Quotes of All Topics . Occasions . Authors
There's always been this strand of filmmaking in Britain which is like socialist neo-realism. That's always been there. I've never been part of that, really; I've been much closer to fantasy.
I prefer to think of film making - you know, um, the sweat is supposed to be invisible. But a lot of sweat can go into making a film. But of course, if you enjoy doing it, you enjoy doing it.
But I also think when we embark on intimate relationships, we make a basic human promise to be decent, to hold a flattering mirror up to each other, to be respectful as we explore each other.
I loved watching documentaries and had wanted to try making one for years - I'd just put it off as other opportunities arose. But I felt like time was running out for me if I wanted to do it.
Should such an ignorant people lead the world? How did it come to this in the first place? 82 percent of us don't even have a passport! Just a handful can speak a language other than English.
I'm completely fascinated with American politics because I think they dictate the politics of every nation of the Western world. So, it's very interesting to follow what's going on over here.
But I can tell you this: Nothing will happen up there that can duplicate my life down here. That life cannot be better than the one I've lived down here, the football life. It's been perfect.
Well, that was certainly - to me, until we could film in Charles' room, I didn't even want to bother filming anything else. And in fact, I did hold off and that was the first thing we filmed.
In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
Hopefully, when people see 'Senna', they will understand why this inspirational story needed to be told, why it had to be made as a movie for the big screen, and why it is a film for everyone.
Even in a city like Barcelona, there are still some people in the city who are angry because that waterfront area is a big tourist destination, and all the rents went up, and they had to move.
I love green. Green is the color of nature, trees. I'm a tree freak. I spend a lot of my time planting trees, nurturing them, and studying them. It's one of the colors I couldn't live without.
I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.
In Lithuania, I am known as a poet, and they don’t care about my cinema. In Europe they don’t know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!
Here's what I have to say about being married: someday you will look at him, hating him with every fibre of your being, wishing that he would die the most violent death possible. It will pass.
There's no doubt that after you eat a lot of garlic, you just kind of feel like you are floating, you feel ultra-confident, you feel capable of going out and whipping your weight in wild cats.
One of the main reasons I wanted to work on 'World War Z' was because I'm a huge fan of the book, and I love the idea of taking a non-linear story and creating a three-act structure out of it.
Here's my tip: Have your production hire the best hair stylists on the planet to do your films and commercials, then casually hint about how great it would be to get a trim during lunch break.
I'm not a purist - I like films that are narrated and films that aren't, films that are beautiful and films that are clumsy but heartfelt. Mostly, I just like a good story and good characters.
For me, good films and good books are irreducible to a lesson. You can't just kind of translate them into one statement. On the contrary, the more you do that, the less wisdom in art there is.
In my opinion in art nothing can go too far as long as you don't physically hurt people or animals. Art is there to push boundaries. I love it when my work freaks people out but it's all fake!
My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something.
I financed and made my own films from the start. My path has been autonomous and independent, so I don't have any horror stories about glass ceilings and expectations and tense studio meetings.
My relationship with Vladimir Vladimirovich Putin is very clear: respect. We met a couple of times; once I received a medal from him. I respect hugely how he brought Russia back from its knees.
I am not interested only in telling a story, but I want to tell it my way. I don't want my accent, my temperament, my narrative style to be compromised to fit into a mold of the Hollywood type.
To be a creative person and be a professional, as an artist you have to be able to withstand pain, rejection, and for some, a lot of bad feelings, but you have to be able to look through those.
Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a life-changing event for me: there were gay people, on the stage, and they all lived in New York.
In Lithuania, I am known as a poet, and they don't care about my cinema. In Europe, they don't know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!
My sister is bold, independent, and not afraid to wear overalls. Some of her first words as a child were "that's not fair," and she's been committed to social justice ever since. She's my hero.
The Iraqis who have risen up against the occupation are not 'insurgents' or 'terrorists' or 'The Enemy.' They are the REVOLUTION, the Minutemen, and their numbers will grow - and they will win.
I think every film is somehow a political film. You show a perspective and a world that has logic, and that logic is inserted into a political environment, and it means something. Yes, why not?
Imagine a world alive with incomprehensible objects, and shimmering with an endless variety of movement and innumerable gradations of colour. Imagine a world before the 'beginning was the word.
Covering a Super Bowl is actually one of the easiest things we do because our most experienced people are there. We'll have 25,000 feet of film and there's no way you're going to miss anything.
It used to be when you eat, you eat with people. But instant noodles are so instant that people eat by themselves. And it's a very convenient way of eating but also a very lonely way of eating.
I am an artist, you understand? For me, a picture is like poetry. When you make art, this is not coming from an intellectual place. It's coming from the deep side of your unconscious, your soul.
Why make a movie about Ayrton Senna? Someone who drove around in circles at 200mph in a car that looked like a giant cigarette packet? Why would anyone who isn't already a fan of Formula 1 care?
In the end of the film there is hope, ... There's beauty in ugliness. It's really important for us Latinos to acknowledge each other and not deny the reality, because our reality is fascinating.
Education does loads of things for girls that wont surprise you at all - it provides self-esteem, teaches important life skills, and offers the kinds of choices a good education can give anyone.
Imagine a world alive with incomprehensible objects, and shimmering with an endless variety of movement and innumerable gradations of colour. Imagine a world before the 'beginning was the word.'
'Ashes of Time' was my third film, and as a young director at that point, it's not very often that you have the chance to make a big martial arts film, so of course I jumped at this opportunity.
When I was an adolescent, I abandoned my country at 23 years to come to Paris to know Andre Breton, the 'Pope of Surrealism.' And for three years, I was there working with him being a surrealist.
I feel terrible for directors of TV because all the episodes have to look the same. They make a great series for five or six years, and then when it's canceled, they can't break out on their own.
Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept. I had to explain to him that it was a comedy.
You can just imagine the restrictions of shooting in a prison, but I just decided I'm going to embrace those restrictions sometimes when you don't have many choices you can make the best choices.
I spent a long time trying to make it in the commercial world hoping that commercials would then lead to movies. That was a less-travelled path at the time, although it's very well-travelled now.
The digital formats keep changing so rapidly. I feel like so many people are shooting digital but the quality is being lost. There's a texture and a richness to the 35 format that's incomparable.
The future is in the hands of those who explore... and from all the beauty they discover while crossing perpetually receding frontiers, they develop for nature and for humankind an infinite love.
It's so easy to manipulate an audience, but it's nearly always clear that you are being manipulated. I think even people that are not critically attuned are aware of cynical manipulation in film.
Everything I've made - it doesn't mean they've all been good - but everything I've made so far, big or little, fiction or documentary, has been something that I've been really enthusiastic about.
The documentaries I made were never normal documentaries. They were about subjects I was obsessed with, and I suppose I thought I could sculpt them. What I think I do with my fiction is the same.