Librarians see themselves as the guardians of the First Amendment. You got a thousand Mother Joneses at the barricades! I love the librarians, and I am grateful for them!

My mum taught me how to read before I went to kindergarden, I always thought that being able to read provided lightness, help to dispel darkness, ignorance and stupidity.

If you do a story about a British journalist rescuing a child from Sarajevo, then Sarajevo just becomes an exotic location, and the story's about this British journalist.

I think this whole discussion about what is politically correct - sometimes you have to name the name. You can't hide it. Politeness is good if it's not hiding the truth.

We see the game as art as much as sport. That helped us nurture not only the game's traditions but to develop its mythology: America's Team, The Catch, The Frozen Tundra.

The world wants to define me by my mammary glands and melanin. It is just fascinating that Michael Mann has never been asked what it is like to be a white male filmmaker.

I'm really excited about the places I've gone and the places I'm going, internally and externally speaking, and working to bring different spectrums of curiosity to life.

Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings.

The world is how we see the world. Some people see the world good, the other people see the world bad. Every person has an idea of the world with a subjective [viewpoint].

I've seen 'Hamlet' many times, and Hamlet, he was just a hideous neurotic; he never changes. He doubts - all the way to the end, all the way until when he dies, he doubts.

Escaping into the fantasy of intellectual investigation or narrative story telling makes me feel hopeful. That too is a fiction, but one that makes me feel good sometimes.

I'm a sport fan. So, I have always watched everything, and I used to watch racing. Formula One was always on. The genius about it is that it's on at lunchtime on a Sunday.

Do you remember when you found out you wouldn't live forever? People don't talk about this, but everybody had to go through it because you're not born with that knowledge.

At a certain point the audience shouldn't worry about catching every word and understanding every twist and turn, because at a certain point that's pretty much impossible.

You have to have a very strong cash flow for a film to really stay in theaters. You have to have the advertising capacity to sustain and follow the kind of press coverage.

Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you.

Live Freaky! Die Freaky! will be, without a shadow of a doubt, the single greatest film of all time about Charles Manson being the savior to all humanity in the year 3069.

Puce Women was my love affair with Hollywood... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts.

Every time I sit down with him, I know why he is who he is, and that's really cool. It's a great feeling. It sucks because I'm so not an ass-kisser, but he's George Lucas.

I always concentrate on respecting human beings and their lives and the meaning within their lives, and I believe that is something people around the world can appreciate.

A girl's night for me is with a member of my family on the couch, eating takeout, watching something good, going to sleep early, it's so boring, but it's just what I need!

I stopped making videos and commercials for a few months before I started films just to reset my clock because so much narrative filmmaking is a sense of tempo and rhythm.

At any age you can start over. You have to drop the idea of where you should be in your career. And you have to do without a lot of love. Not everyone's going to love you.

I had a newspaper in Flint, Michigan called the 'Flint Voice,' and so it was a, you know, underground, alternative newspaper that I edited and put out for about ten years.

James Baldwin is probably, for me and for many other people, one of the most extraordinary authors in this country, black or white. And he is somebody who changed my life.

The video maker doesn't easily face a blank page. Because the videomaker can run it either any way, this way or the other way and erase it if they don't like it and so on.

As a filmmaker, you complete a film you have spent years obsessively making, and you know the release prints will never look quite the same; prints get scratched and dirty.

I'm very careful of not being critical of other people's movies, which work in different styles. I think some of my movies can be interpreted as critical of their subjects.

I've made four films about the destructive nature of relationships, of secrets and lies, and I think I'm no longer interested in that subject - which is a wonderful relief.

I said that the oceans were sick but they're not going to die. There is no death possible in the oceans - there will always be life - but they're getting sicker every year.

The more extreme and the more expressed that passion is, the more unbearable does life seem without it. It reminds us that if passion dies or is denied, we are partly dead.

In a meadow full of flowers, you cannot walk through and breathe those smells and see all those colors and remain angry. We have to support the beauty, the poetry, of life.

I feel like so much more than my gender and so much more than my relationship to my body and my relationship to men. And, but suddenly you're sort of asked to be an expert.

You're raised to think being a mother is an inevitable step in your development but you start to ask yourself questions, because not every woman does want to have children.

I err on the side of a kind of optimistic agnostic sense that there's something that put us all here - some energy or something that we are not in a position to understand.

Of course no documentary is completely 'objective.' Every decision you make - who to interview, how to edit, where to hold the camera - imposes a point of view on the film.

And realising that humour is the most powerful way to make a political statement and say the things that you want to say. And it's not used enough, at least not in the U.S.

We reward people for making money off money, and moving money around and dividing up mortgages a thousand times over, selling it to China... and it becomes this shell game.

Ultimately I'm making movies because of the producers and I don't want to disappoint my producer. It's always a tough balance to figure out how far I listen to them though.

Manga, as a medium, is very different from cinema. Its creators are free to express themselves with harsh, cruel stories, and they enjoy vast distribution throughout Japan.

The glut of information that is spayed at us on a daily basis is an important factor in the formation of our ideologies, and it's not even actually happening in front of us.

Michael worked one day. Everybody was a little freaked out and nervous because he's a really big star. We were already working with really big stars, but Michael is Michael.

Marilyn was mean. Terribly mean. The meanest woman I have ever met around this town. I have never met anybody as mean as Marilyn Monroe or as utterly fabulous on the screen.

I love being able to tell a story visually. It's something I love about making commercials, where you put a magnifying glass over the mundane and make it feel extraordinary.

I have a real aversion to ghosts because I don't believe in them. I think ghosts are actually a religious concept, because it means you believe in an afterlife. And I don't.

Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.

I love doing fiction. I love doing performance films and I love doing documentaries that don't have music. I love to shoot and I love to shoot things I'm enthusiastic about.

I never set out to make any statements about a specific character, I just set out to tell what feels like is a truthful story, a person that you and I might truly encounter.

On a personal level, I'm proud of Grace Dunham for being so staunchly in her identity. It's a very unusual thing for a young person. I think she's been very strong about it.

Someone can be mentally ill, but if they are young and beautiful and their life is going well, people don't notice because at that point the cracks are almost imperceptible.

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