Quotes of All Topics . Occasions . Authors
I feel that we should try and understand how we as women storytellers have often fallen into the mode of telling stories in the ways in which traditionally men would. I often find that my points of view are expressed by male characters.
The privilege I've had over 15 movies over a very long time has been to make movies that were ambitious or grown-up, complex, that had themes in them that were sometimes political, sometimes challenging, to make these movies on a scale.
I had no clue what anyone was talking about like, you know I don't think I, I don't think any of the depictions of sex were more to me than just like an image of two people's arms rubbing together [when I was eight], I just had no clue.
I have a pretty positive view of environmental activism, but I didn't know much about the ELF. A lot of people make documentaries because they have something they want to say, but I make them because there's something I want to explore.
My Dad hated his job. He sold overcoats, but he wanted to make movies. He had a failed career working with the Ritz Brothers - they were like the Marx Brothers, only a tier below. I always had a picture in my mind of him in a straw hat.
The point is, there's this new sense of skepticism and questioning toward tech, even if it is pretty inchoate. What I hope the book helps to do is help people clarify what is amiss, by presenting a critique that is grounded in economics.
If you are rigorous in your own R&D in whatever your area is, you do your own testing, and you really stress-test the thing that you do, I think that gives you a tremendous amount of inner fortitude when you come up against the monolith.
I've been making films since the '70s and trying to develop that best possible fiction-film style that I feel is the most expressive. At a certain point, I felt I was winding up making the same film stylistically and I found that boring.
A newspaper is a public trust, and we will suffer as a society without them. It is not the Internet that has killed them. It is their own greed, it is their own stupidity, and it is capitalism that has taken our daily newspapers from us.
The only features I've done have been on the lower-budget end, for what they were. It's really all about getting the best people aboard and committing to doing the best work possible and prioritizing where your time is going to be spent.
When I'm watching one of my movies in a festival with fans who are just into it and they love it? I end up feeling like my film is more interesting, it becomes more fun to watch and I get a special energy that feeds back into my process.
As my sons went into teenagehood, they started to look like some of the groups of people that I had photographed previously. They started to become like my old subjects. As if, as a photographer, you come around to the same visual points.
Spend at least 20-30% of your time marketing. You have to pay for this either way. Either you pay a gallery to do this for you , or you put your time and effort into it. Unless people see the great art you're making, they'll never buy it.
To me, cinema is cinema. Cinema is one big tree with many branches. The same as literature. In literature, you don't just say, 'Oh, I bought some literature.' No, you say, 'I bought a novel' by so-and-so, or a book of essays by so-and-so.
By the time I got to 'Silence of the Lambs,' I was madly in love with close-ups because I'm madly in love with actors, and a basic premise of 'Silence of the Lambs' is the story about two people fighting their way into each other's heads.
One of the most ironic things about capitalism is that the capitalist will sell you the rope to hang himself with. Actually they will give you the money to make a movie that makes them look bad, if they believe they can make money off it.
I don't believe that the Bush Administration had something to do with September 11th. I do believe that there were a lot of warning signals, but I don't think they were ignored on purpose - Bush just wanted to go to the ranch for a month.
Human nature doesn't really change a lot. We haven't changed that much and politics haven't changed that much. It's still the same things we're debating today that we did 300 years ago, which is a little bit scary when you think about it.
Richard Leacock and I ran into a guy who knew how to carve up a camera, and we had him carve one up for us. We had him chop it down and change the gears from metal to plastic, which would cut down on the sound it made when it was running.
I started out looking for the perfect love story, but what I found instead was something even more beautiful - a messy love, an imperfect love, a human love. In this time of uncertainty, can I continue to love, even if it breaks my heart?
I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else.
There's something odd about telling people, artists, that they need to work for free to be pure while you're sitting there getting a salary that ultimately is paid by a generation of young people going deeply into debt for their education.
A filmmaker should never assume he's superior to his subject. I often find that even the simplest topic remains an enigma. The best film portraits not only evoke that enigma but ingest it in a process that renders what's invisible visible.
Like everyone, I was a kid who played chess when I was young. And I am admittedly old enough to have been around during the fervor of the match in Reykjavik and the rise of Bobby Fischer, so those two things conspired to pique my interest.
Brian Eno records and music got me through. It made me feel like there were other people out there who had the same questions and fears and unhappiness. Particularly those kinds of artists who were writing songs about exactly those things.
The images are designed, so that after you see the picture two or three times, its no longer my film, it starts to be your film, You recognize the people, you know them, and you don’t even know who directed the picture. PlayTime is nobody.
I remember the first time I received a cassette tape of a band called The Clash. I became an instant fan of the Clash and then bought their albums after that and went to their concerts and gave them my money... but I first got it for free.
I went without health insurance until 'Roger & Me,' basically - from about age 20 till about age 35. With 'Roger & Me,' I joined the Directors Guild and the Writers Guild, and since then I've had excellent health care managed by the union.
I was taught from a very early age that it was probably the most American thing you can do is to question what's going on and to try to fix things that you see that aren't right. I believed that as a young person, and I believe that today.
I've never been anywhere in my life like it and I only really noticed it when I returned to Los Angeles and then Berlin. Everybody is much better off in these places, there is not poverty like in Cuba, but everybody complains about things.
Today, when you look at social media, you see that the narrative can be overtaken by people just from Twitter and Instagram. I know when Ferguson was going down those first few nights, I was watching feeds on the ground on Twitter, not CNN.
I grew up in the 1960s in Memphis, and my father was a member of the American Civil Liberties Union. I was born three years before Martin Luther King was killed, and I think that history of civil action was something that I had in my blood.
If you're doing a music film, you've got to be singing about something. Or, you have to be singing in a vocabulary that has tremendous appeal or else people are not going to want to sit there for eighty or ninety minutes hearing this stuff.
I remember being really interested in the sad parts of Los Angeles, of which there are many, and knowing we weren't up in the citadel on the hill, but we also weren't on the bottom. I was very interested in the poetry of failure as a child.
Baltimore holds a lot of mystery for me still, despite the fact I've lived there most of my life. I think its shares a lot of issues and dominant themes with other second-tier post-industrial cities in the U.S. It has a universal resonance.
As for documentary, it was a natural progression from my earlier career in journalism. The two media are connected, but of course making films is much more complicated, because you have image, sound and music to work with, not simply words.
I felt that the world, and in particular this country, were going in circles. What had happened 40 or 50 years ago was happening again, but even in a worse form - that we were sinking into a lot of ignorance and a lot of superficial change.
Tagore once said - art has to be beautiful, but, before that, it has to be truthful. Now, what is truth? There is no eternal truth. Every artist has to learn private truth though a painful private process. And that is what he has to convey.
I think the other misconceptions when the film came out, he was very upset that it was so widely released and so widely seen. And neither one of us - well, I think I had hopes it would be, 'cause I really did think it was something special.
I started out my career as a screenwriter and quickly discovered that adhering to a script isn't always the best way to make a film. You have to take into consideration the nuances of the characters and what the actors bring to their roles.
Interestingly, I never thought Id do an adaptation. Ive also been quite against them. I think trying to translate one medium to another is wrong. I never really felt that books fitted into film. Generally people are disappointed, arent they?
When Geoff Ramsey and Jack Pattillo started 'Achievement Hunter,' we expanded heavily into 'let's play'-style gaming videos and have since expanded with a massive roster of gaming talent and multiple channels dedicated just to gaming videos.
One of the biggest things that happens to many people when they have kids is that you suddenly realize that you're not going to last forever. You know there is another generation who are the heroes of their own stories, and that is humbling.
I always imagined that having a baby is something that I'm going to keep in a private place, but maybe my curse is that all I'm going to want to do is tell everybody about what my birth process was like and what my children's nightmares are.
If someone did this Fahrenheit 9/11 to get back at Bush, then they did so by killing thousands of people who DID NOT VOTE for him! Boston, New York, D.C., and the planes' destination of California - these were places that voted AGAINST Bush!
Capitalism and democracy are the opposite of each other. Capitalism is a system that guarantees that a few are going to do very well, and everybody else is going to serve the few. Democracy means everybody has a seat at the table. Everybody.
Oprah's got good politics, she's got a good heart, and she'll have us all up Jazzercising at six in the morning. This cannot be a bad thing, and reading a book while we're Jazzercising. So America would be better off if Oprah were president.
If you make a film set in London or in Pakistan or wherever, the thing that interests me is the relationships between individuals - individuals and society, individuals and their family, their girlfriend or boyfriend, it's all the same idea.
My advice to emerging documentary filmmakers would be: try to find other people, a group, a cooperative that you can work with. Filmmaking is hard and lonely and decidedly unglamorous. Find like-minded souls and share the joy and the misery.
You're talking to somebody who two years ago couldn't figure out how to use e-mail and who now has carpal tunnel. It has totally changed in that these films would not be getting out to people the way they're getting out without the Internet.