Quotes of All Topics . Occasions . Authors
But Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, but can recapture nothing but a dim sense of the beauty in it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties.
There were moments where Supergirl gets a thrashing in the pilot, where if a man in the 'Flash' or 'Arrow' pilot got beat up, people didn't visibly wince. And I watched in testing, people in the audience really became uncomfortable by the fisticuffs and the action. But then, they were elated and cheering at the end.
She saw every personal religion as a pair of intersecting circles. . . . Probably perfection is reached when the area of the two outer crescents, added together, is exactly equal to that of the leaf-shaped piece in the middle. On paper there must be some neat mathematical formula for arriving at this; in life, none.
My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
In my life I have found two things of priceless worth - learning and loving. Nothing else - not fame, not power, not achievement for its own sake - can possible have the same lasting value. For when your life is over, if you can say 'I have learned' and 'I have loved,' you will also be able to say 'I have been happy.
I had no intention of providing any answers or solutions, because you'd only look a fool, but I did want to talk about what it's like to be in a state where you're wondering. And perhaps I was also receptive to the fact I was entering middle age and those thoughts come - to pretend that they don't come is just crazy.
I think there's a fundamental distinction between character-driven movies that are just really lovely slice-of-life movies and character-driven movies that you remember 20 or 30 years later; the common denominator with the ones you remember is that they all have some really complicated emotional problem at their core.
Then she told me why a tiger is gold and black. It has two ways. The gold side leaps with its fierce heart. The black side stands still with cunning, hiding its gold between the trees, seeing and not being seen, waiting patiently for things to come. I did not learn to use my black side until after the bad man left me.
What are the sources of an illumination? To me, they come after hours of searching and keeping my soul ready. Yet they come in a flash, as a religious phenomenon. The Heart is a Lonely Hunter had such an illumination, beginning my long search for the truth of the story and flashing light into the long two years ahead.
We say that life is sweet, its satisfactions deep. All this we say, as we sleepwalk our time through years of days and nights. We let time cascade over us like a waterfall, believing it to be never-ending. Yet each day that touches us, and every man in the world, is unique; irredeemable; over. And just another Monday.
Writers are painful friends, and they are seldom friendly with others. They are insecure in the presence of other writers. Composers of certain kinds of music are the same--tormented and intolerant. Yet some arts not only make the artist social but make him depend upon sociability in order to succeed. Painting is one.
Barack Obama winning the election had an instant impact on everything - race relations, national self-esteem, tolerance. It also had an instant affect on 'Frost/Nixon.' At a stroke, instead of being a piece that reminded people of the agony they were in, it became an uplifting message about the agony they had escaped.
I let one thing result from another. Of course, all of it could have been just loosely connected coincidences. And whether that's true or not, I know the intention was there. Becasue when I want something to happen-or not happen- I begin to look at all events and all things as relevant, an opportunity to take or avoid.
You thought you had the choice to stay still or move forward, but your didn't. As long as your heart kept pumping an your blood kept blowing and your lungs kept filling, you didn't. The pang she felt for Tibby carried something like envy. You couldn't stand still for anything short of death, and God knew she had tried.
I want to give credit where credit is due to Eric Radomski, who is the head of our production for Marvel Animation and who also happened to direct the pilot as well, has been the supervising producer on the show and has really been just looking at every single way that we can just plus up. This is a great-looking show.
Not only do we have the handsomest voice cast out there, along with the very lovely Black Widow, we also have an incredible voice cast, in terms of being able to handle the drama, the fun, the excitement and the promise that Marvel brings to every single one of our projects, which is epic adventure on the human spirit.
I wanted to avoid what some modern tellers have done, quite legitimately, to make fairy tales more like novels and short stories, to characterize the heroes and the heroines much more than they are characterized in Grimm. I like the psychological flatness of them, the fact that they're more like masks than individuals.
At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn't know anything about. I always felt hesitant in talking about Chinese culture and American culture.
IN THE CINEMA A DIRECTOR EXPRESSES HIS INDIVIDUALITY FIRST AND FOREMOST THROUGH HIS SENSE OF TIME, THROUGH RHYTHM. RHYTHM GIVES COLOUR TO A WORK BY DISTINGUISHABLE STYLISTIC CHARACTERISTICS. RHYTHM MUST ARISE NATURALLY IN A FILM, A FUNCTION OF THE DIRECTOR'S INNATE SENSE OF LIFE AND COMMENSURATE WITH HIS QUEST FOR TIME.
When you read about the lives of other people, people of different circumstances or similar circumstances, you are part of their lives for that moment. You inhabit their lives, and you feel what they're feeling, and that is compassion. If we see that reading does allow us that, we see how absolutely essential reading is.
How deep is our desire to do better than our mothers--to bring daughters into adulthood strong and fierce yet loving and gentle, adventurous and competitive but still nurturing and friendly, sweet yet sharp. We know as working women that we can't quite have it all, but that hasn't stopped us from wanting it all for them.
Nowhere in space will we rest our eyes upon the familiar shapes of trees and plants, or any of the animals that share our world. Whatsoever life we meet will be as strange and alien as the nightmare creatures of the ocean abyss, or of the insect empire whose horrors are normally hidden from us by their microscopic scale.
People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.
Commuter trains are the easiest target for terrorists, as we have seen in Madrid, London, and now Bombay. But it is difficult for a Westerner to comprehend the kind of overcrowding in a Bombay local train; they ferry six million passengers a day. A bomb that goes off in one of those compartments will have maximum impact.
AN ARTISTIC DISCOVERY OCCURS EACH TIME AS A NEW AND UNIQUE IMAGE OF THE WORLD, A HIEROGLYPHIC OF ABSOLUTE TRUTH. IT APPEARS AS A REVELATION, AS A MOMENTARY, PASSIONATE WISH TO GRASP INTUITIVELY AND AT A STROKE ALL THE LAWS OF THIS WORLD-ITS BEAUTY AND UGLINESS, ITS COMPASSION AND CRUELTY, ITS INFINITY AND ITS LIMITATIONS.
Nobody talks about housewives anymore! This is what we were supposed to do in the '50s. Not everybody, but in my milieu. My crowd. You went to college, and you got a degree in case, God forbid, you ever had to work. And you better find somebody to marry while you're there, because otherwise, what's going to become of you?
For a younger generation to imagine a time where there was no security at airports - going around the world in the bar of a jumbo jet, 'Tell the plane to wait, I'm running late!' - there is something very Austin Powers about David Frost, a man who, in all seriousness, would approach women in a safari suit, with sideburns.
I hold back parts of my life and experiences... I don't want to share anything just for the sake of sharing and exposing myself, but if something feels right and I feel inspired by the situations or moment I'll definitely share it. There are so many stories and experiences I have not shared, and I don't feel compelled to.
An artist never works under ideal conditions. If they existed, his work wouldn't exist, for the artist doesn't live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it.
I have always been fascinated by the human mind, conscious and unconscious - that is what writing and reading is about, too. The why of your life and the why of your choices and the what has happened that you know and the what that you don't know is really riveting, and psychoanalysts share my wonder at how it all unfolds.
In a way, I think of the press as my colleagues. I don't want to throw hand grenades at people who do something that's pretty similar to what I do. But at the same time, we all need to take ourselves seriously and be responsible as professionals. And there was a collective failure in the treatment of Christopher Jefferies.
IN ALL MY FILMS, IT SEEMED IMPORTANT TO ME TO REMIND THE AUDIENCE TO THE FACT THAT THEY ARE NOT ALONE, LOST IN AN EMPTY UNIVERSE, BUT THAT THEY ARE CONNECTED BY INNUMERABLE THREADS WITH THEIR PAST AND PRESENT, THAT THROUGH CERTAIN MYSTICAL WAYS, EVERY HUMAN BEING REALIZES THE RAPPORT WITH THE WORLD AND THE LIFE OF HUMANITY.
Across the gulf of centuries, the blind smile of Homer is turned upon our age. Along the echoing corridors of time, the roar of the rockets merges now with the creak of the wind-taut rigging. For somewhere in the world today, still unconscious of his destiny, walks the boy who will be the first Odysseus of the Age of Space.
The Earth would only have to move a few million kilometers sunward-or starward-for the delicate balance of climate to be destroyed. The Antarctic icecap would melt and flood all low-lying land; or the oceans would freeze and the whole world would be locked in eternal winter. Just a nudge in either direction would be enough.
Much blood has also been spilled on the carpet in attempts to distinguish between science fiction and fantasy. I have suggested an operational definition: science fiction is something that COULD happen - but usually you wouldn't want it to. Fantasy is something that COULDN'T happen - though often you only wish that it could.
The traditional writer is a sensitive only child, asthmatic, who sits on the window seat watching the drops of rain slide down the pane, very introspective. I'm not inward-looking. I would never go to a shrink. I don't want to know what I'm thinking. I don't really like discussions in my family. It may be an avoidance thing.
When I was a kid, back in the '40s, I was a voracious comic book reader. And at that time, there was a lot of patriotism in the comics. They were called things like 'All-American Comics' or 'Star-Spangled Comics' or things like that. I decided to do a logo that was a parody of those comics, with 'American' as the first word.
When I left Africa in 1966 it seemed to me to be a place that was developing, going in a particular direction, and I don't think that is the case now. And it's a place where people still kid themselves - you know, in a few years this will happen or that will happen. Well, it's not going to happen. It's never going to happen.
I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness; he looked so deep I felt sure he'd see the truth. But I lied too well. I was lying with every nerve and fiber and everything I'd ever done...I wanted him to find no good in me, and he didn't. There is none.
I don't see any sign of God in this world, in the place where we live and things we know. It can all be explained to my mind perfectly satisfactorily without God. But in the great darkness beyond this little spark of light where I live, of course there may be all kinds of things. There may be a god. So I'm really an agnostic.
My older brother and I read all the time. My father read, but only things related to religion. One year, he did read a set of stories that was called something like '365 Stories' out loud to us. They followed a family for the year, a page a day. They were about kids with simple problems - like a wheel coming off their bicycle.
Most of us don't have mothers who blazed a trail for us--at least, not all the way. Coming of age before or during the inception of the women's movement, whether as working parents or homemakers, whether married or divorced, our mothers faced conundrums--what should they be? how should they act?--that became our uncertainties.
It's a very rich brew that's in your psyche by the time you're in your 60s, and I think that's rather interesting. It makes you feel you've lived a very long life; it's like going on holiday to three different cities rather than spending two weeks in Lisbon. You look back on the holiday, and you seem to have been away forever.
The challenges in taking any IP into any other platform are best met by empowering the individuals that can work best in that area and that is one of the things that I really admire about Marvel as a company. They go out and find the best people, whether it is to draw a comic book or create a television series or make a movie.
I get kind of, um, bored by all the sexuality and gender labels because I feel like that's where the problem comes in, when people feel that they need to have these particular identities. If you didn't have these labels, and you just acted on how you genuinely felt at any point, then you wouldn't have anything to contend with.
I think it is a good thing to have woman friends at every stage of life. We confide in each other, we support each other, we understand each other most of the time. Of course, sometimes we are competitive or angry or distant, too. But I do think it is important not to let the main friendships slip away in the sweep of the days.
I had a fear of becoming anything, a fear of becoming a specialist. I might have become a doctor, but if you become a doctor, that's your specialty in life and you are defined by it. One of the attractions of being a writer is that you're never a specialist. Your field is entirely open; your field is the entire human condition.
I ran track in college. And that team, that all-lady team that I was on, I can remember just being so incredibly sad that I knew we were all going to leave each other after we graduated and that our lives would change. And even though I was the bridesmaid at all their weddings and stuff like that, it's just not the same, right?
My two souls, the socially conscious one and the lighthearted one, are always in my movies because they find a perfect habitat in my grotesque style, which combines tragedy and humor, irony and sarcasm, comedy and drama. I also feel that rules are made to be broken, especially in art! I prefer creative disorder to strict rules.
The rules took a while to sort out. Lena and Carmen wanted to focus on friendship-type rules, stuff about keeping in touch with one another over the summer, and making sure the Pants kept moving from one girl to the next. Tibby preferred to focus on random things you could and couldn't do in the Pants --- like picking your nose.