The fun that I've had needs to be seen on the screen. I like the thought of a bunch of people laughing at what I laughed at - because my life is surreal, completely wacko.

I hope one day people don't look at women like they're out of their minds when they want to pick up an instrument and play. And I think we're getting a lot closer to that.

I already experimented with free jazz in the 1960s and, in my opinion, to play free jazz, you have to be a perfect musician and a perfect human being - and none of us are!

I almost rely on other people to say, "Hey, you ever hear of this band?" And I'll say, "Oh, I've never heard of that!" And I listened to them and thought, "What the hell?"

I'm gonna try to be cured. I've been on heroin eight years and I want to try a different style of life. It made me split up from my wife. It ruined a lot of things for me.

Your experience of life is to a large part distilled into your performing. As you grow older, you concentrate on aspects of music that you perhaps only touched on earlier.

It is difficult to understand the fortunes of an instrument. There was music written for the guitar until the mid-19th century. Then the instrument declined in popularity.

I'm just gonna be doing stuff that I really enjoy doing. I'm not gonna attempt to be current in any way other than the fact that people will like what I'm doing currently.

What has changed in 40 years? It’s very simple: 40 years ago there was a market economy. Today there is a market society – today everything, including ethics, has a price.

I think Blank Generation holds up pretty well. You listen to that with headphones and there's a lot going on there with the guitars- it's the product of a lot of fighting.

It was way out in the woods in a beautiful, huge log studio. Keith Richards came in and did the vocals with Levon. Again, a big party, but we did get a good cut out of it.

This unprecedented racism, bigotry and proto-fascist agenda that Donald Trump is trying to shove down America's throat has unleashed the resistance that will dethrone him.

In the past, I'd sort of know before Ozzy sang something, what he was going to sing. I'd know what sort of way a melody was going to go 'cause of the way he'd approach it.

I suspect states are going to realize there's money to be made, and they'll start to change laws so people can distil to sell. It happened with wine, it happened with beer.

We've always been quite clear about how we want the songs to sound. If we can imagine the song being played at a party, and it gets people tapping their feet, then it's in.

Years from now, after I'm gone, someone will listen to what I've done and know I was here. They may not know or care who I was, but they'll hear my guitars speaking for me.

I hate the idea of repeating myself. I need new perspectives and challenges for each project, and I'm very happy that many people are able to follow me without any problem.

There are so many things that are misunderstood or not recognized about my father's music because they've been filtered by people who work for magazines like Rolling Stone.

Not being able to play makes one be able to listen and receive better. The constant noodling on guitar can be great, but also distracting to the universal music inside you.

... by far the most astonishing guitar player ever has got to be Django Reinhardt ... Django was quite superhuman, There's nothing normal about him as a person or a player.

At the end of the day, there are a hell of a lot of notes being played out there and I defy the average middle-American or the average punter to differentiate between them.

I used to have these reoccurring dreams that I played guitar, which I thought was so bizarre. It all sort of fit together at some point, and I said 'I want to play guitar.'

Where I lived, on Long Island, you had the radio stations that always played Led Zeppelin and Pink Floyd, Black Sabbath and AC/DC and all that. I grew up on all that stuff.

I try to make a dent in people when I can. I figure people drift toward liberalism at a young age, and I always hope that they change when they see how the world really is.

With the bass it's another thing. I don't need to use alternate thumb-picking as much. Even though Jack says he loves it. My thought is that it might irritate him somewhat.

Punk is just like any other sub culture or music. Straight rock music has those elements. I grew up in a place where the punk rock kids fed the homeless in the town square.

I really live a simple life and don't need very much to feel good and happy. Don't get me wrong; I believe you should get what you earn. Sometimes you have to fight for it.

I never tried to emulate The Beatles, and I never really wanted to be like The Rolling Stones. I never really felt that I had the look or the demeanor of veteran musicians.

We've got the pretty-boy lead singer and the fat, dumpy drummer, and I'm the zany guitarist. Sure, we've played up the image at times. But it's the music that matters most.

My roots are in everything from doo-wop and blues to the Four Freshman and the Beach Boys and jazz and electronica. But it was put together in a deceptively simple package.

It just happens in life, where you resonate with a particular artist. Or it can be a kind of food or a fashion - you discover it and it gives you a whole new lease on life.

Even though there's reasons to try things that may or may not work, it's still a real intimate way to finish the song with everybody right there in the band just locked in.

My one wish for humanity is that everyone can become the person they were meant to be - what are the barriers to that? Often it's crushing poverty or certain circumstances.

From the early days of the telegraph, to be a telegrapher was a job, and there weren't many of those folks. They could recognize each other's style by their dots and dashes.

I'm pretty selfish, I think. I'm probably a terrible dad. I don't do too much with my kids. Obviously I love them and everything, but I just stay here in the studio all day.

In The Police, in a trio situation - which I've come back to now - it's just so wide open that it does actually provide this arena where you can play with a certain freedom.

We never go overboard and above people's heads. We strive to retain that energy, that spirit we've always had. We feel the more simple and original something is, the better.

A lot of people put all that stuff on a pedestal, and they won't touch it. But I don't think that's the reason they did that. I think they played that stuff out of pure joy.

A sane person doesn't think war is a good idea. I'm not a pacifist. I feel that there are situations where fighting is inescapable, but we don't go looking for those things.

I want to go to Africa and find a really great hotel with good food right above a water hole where I can sit, have breakfast, and just watch the elephants play in the water.

I feel like I'm stepping into a place of spiritual contemplation every time I enter a studio; it's always had a certain magic to me that has never worn off with familiarity.

Even as I was trying to become a rock god, Michael Jackson was the ultimate magic rock star to me. I loved his music, his scene and style. He transcended musical categories.

Other people will call me a rebel, but I just feel like I'm living my life and doing what I want to do. Sometimes people call that rebellion, especially when you're a woman.

Happiness doesn't necessarily lie in material things. You just have to put yourself in a position to be happy. If you can do what you love for a living, that's a good start.

I really didn't like 'Done With Mirrors.' I really didn't like 'Just Push Play.' Then there are other records I really think were good for their time, like 'Toys and Rocks.'

I experimented a bunch with Ernie Ball in getting the strings to not flop around too much, but at the same time not to be too thick to where you're playing telephone cables.

My parents demonstrated against the Vietnam war, they were into the civil rights movement, the feminist movement, they started the first vegetarian restaurant in Pittsburgh.

There are a lot of places that I know extremely well. Like, if I were to visit Sydney, Australia, I'd feel very comfortable there. I'm very comfortable in many, many cities.

The potential success that could come with signing with a major label didn't quite outweigh how important it was for me to make my music the way I knew it needed to be made.

I wanted to do the whole album in black and white, and it really killed me that when you see it in the light it's got green in it. I don't know what the hell that was about.

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