Quotes of All Topics . Occasions . Authors
Every night I watch the nightly news. It's funded by the pharmaceutical companies. Virtually every ad is a drug ad. They get their say every night on the nightly news through advertising.
It's like a visual connection between the girl I'm shooting and me, a bunch of triggers. A lot of girls I'll just shoot once or twice, but with certain special ones I'll go a bit further.
But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
In a film called 'Senna,' the clue is in the title, and we have a Brazilian badge on our sleeve as we were making it. We were making it from Senna's point of view, with Senna narrating it.
'Do the Right Thing' has been a big influence on me. I saw it when it first came out in 1989. I was about 18, and it blew me away on many levels - I had never seen anything like it before.
As a kid, I thought movies were boring. My parents would hire VHS recorders for the weekend and watch Bollywood movies. I'd get bored and go out to Stoke Newington common to play football.
I think that no one human being would have been able to look at [a hypothetical photographic record of the Nazi gassing of Jews]... I would have preferred to destroy it. It is not visible.
I never really lost touch with video games. Even while shooting '10 Cloverfield Lane,' I brought my PlayStation with me, the most portable of all the consoles, and was playing every night.
There have been bombings by extremists. They are not representatives of Islam. They're not representative of the vast majority of people who love this country, but nonetheless, they exist.
An artist's creative energy is ephemeral as a flower. It blooms and soon dies. No artist is great forever. Personally, I think I reached my peak in 2004 when I shot 'Samaria' and '3-Iron'.
On Stranger Than Fiction, the script was so good that I stuck to every line because it was just such brilliant writing from Zach Helm that I felt like I really just want to shoot the page.
Mostly I'm just not American. I spent four years of my childhood here, but I think if you're Canadian you have a very different perspective. You don't think you're at the center of things.
Halliburton is not a 'company' doing business in Iraq. It is a war profiteer, bilking millions from the pockets of average Americans. In past wars they would have been arrested – or worse.
I'm interested to see what happens with Fox News and phone hacking. I really can't believe it just happens in Great Britain. Because really, who cares about just hacking phones over there?
When I'm shooting a movie, I'm always in an invisible theater seat. I respect the fact that people have worked hard all week and want to go to the movies on the weekend and be entertained.
Why would anything change that has not been changed since the existence of cinema? [James] Baldwin somehow wakes you up to reality. It takes you out of the dream - or out of the nightmare.
It's not really important to make skillful movies. I think expressing yourself really well, skill-wise, is not as important. I want it to be sort of raw and rough but new and fun to watch.
Maybe if I found something I was really passionate about, which is entirely possible, I would make another documentary, but it's not a good career choice for anybody. I don't recommend it.
I'm a very curious person. And most people are charmed by curiosity - especially if you are curious about them or what they are doing . . . unless they are breaking into a car or something.
I'm a big people watcher and a people talker. The beautiful thing about being an artist and a creative person is that you can get an idea from anywhere, and I'm always on the hunt for them.
In the same way that we want to expand mental health service for people with mental illness, we also need to make sure that our police officers are getting the mental health help they need.
The praise helps on a deep level, which gives you the grounding that encourages you to trust yourself. On another level, each film is a risk, and the praise doesn't save you from that risk.
I have a problem with censorship by the lawyer - by legal people by the publishing firm, and I may be changing publishers. They don't seem to want to take too many risks with living people.
I think that as our country becomes more tolerant as a whole of certain things, hopefully becomes more tolerant, there's a way that certain kinds of bullying will be passe and unacceptable.
If we could only find the courage to leave our destiny to chance, to accept the fundamental mystery of our lives, then we might be closer to the sort of happiness that comes with innocence.
I've always felt so grateful that I dropped out of school, that I never had to do a thesis. I wouldn't know how to organise and structure myself to film so that B follows A and C follows B.
Halliburton is not a 'company' doing business in Iraq. It is a war profiteer, bilking millions from the pockets of average Americans. In past wars, they would have been arrested - or worse.
The things I want to make into a film, they're personal, esoteric things, and I don't expect anyone else to like them as much as I do. I generally like my films more than anybody else will.
Horror films are art, it's all make believe. It's great if a filmmaker can try to push boundaries and see how much an audience can take and see what happens. It's fun to be able to do that.
In most kung fu films, they want to create a hero who's always fighting a bad guy. In the story of Ip Man, he's not fighting physical opponents. He's fighting the ups and downs of his life.
You don't necessarily need a script or actors to tell a compelling tale. Finding a person at a key moment in his life and rendering the truth as you see it - that's the truest form of drama.
I'm not really worried about people's perception of what I do, or people's analysis of why I make the decisions I make. I wake up every day with a new interest and a desire for an education.
I've reached the 50th year of my life, and now every question related with life also includes thinking about death. When I leave, I want to leave to my offspring a clear idea about identity.
I love the grandiosity of Hollywood movies, and even in independents, I love the canvas you can tell your story on. I love fiction filmmaking, you really feel like you're creating something.
I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do.
Fortunately, somewhere between chance and mystery lies imagination, the only thing that protects our freedom, despite the fact that people keep trying to reduce it or kill it off altogether.
On 'Stranger Than Fiction,' the script was so good that I stuck to every line because it was just such brilliant writing from Zach Helm that I felt like I really just want to shoot the page.
Yeah, I think of what I do as a work of journalism. It's more like the op-ed page, though. These are my opinions. My point of view. The opinions are mine and I let you make up your own mind.
I still believe the lessons I learned when I was raised in a Roman Catholic household. Like, it's harder for a rich man to get into Heaven than for a camel to go through the eye of a needle.
I don't know if I would call it therapy, but filmmaking is really the only thing I know how to do. For me, making movies is a way to bring on change for myself, and I really enjoy that part.
As a filmmaker, you've got to have a nose for what's going on culturally. You have to feel it. It doesn't have to be manga or music, but you need some kind of antenna. That's very important.
Revolutions are of no us;, it is necessary to work on transforming the brain: on sowing a different knowledge/awareness, on creating a new conscience, that is like a magic box full of brains.
I often make films about subjects I don't really know much about. Maybe it's laziness, but I don't go in there having done a tonne of research; the research happens while I'm making the film.
I made my first film when I was 35, so I firmly believe that you don't have to be one thing in life. If you're doing something, and you have a desire to do something different, give it a try.
I love community, I love to be around other people. I love to be around other people when everyone's feeling good and doing their best. Not to just be the only one in the room that's shining.
I like to laze around. I think that's a huge part of creativity. You have to let your mind relax and then another part of your brain suddenly connects with the solution you're trying to find.
I don't know many South Africans who don't have their eyes wide open to what it's like to be exposed to some sort of violence. The question is whether we choose to be cynical about it or not.
I'm someone who can create critiques of individuals based on their economic history. That's one way I look at people in terms of one story that could be told purely in a Marxist construction.
Without ethics, everything happens as if we were all five billion passengers on a big machinery and nobody is driving the machinery. And it's going faster and faster, but we don't know where.
If the media is sending girls the message that their value lies in their bodies, this can only leave them feeling disempowered and distract them from making a difference and becoming leaders.