Quotes of All Topics . Occasions . Authors
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
Women want to control other women because they've been controlled themselves. It's a cycle of control. I'm not blaming women for that, but I am saying we're part of a toxic culture that's feeding all of us the same messaging.
I am comforted by the fact that I find a real range of female bodies beautiful, and I hope that other people do too. And even if they don't find it beautiful I hope they're just glad that something like it is happening on TV.
One of the secrets of being a great photographic model, as it is for a great film actor, is that you let the camera in. It's an intimacy that the model or actor creates with the lens, that then transmits itself to the viewer.
Pamela realizes for the first time in her life that she hadn't made the wrong choice at all. Nor had she made the right choice. She had simply made a choice. And somewhere along the way, she had lost the courage to live by it
The only direction I can give to an actor, a good actor who knows his skills, is, 'Here are those words. They're yours. Make them yours. Don't tell the text but be the text.' That means you have to be the emotion of the text.
Crumb was such an influence on me. He's such a visionary, such a great artist, that he so shaped my artistic sensibilities on a certain level that I do owe everything to him. The way I see the world is largely changed by him.
The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
I don't do rehearsal. Some directors prefer to do rehearsal - readings before the actual shooting - but I don't like this process because I think there are certain things that are so spontaneous, and they cannot happen twice.
My background is Indian, so I believe in a spiritual idea that there is another level, another layer or layers, if you will, above us. I believe that there are elements that allow things to be drawn together, a sort of energy.
When you're in the muck, you can only see muck. If you somehow manage to float above it, you still see the muck, but you see it from a different perspective. And you see other things, too. That's the consolation of philosophy.
I feel like I came from a generation where... We didn't have Vietnam. We didn't have World War II. Nothing cultural was thrust upon us to make men out of us, so you're kind of free to not grow up that way if you don't want to.
So there's a choice that I made to tell stories that are still psychological melodramas about domestic issues. The challenge is to figure out how to make 10 films a career as a filmmaker, and that's a really challenging thing.
I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. I'm marking poles like a dog does. This is how I show my movies to the world.
With 'Street Fight,' it took an urban mayoral election and found lots of complexity in there. The same with 'Racing Dreams.' I wanted to show complexity within this world that most documentary people don't know anything about.
The luxury that I have is I'm not career-minded, I just live from one film to the next. For a time, I was making documentaries, and all my documentaries were winning awards and stuff, and then I lost interest in documentaries.
[James] Baldwin was a celebrity. A TV show like Kenneth Clark could put him aside of Martin Luther King Jr. and Malcolm X. He was, at least, one of the three most important spokesmen of the movement and of the black community.
Art is something that grows and breathes and lives, and it shouldn't be predicated on the success of box office - but it is. But within that, you have to give people a chance to find their voice, to play, to continue to create.
Superman and Batman go to a small claims court together. I knew they'd cast [Gal Gadot], I had seen pictures of her, I remembered seeing her doing parts in movies and I went and re-watched stuff with hers and then met with her.
I'm not hoping to see that day but I know that my cinema will reach Filipinos. I know that they will embrace it one day. It will happen. I'm very sure of that. I still have faith in cinema. I still believe it can affect change.
I've spent a lot of time in L.A., it's always reminded me a bit of Jo'burg, which is a deeply segregated city. And L.A. is really like an apartheid city; white people just don't go to South Central. It's just a different world.
There is a reason you keep hearing about the power of educating girls in the developing world. Its a reason so simple that you will probably view it with suspicion, as I once did. It's this: educating girls works. Really works.
Live your life as a revolution and not just a process of evolution. I realized today that if I stay on a path of gradual evolution into the man I ultimately want to become, I am going to run out of time before I reach the goal.
It's very hard to find critics or a magazine today that will publish material that is genuinely independent and written without any concern about being cut off some distributor's list or not be invited or flown into screenings.
You need to fight in order to count. Don't be afraid to believe the impossible and then fight with yourself to ameliorate yourself. Do it. Believe in yourself. Let a good seed be a good seed now, and then we'll have a good tree.
The consumer is deciding what they want to see and when and how, and filmmakers are more aware and accepting of the fact that success is not predicated on your movie showing in a traditional theater for a certain amount of time.
I don't believe in leaving a scene in because it was really hard to shoot, or because it's the reason you took the movie, or because you always wanted to work with an actor . . . If it's not making the movie work, get rid of it.
I gotta admit, when you've been doing this a long time, going out to the audience and asking for them to help out with crowdfunding, it's a gut check. You never know how that's gonna turn out. Luckily for us, it turned out well.
When Steve Wise told me that he intended to argue in court before a judge that an animal could be a "legal person," it seemed like a novel, possibly far-fetched idea, but the more I thought about it, the more I became intrigued.
Most people view the artistic process as something of a mystery. Leverage that, and engage your prospective clients with good stories. For many, buying art is their escape from the real world. Make it entertaining and enjoyable.
I thought that we all were afraid of death, but I've talked to my wife and other people, and they're not afraid of death the way I am. I find that really confusing. I don't like the idea of nothingness - that's terrifying to me.
I met a lot of women in the military with Meg Ryan, and they were remarkably impressive: Competent and strong and not versions of men, but versions of women. And they had stories to tell about how difficult it had been for them.
I can be incredibly angry with someone, I can be incredibly critical, but... I went through a period where I was reading a lot of memoirs of guards in holocausts and serial killers. I like to understand why people do bad things.
I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy's and her sister Lee Radziwill's families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship.
I went to schools that were small enough that basically everyone was in a play. I played a bouncing ball in a production of Alice in Wonderland and a fat man in an Italian commedia dell'arte play. I was given some small chances.
The left, liberals, believe that if we just have more gun control laws, all the problems are going to go away. Well, I don't think so. I don't think so. I think - yes, it will, it will be reduced. There's no question about that.
There is a reason you keep hearing about the power of educating girls in the developing world. It's a reason so simple that you will probably view it with suspicion, as I once did. It's this: educating girls works. Really works.
It also happens that I don't actually teach about the stuff I make things about. I'm not a film history teacher. In that way, it's also a release. But the ideas that I talk about in the movie are the same I talk about in school.
I saw how you could get away with such a free-spirited, naturalistic sensibility in a mainstream Hollywood movie, and you could apply a lot of the skills of the '70s icons that I really admire to a contemporary, commercial movie.
I really look forward to that opportunity to be a student and discover things. That keeps it interesting for me. And I sometimes get easily bored, and there are still some things I wanna talk about instead of repeating something.
Unfortunately, I never played an instrument. I can't blame my parents, but I wish I had had music lessons. It's odd because I think I have a good sense of rhythm, as they say in some fields. But I don't know anything about music.
We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family.
None of my actions have ever sort of been motored by the search for a husband or wondering if I was going to have a family someday or wanting to live in a really great house or thinking it would be really great to have a diamond.
My dad finds Twitter just infinitely unrelatable. He's like, 'Why would I want to tell anybody what I had for a snack, it's private?!' And I'm like, 'Why would you even have a snack if you didn't tell anybody? Why bother eating?'
I have a point of view on the issues, but it's a complex point of view that really can't be summed up in a sentence or two. I'm not being intentionally vague or mushy, it's just that - in my mind - the real answer is complicated.
My understanding of environmentalism, of the things that radicalize people, of the ethics and effectiveness of different kinds of social protest have definitely become more nuanced and more informed, but they aren't much clearer.
We should be licensing everybody with a gun. I have to have a license for my dog. I have to have a license for my car. If you're going to do my hair later you have to have a license... We don't require a license to own a firearm?
Whatever will happen has to be based on long-term policies and strategies of resistance. We had the Occupy Wall Street movement, but when they had to step up and organize in a more institutional way, the whole movement dissolved.
I don't think I ever watched a movie without being totally immersed in the story. But at the same time, I had to keep some distance from it. I had to question what the narrative was trying to tell me or was injecting in my brain.
The position of an assistant director in Japan is a handyman who does everything if necessary. They must overcome the unreasonable demands of hard-hearted and whimsical directors, and staff with different personalities or habits.