you're just daydreaming all day. We had bands we loved - Green Day, Weezer, a lot of bands in the '90s - and we just wanted to have fun. We didn't overthink it too much.
Why did they keep changing guitars and amplifiers when they were perfect? They did the same things with cars, if you ask me. They forgot how to make them right, because they focused on style and bells and whistles.
It's true that laptop performances can be boring for the audience. The problem is, the organizers of events are still putting us on the classic "rock stage," instead of trying to find new ways to present the music.
For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.
We don't really have a place in the universe, as far as on a timeline. But nothing else does either. Therefore every moment really is the most important moment that's ever happened, including this moment right now.
I met a lot of amazing people whose lives were changed (for the better) by the power of music. Music gave them strength to get out of abusive relationships or to just pick up a musical instrument and learn to play.
World Play is very '70s arena rock, very raw and in your face, and that's what we wanted. We recorded it in a very off-the-cuff manner and didn't really plan out how we were going to play. My solos are first takes.
It's a shame that jazz is now being turned into dried fruit. It's becoming quantized, diced and defined. It's becoming an idiom. To me if it's anything, jazz is a verb ? it's more like a process than it is a thing.
He saw us play a few times in fact. I did this song called I Can't Keep From Crying Sometimes, and Jimi loved it. He paid me a huge compliment when he told me that he was thinking of doing something similar himself!
And, you know, my dad would show me some things sometimes, but the best things that I got to do were to actually see really good players play up close. That gives you an idea of fingering and technique and what not.
The ability and desire to transform the mundane materials at hand that we both bring into the collaboration well beyond the sum total of the parts - to birth a new baby neither of us could claim single parentage of.
While I shared many of the same emotions Bill describes, in no way did my experience ever degenerate into the grimness I find in his book - I didn't have to live with Don, and I think that made a big big difference.
We wouldn't be so naive to say something like "feel any competition with Coldplay." All we can do is come out and gig, and we have a really good loyal fanbase, people really "get" the band, and that's all we can do.
We don't really have a place in the universe, as far as on a timeline. But nothing else does, either. Therefore every moment really is the most important moment that's ever happened, including this moment right now.
Being as versatile as I am, I take offense to the notion that no serious musician would not be doing a late night talk show gig. One has to be open enough in other areas to be able to contribute to a show like this.
It is not a mystical thing, however, it is obvious and practical and I think that what the performer does is to try to get to that point with every choice you make from the phrasing in a tune to the choice of tunes.
We'd tour for a year and a half and do an album and then tour for another year and a half and do another album. We thought we were invincible, but someone should have said, 'You guys need to take a little time off.'
If we are going to list guitar influences, the biggest one by far is Wes Montgomery. Also, Gary Burton was obviously huge for me in a number of ways. But beyond that, Clifford Brown, Miles Davis and Freddie Hubbard.
Doing my art came out of something very solitary and something that I had no intention of showing anybody, and yet once people saw pieces in my house, it became really clear that there was a great demand for my art.
The things we sing about are timeless. Political affairs and social situations come and go. But if you're singing about empowerment and not playing by the rules, you can sing about them until you can't sing anymore.
I don't understand why Brandon Flowers keeps taking shots at us. Maybe he feels threatened, but he seems to be doing just fine on his own. It's pretty dumb. I mean, we're from the same town, and we've never met him.
From the minute I became aware of Jimmie Vaughan and his playing, he was one of my very favorites. So I made it my business to meet him and become friends with him - to work with him and record some of his material.
My music is - there's no litmus test, there's no political litmus test for listening to it - but I am never going to compromise one iota to satisfy with someone who's uncomfortable with the ideas I feel in my heart.
When I was growing up in New Jersey, my mom would regularly take my sister and I into the city to see shows. I have many fond memories of standing in the half-price ticket line in Times Square and going to matinees.
Riffs are a repeating thing. They come back to you. Some of the things on 'Back in Black' were ideas we had knocked around on tracks before that: 'That bit - maybe we should take a chunk of that and slug it in here.'
Describing Woodstock as the "big bang," I think that's a great way to describe it, because the important thing about it wasn't how many people were there or that it was a lot of truly wonderful music that got played.
Describing Woodstock as the 'big bang,' I think that's a great way to describe it, because the important thing about it wasn't how many people were there or that it was a lot of truly wonderful music that got played.
So it was out of necessity that Blackheart was born. I think it's great that now, 25 years later, we're not only putting out our own music, but are able to put out music by other bands. That's really exciting for us.
Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.
I was blessed to have my son, ZZ, doing it; he managed to pull nothing but the truth out of me. Put all that aside, and you think how strange it is to watch a movie about some small, but important, part of your life.
I would say a lot of the emotion in what I do is a sort of a thankfulness for those energies being around, because there's been points in my life when they weren't around, and it's a real sort of miserable existence.
The biggest government waste: The death penalty. An individual death-penalty case could climb to $100 million, much of it spent at the litigation level. Also, DNA evidence has exonerated nearly 300 death-row inmates.
I would have to say I'm bored with the standard rock, guitar solos, but I've done it for five albums now, and this time I wanted to go in a completely different direction. I wasn't interested in showing off any more.
Barney Kessel was 'Mr. Guitar,' the foremost jazz guitarist of his generation. He had an amazing imagination, his solos were incredible, he swung his tail off, he was a heck of an arranger and could out-read anybody.
When a record company looks at me I'm very hard to market, I don't really fit anywhere, It's hard to get me on the air, and I'm hard to demography, but! because of that I'm not subject to trends like you pointed out.
Seize every opportunity you have to learn. Keep your eyes and ears wide open and seize life — don't let the moments slip through your fingers like a fistful of sand. Be your own teacher. Let life write your textbook.
I would just like to say that Ritchie Blackmore did a bunch of great stuff guitar - wise. I'm happy to play the solo from 'Highway Star'. I always thought it was one of the most exciting guitar solos I'd ever played.
The way corporate media likes to portray America is as a homogenous whole that high-five's each other at the Super Bowl. But what we have is a grotesque disparity between the rich and poor that is only getting wider.
I grew up on misogynist, devil-worshipping heavy metal music, and then it was groups like The Clash and Public Enemy that reminded me that there were a different set of ideas that could be expressed with great music.
A lot of places we go, when they see the organ coming in, they're expecting rock and roll, but after they hear us play they like it. To me, guitar cuts through-it carries more than organ. But organ has got more guts.
There was a generation of people who moved here to make something of themselves. They had to really struggle and created really something on their own apart from a lot of attention. It was a really exciting time here.
If I can get that DAM trio back together again - "get the band back together" - and put on a concert of David Bowie's electronic music, that's the way I want to remember David, moving forward into the future of music.
As a little kid I had a girlfriend, and her boyfriend used to beat me up, so then I used to sing these songs, and that's what it's all about. Country music is all about your heart and your people and things like that.
I refuse to stand up in front of a rabbi and my friends and the woman I love - who I will tell you I can love with all my heart - and promise she will be the only one I will ever have until the day I die. Thats a lie.
The R.E.M and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. R.E.M and Nirvana don't sound like anyone else.
Back in the early '90s, I started going to Nashville to do a lot of co-writes. One of the first people I met there was Keith Follese. Keith and his wife Adrienne are both songwriters, and we wrote some songs together.
If you bring somebody into the band you are going to be with them a lot whether it's in the studio, on the tour bus, or at dinner every night; you want somebody you enjoy being around. You don't want an annoying guy .
I've had lots of replies, we're into the double figures now. And the overall standard is very good. In fact I've been feeling a little guilty, because I haven't replied to anyone yet - it is something I will be doing.