The Beatles just changed everything right across the board. They just had that right combination of clean-cut good looks - a cute band - but under that they had a real rock n roll thing going on.

Every year that I go out on tour, I think about all the craziest ideas that would be great to go out with, and I think, 'I should see if Jeff Beck wants to join my band for a month or something.'

After you've practiced for an hour or so, turn down the lights and record yourself playing. Improvise and go nuts, then playback what you've recorded and listen for your strengths and weaknesses.

The belief that we are what the media says we are, what people perceive we are, is soon to be what we think we are. We are treated based on this warped perception. It is hard to get away from it.

I am on the side of pluralistic societies, and I will do whatever I can - by the best means available and any means necessary - to protect spaces that encourage open communication between people.

We did a really cool video for this song [Milquetoast] with Alex Winter from Bill & Ted's Excellent Adventure fame. He's an extremely intelligent guy. Butch Vig also did a mix for The Crow movie.

People say, 'Oh, Rick, he's crazy.' Well, I'm crazy, and I'm not crazy... When I went to my high school reunion, I was the only one there doing what he said he was going to do. How crazy is that?

When we were writing for Panic whether we knew it or not, having that name over the songs we were trying to do made me second guess things and change things. I started to go against my instincts.

To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.

And, as my father used to tell me growing up, "Play it beautiful, play it beautiful." He said, "I don't care if you don't hit all of the notes. If you don't move a person's heart, it's not music."

I don't think being angry is useful or healthy, and usually when I get angry, my brain just goes right out the window. Boom, as soon as the adrenaline hits, instant stupid. Just add water and mix.

Buddy Rich was one of the most incredible technicians in the world, on this planet, but the only people he could really impress, who knew what he was doing was another musician or another drummer.

The Beatles just changed everything right across the board. They just had that right combination of clean-cut good looks - a cute band - but under that they had a real rock n' roll thing going on.

My first gig was at Carle Place High School, which is in Nassau County, Long Island, New York. I was 14, and I was invited to play with this band, and I was so excited, but I was really petrified.

I've been fortunate to work with companies that I endorse because I love their gear. Whether Music Man, Dunlop, or DiMarizo to me these companies have supported me in such a way that's invaluable.

When I look back and think about how I played when I was 16, and moving on to my 20s, 30s, 40s and now 50s - to me, it seems like you gain more experience, you gain more technique, you get better.

Ideally the performer has a special function. Which is to bring the listener to the edge of that experience and to open the doors of this perception in such a way that those who wish to enter can.

Going to Morocco was massive; that's where I really found music which had the African syncopation and swing mixed with Arabic strains, and together they had this transporting, bittersweet quality.

I'm not into that whole Satanic thing. It's just something to fall back on if you don't have much imagination. Singing you fiftieth song about having lunch with Satan--I'm not into it. It's silly.

I try to be prepared for the moment, through understanding, and being warmed up, knowing all about chords and scales, so I don't even have to think and I can get right to what it is I want to say.

I didn't want to be one of the Beach Boys or one of the Bonzo Dog Doo-Dah band. I mean, we appreciated that music. But I didn't want to grow a beard to look like Roy Wood just because I liked him.

There's so many players that I love and admire. Joe Satriani, Steve Vai, John Petrucci, Mike Landau, Robben Ford, Lee Ritenour, Jay Graydon, John Scofield, Warren Haynes - the list goes on and on.

To get a feel for the right-hand picking technique, you have to let the pick 'fall' from string to string as if you were strumming a chord. It's important that you don't separate the pick strokes.

Most Americans, I don't think, could fathom the society that I grew up in. It is a completely different philosophy from America's. You are basically told what you can be by the educational system.

People - myself included - expect a certain standard from me. I always have to elaborate or improve on my playing. My success hasn't made me at all laid-back. That relentless drive is still there.

It doesn't matter what you make - if you create a movie or build a car or whatever, it's the amount of blood, sweat, and tears and money and everything that goes into it that needs to be rewarded.

It doesn't take much for anyone to pick up anything I play - it's quite simple. I go for a good song. And if you hear a good song, you don't dissect it - you just listen, and every bit seems right.

We all grow up with anger. It's part of the human condition. But what do you do with that? It seems obvious to me that you've got to use it for something, but you have to separate it from your ego.

I used to work at Kroger's. When the store opened, you were there. When I worked in an automobile plant, you punched in. So it showed if you were a minute late. If you have a paid job, you show up.

People love the electric rake. You just hit it or whatever you want to do. You can't play 'Swanee River' on it. You have to just make terrible noise. Occasionally, it will make a sound like a note.

The only jobs kids have are to do well in school, to be charming and polite, and be thankful. That's it. I'll house you, protect you, I'll even give my life for you, and in return, you will behave.

I've wanted to do it for years, but every attempt at it has turned into another tune. We have actually taken a different approach, we're doing a lot of sampling - we're even sampling bits of Flash!

The reason why many young people in the Vietnam War era were active was their lives were threatened by the draft and they were going to perhaps be forced to go overseas and fight in an immoral war.

As a guitar player, I've been influenced by dance music - it was Crystal Method and The Prodigy back in the day. I would listen to those textures and try to approximate them on the electric guitar.

Baseball is a business. Sure, we fans are wistful dreamers who fantasize about glory on the diamond, but to the people who hold the purse strings, the Cubs win the economic World Series every year.

The nature of touring is packaging acts together that have strong catalogues of music. It's about making sure that it's a winning combination. It's really about giving people value for their money.

Strangely enough, through all those school years I decided at 13 or 14 I was going to be a musician and so school was just something to get out of the way, a waste of time and not to bother with it.

I definitely have a different perspective on music in general. But once I actually have a guitar in my hands, I think I disappear into the same black hole that I was disappearing into when I was 15.

Since the big band started I'm just always swamped with movies and things. It certainly pays the bills and it's very satisfying, because I get to write all these big charts and all this crazy music.

Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!

In my case, I am improvising with existing sound files. I use an MSP patch that a friend of mine made, and you have to improvise when you use this patch. I don't use a guitar in performance anymore.

I was given all of my dad's guitars when he passed, and they were being stored at the house. My mother decided they were hers again, and she took them all back, and now they're going up for auction.

I bought one of those Learn How to Play Guitar Chords By Yourself and it shows you the diagram where to put your hands and I took that in my room, sat with my singles and learned how to play guitar.

You could go to New York City, you could go to LA, you could go to the highest class studios in the world, they'll have all the bells and whistles, but it's not going to make your record any better.

Basic anatomy. That has got to be the ongoing frustration: Why can't my fingers do what I want them to do? Not being able to play what I hear in my head - that is the ultimate source of frustration.

Without so much as taking another step towards the field, I turned around, went back into the gym, and I told my coach, 'Jimi Hendrix just died, and I'm quitting the team to become a guitar player.'

I see you over there, just clinging to the wall. Because they told you like ivy you were bound to crawl. But you kept looking up, girl, and I know why. You knew someday you were gonna touch the sky.

When my father saw that I was interested in following such a career he had many reservations. His feeling was that there was no chance to earn a livelihood unless I played jazz or something similar.

I found I could speak through the guitar. Because you have the feel of the strings with both hands and it's up against your solar plexus, it's real, and so there's nothing between you and the music.

My audience has developed so that they come to listen and are quiet, Thus I can work in a limited volume range and explore all the subtleties that can happen, which is my favorite part of the music.

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