Quotes of All Topics . Occasions . Authors
There's not much music I'll listen to if it doesn't have pretty heavy swing. Rhythm is so important. Punk rock would have more power and feeling if it had swing.
If people are really excited about their music, and that's their primary motivation, then that comes through in demo tapes. That's the most important ingredient.
We're not good at propping up old carcasses. We want to be on top of what's vital at any particular time, and not just hold onto something because it has a name.
Honestly, humans are social creatures that really crave intimacy, and I think that the friends I have who are trying to somehow go it alone are suffering for it.
For me my friendship with Omar Rodriguez from Mars Volta that friendship really means a lot to me because he's another creative person who works as hard as I do.
He's on a mission of mercy to the new frontier, he's gonna check us all on out of here. Up to that mansion on a hill, where you can get your prescription filled.
Everybody was tellin' me that I had to do something different, and I kind of agreed that I did need to vary it a little bit. I still love some rock 'n' roll too.
I think Englishmen or Northern Europeans in general are more naturally attracted to the lute than to the guitar, which always seems Spanish exotic - to our ears.
You have to get the attention of the audience. You have to make sure they know you are starting. You have to achieve a rapport with them on the very first chord.
From a very young age, militarism and trying to solve the world's problems through militarism is something that has always resonated with me as being a bad idea.
In jazz improv, there is no such thing as wrong notes, only notes that are better chosen and it's not about the note you play, it's about the note you play next.
I am happy to be able to be part of this Rock'n'Blues Fest as the first tour since the amputation of my right leg. I hope this gives me a leg up on the new year!
We've got horse property and there's other stuff to do. Like, four wheel driving, we barbeque, drink beers, sit around and play guitars and have a merry 'ol time
I didn't plan on rock-n-roll. I wanted to learn jazz; I got to know some people doing rock-n-roll with jazz, and I thought I could make some money playing music.
I don't see how anybody cannot be political in this day and age. There's so much going on and you have to be aware and you have to vote. Our lives are political.
Everything is so computerized these days and it's all edited and everything. Everything sounds so perfect, and we just want to be a band that sounds like a band.
A lot of people talk to me about writing lyrics and it is obvious they are really paying attention to the fact that ours are different from a lot of other bands.
If folks really want music in their community they can do it very cheaply. It doesn't have to be a $50 million program. All we need is just a little real estate.
As a musician, I look for certain things that stimulate me. And what I look for is something that's an evolution on a particular genre that I never heard before.
For example, after developing a sound similar to an elephant trumpeting, I wrote the song Elephant Talk which gave my elephant sound an appropriate place to live.
The SynthAxe enables you to achieve a whole world of sonic textures that you cannot get with a guitar. There was nothing like it before and nothing like it since.
It was a scene in the sense that we were all close and we all knew each other before the different bands had really formed. We used to rehearse in the same place.
I didn't want to wait around for some business entity to come around and give me money and tell me what to do. We just started releasing records as best we could.
At the risk of sounding hopelessly romantic, love is the key element. I really love to play with different musicians who come from different cultural backgrounds.
The style of music that we're playing, this progressive metal style, has always been an upstream battle for us. We don't usually get a lot of commercial exposure.
Of all the things that can frustrate a guitarist the most, it's the nagging feeling that he's not reaching a certain level of proficiency as quickly as he should.
You have to be serious, and you must have a constantly inquiring mind. But I find it's new music that really stretches me, both technically and as an interpreter.
I started teaching myself guitar because I loved singing so much. Then one day kind of out of the blue I found I was writing a song. It just happened organically.
I used a baritone guitar with a very unusual tuning that became the body of the composition, while the classical guitar is on top of it with the main rhythm part.
We've got horse property and there's other stuff to do. Like, four wheel driving, we barbeque, drink beers, sit around and play guitars and have a merry 'ol time.
Later after college I discovered Gang of Four, Buzzcocks, and those kind of bands. My tastes have changed but I still carry a lot of the influences from my youth.
I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
When the Beatles were on 'Ed Sullivan,' life went from black and white to color like in 'The Wizard of Oz' - and the irony I'm in the band Toto is not lost on me.
I don't believe that heavy strings make it all that much bigger-sounding. If anything, it can mess up your fingers, and you can get tendonitis, which is not cool.
I started on drums when I was 13 and played them for two years. Then I went to guitar for a year, played keyboards for a year and a half, and went back to guitar.
I still have people saying to me, 'Oh, you're still together?' They don't realize Leppard's been around this whole time, because people just don't get to hear us.
I'm trying to play tunes in a new way, using all the same scales, harmonies, structures, but twist everything a little bit so that it comes out sounding different.
We didn't leave home until we graduated high school, but when we did, we genuinely left. We went out into the world with 50 bucks, backpacks, and acoustic guitars.
Sometimes the best map will not guide you, you can't see what's round the bend. Sometimes the road leads through dark places, sometimes the darkness is your friend
So here I am - a 75-year-old man sitting on a bar stool in a blues club, trying to figure out exactly how I got here. Any way you look at it, it's a helluva story.
Even if it is difficult playing with other people - sometimes it's great, sometimes it isn't, but that is kind of the point of it. It loses its point playing solo.
The Silvertop and the Goldtop both had subtlety where it was needed but lots of definition as well. I liked the different voicings of the distortion/fuzz elements.
There's nothing like a music festival. People are ready to have a good time. I don't think anyone comes to a festival going, 'I'm gonna be a complete bummer today.
I hope the guy who came up with the phrase 'sex, drugs and rock 'n' roll' rots in hell, I'd like to change it so it makes more sense: 'sex death and rock 'n' roll'
I listen to everything that comes in. I'm not real worried about demo sound quality. I can hear through that sort of thing. If a band can play, then they can play.
I don't know if I get recognized necessarily, though I do get looked at a lot - but I don't know if it's because of who I am, or if people just think I look weird.
A lot of people ask me why I don't expand and explore other musical areas, but I like the plain three- and four-chord rock-and-roll that I call the the semi-blues.
The media plays up celebrity a lot, but it doesn't hold a candle to being a scientist. There's a lot to be said for what they all do, and are trying to accomplish.
I have always been fascinated with guns. I grew up in America, so, granted, it is part of our heritage, and it is written into the laws of how this country is run.
Everything is eternal Nothingness does not exist No thing has ever become nothing And nothing has never become something What is has always been and will always be