Quotes of All Topics . Occasions . Authors
I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.
We don't go around the world counting ticket and record sales, nor do we glue our ears to the radio to hear what's trendy at the moment - we're not that type of band.
You had to pick something like Blue Suede Shoes because it's the flagship of the Sun label, but then I wanted to dig down and find something like Rakin' and Scrapin'.
Water of life is gonna flow again/changed from the blood of heroes and knaves/Word mercy's gonna have a new meaning/ when we are judged by the children of our slaves.
I just loved the guitar when it came along. I loved it. The banjo was something I really liked, but when the guitar came along, to me that was my first love in music.
I think dissonance in music makes you think. It isn't, 'Oh, that's a pretty melody I can whistle.' You have to sit down and listen to tell it apart from other things.
I know that you like to see a man in the kitchen, but I'm skeptical of men who cook. A man should be focusing his attention on the woman, and not what's on the stove.
I'm forbidden fruit. Once you go to certain households, mommy doesn't want you to see that dirty man who sticks his tongue out and spits out blood and all that stuff.
The American experiment has come and gone. Whatever freedoms the people still might have as their own, are monitored and registered and taxed at virtually every turn.
I'm having fun opening up. Sort of struggling to get the audience into it. It's good. It makes you fight. Not fight like antagonistic. But fight for what you believe.
When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.
There is something about guitars—maybe something magical—when played right, which evokes past, mysterious, barely-conscious sentiments, both individual and universal.
I find that the best way to do things is to constantly move forward and to never doubt anything and keep moving forward, if you make a mistake say you made a mistake.
I see every new album as an opportunity to start over. To either build or improve upon a direction that has been evolving over time or to completely break new ground.
Have pride and entertainment. I think that a lot bands just don't know how to do it anymore or they lost interest in it or don't care and are just cashing a paycheck.
Music has been my real solace. And that's why I play music. And that's why I'm so determined, or have been so determined to pursue what I wanted to do, come what may.
You learn fast from others how to be an entertainer as well as a musician; you don't necessarily have to get out there and just play - you can be an entertainer, too.
It's absurd for anybody to look around and hear the acts and artists who cite us as an inspiration, and then tell me that we're not in the Rock and Roll Hall of Fame.
It broke my heart when my first band split up. I was 25 and we'd been together since we were 15. But it had to happen. There was a point when I knew I had to move on.
George Harrison was also a pleasure to work with. He was one of the most famous people I've ever known, but in spite of that fame, he was such a nice and friendly guy.
Almost all the military personnel were wearing sunglasses. No Iraqis wear sunglasses. They really want to see your eyes. So immediately they can't trust the Americans.
The movie I've seen the most times, boy, that's a tough one. It would have to be a toss-up between Apocalypse Now and the first Star Wars. I think the first Star Wars.
Norah Jones is a breath of fresh air. Norah Jones can sing and play. She's got some talent. I was totally ecstatic that that girl got noticed, because she's wonderful.
I took the process of doing as much myself as I could like a duck to water. I set up my own label and publishing, etc, and it was a fun learning curve two decades ago.
There is not a single person alive who could keep a straight face and say "Oh yeah it's healthy, the reason I use drugs and alcohol and booze is because it's healthy!"
The real challenge of writing songs isn't just writing a bunch of parts - like a verse, chorus, verse - but making something that flows together, that brings you back.
Sometimes you get more creativity when you're in a box than when you can do anything. In really difficult situations, sometimes, you get the most interesting thinking.
I do understand the perspective of die-hard fans who complain that we don't play the same as the record, but at the same time I think fans are getting an amazing deal.
I have always known that it comes from deep within myself. I always knew what sound I wanted, and how I wanted to play. I knew everything, it just had to be developed.
I do feel like, now, approaching fifty, I am definitely at a crossroads and having to reevaluate things and look at things. It's time for more change, and that's good.
America is a business. If you can't afford to do something, no matter how much bellyaching everybody does... I'm so sorry, if you can't afford it, you shouldn't do it.
In Japan, the way they act at shows is very different from home because they don't yell, they clap for about 10 seconds after the song and then it's completely silent.
We've become an underground thing for kids, because we never got the love our peers got back in the day. Kids are loving discovering us, and I'm happy to be that band.
I awake, I meditate, get the kids off to school, go to the gym, go to the Favored Nations office, and usually at around 1 pm I'm home and do music the rest of the day.
Most of my records are very dense, composition-heavy, and there's bits of different kinds of music like an acoustic ballad, instrumental trio pieces, and vocal tracks.
I have no plan to retire anytime soon, although remember I am 50 years old! I do plan on the near future writing a book, that is definitely in the plans for my career.
As you can appreciate over my lifetime I've developed a large vocabulary of sounds each requiring certain physical techniques often combined with a specific effect box.
It wasn't until the movie came out that it all changed for us. Some people say it was the start of Ten Years After, but in another way, it was the beginning of the end.
It was mind-blowing. It was a small place with 2,000 standing-up tickets. It's great to have your band back and working and playing again, people have been so generous.
I like to play with someone who can cover a lot of ground and someone with whom you can discuss the language at a reasonable level; otherwise it gets a bit frustrating.
When we were babies, mum had to dress one of us in one colour, like blue and green, and she'd put a little mark on our hand or toe... she definitely had to sort us out.
But I just think we've got such a continuity with what we're doing that most people come in and fill in the blanks. And sometimes we leave a lot of blanks to be filled.
My 12th was my most Christian and most boring year of my life. Try as I did, day after day, to cling to righteousness, I was washed down in suds of sinful surroundings.
My uncle gave me a trumpet, but I loved the Louis Armstrong sound and the Harry James sound and I played by ear and I played always soulful or very direct from the gut.
I want to do everything. I want to be the president, I want to learn Tae Kwan Do, I want to climb mountains. I'm always bugged by the notion that I can't do everything.
If you think about it, critics are an unnecessary life-form on the planet Earth, and here's why: because it's a job without credentials. You don't have to go to school.
A lot of solos I hear sound so incredible, but they sound like somebody practicing. They sound a bit soulless - fiery, but at the same time, lacking in spirit and soul.
I've been able to do a lot of things a lot of people haven't, that other people would dream of. I've been able to live out my fantasies, and dreams! So, I'm real lucky.
It's easy to put on a Deep Purple record and say, 'That sounds great.' But why? Part of it is individual practice, but by playing together, a talent of meshing happens.
It's easy. You draw a red line on the ground, right? Then you wait for a chicken to come along. When he arrives, he puts his beak right on the line and he's hypnotized!