Quotes of All Topics . Occasions . Authors
I never really consider myself an awkward person, but once I got into stand-up, I kept hearing that word. The only thing I can trace it back to is that my mom had a similar sensibility. She always made people uncomfortable.
People have responded to my stories so well. They come up after a show and say things like, 'Your album really helped me,' or 'I have stage four cancer. I'm terminally ill.' Somebody told me it gave them the courage to die.
We did 'Jack & Bobby' in the middle of the Kerry/Bush election. It hurt it a little bit. No matter what we did, everyone thought we were advocating for one person over the other. The stuff I work on is more about the people.
As a matter of fact, I deliberately look for the mundane, because I feel these stories are ignored. The most influential things that happen to virtually all of us are the things that happen on a daily basis. Not the traumas.
I'm from the beatnik generation, where everybody wanted to be a poet or writer or something. And at that time, I was a jazz critic, and I was always thinking, theorizing about what makes great art or what's important in art.
She closed her eyes. "I didn't know that. i didn't know anything. It scares me the things I told myself. But I would have told myself almost anything, because I wanted to believe him." "Why?" "Because I wanted to be with you.
Possibly because I earn my living as a writer of fiction and possibly because it's just the sensible thing to do, I like to pay attention to everything I come across, including things that evoke the uncanny or the mysterious.
If we are to maximize the potential of young girls everywhere, we have to think, in this instance, literally outside the box. And the first step of doing that is to see the box for what it really is: A perfect, pretty PROBLEM.
If you can't stand your own company alone in a room for long hours, or, when it gets tough, the feeling of being in a locked cell, or, when it gets tougher still, the vague feeling of being buried alive-then don't be a writer.
You can find heroism everyday, like guys working terrible jobs because they've got to support their families. Or as far as humor, the things I see on the job, on the street, are far funnier than anything you'll ever see on TV.
I guess I wanted to show people, among other things, that you don't have to be a hero to get through cancer. You can be a craven coward and get through. You have to stay on your medication and take your treatments, that's all.
It oughtn't to need a war to make us talk to each other in buses, and invent our own amusements in the evenings, and live simply, and eat sparingly, and recover the use of our legs, and get up early enough to see the sun rise.
When you think of the "Exorcist" (1973) you think of Linda Blair and pea soup and all this madness, but really if you look at the first half of that film, the stuff between her and Ellen Burstyn is so naturalistic and so real.
When I am at my work each day In the fields so fresh and green I often think of riches and the way things might have been But believe me when I tell you when I get home each day I'm as happy as a sandboy with my wee cup of tay
I've had an ongoing fantasy about being interviewed on, like, a '60 Minutes'-type show about this really inspiring woman that can do anything with a fake leg. And then the camera pans out, and I'm just holding a mannequin leg.
To the artist is sometimes granted a sudden, transient insight which serves in this matter for experience. A flash, and where previously the brain held a dead fact, the soul grasps a living truth! At moments we are all artists.
But it's also true that the person who risks nothing, does nothing, has nothing. All we know about the future is that it will be different. But perhaps what we fear is that it will be the same. So we must celebrate the changes.
I think a lot of what I've done is about people feeling as if they are part of the world but also not part of it at the same time. I don't know whether that's from being a gay kid, but I definitely think that resonates with me.
Censors never go after books unless kids already like them. I don’t even think they know to go after books until they know that children are interested in reading this book, therefore there must be something in it that’s wrong.
My characters live inside my head for a long time before I actually start a book. They become so real to me, I talk about them at the dinner table as if they are real. Some people consider this weird. But my family understands.
On the set of 'Girlboss,' I had to keep introducing myself as the show runner - literally, 'Hi, I'm the boss' - to a lot of my crew. My first AD said, 'Why do you keep doing that?' I said, 'Because I get mistaken for an extra.'
No one ever actually said they were resistant because 'Pitch Perfect' was female-centric. When a project is sitting there for a while, you start to speculate about what could be the thing that might be a little tricky about it.
In a weird way, if you look at all the 'Apes' movies, they all seem like different stories in the same universe. 'Beneath the Planet of the Apes' is definitely a continuation, but the other ones jump all around chronologically.
For the first time in my life, I felt that a wave, a justice was sweeping away a deep-seated decay without any indulgence. I dearly wished that it would keep going without hesitation or deviation, in a spirit of purity forever.
New York is the place where they bind books and write blurbs and arrange the publicity and print the galleys... But Chicago is the place where the book is lived out before it is bound and the song is sung before it is recorded.
What draws me in is that a trip is a leap in the dark. It's like a metaphor for life. You set off from home, and in the classic travel book, you go to an unknown place. You discover a different world, and you discover yourself.
I just try not to think too much about how I'm perceived. I think as long as I'm still selling tickets and can pay my mortgage, then people are probably thinking good enough things or whatever about me to keep the train moving.
No two languages are ever sufficiently similar to be considered as representing the same social reality. The worlds in which different societies live are distinct worlds, not merely the same world with different labels attached.
What made you feel that stomach-churning agony for one person and not another? If Bridget were God, she would have made it against the law for you to feel that way about someone without them having to feel it for you right back.
You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.
When I grew up reading comics, the part in the Marvel universe that was so exciting was that you could have a battle going on in 'Iron Man' and then, suddenly, Thor would fly overhead, and you realized, 'Oh, it's all one place.'
The American middle class's faith in personal comfort as an end in itself is, in essence, a denial of life. And it has been imposed upon American writers and playwrights strongly enough to cut them off from their deeper sources.
People say writing is really hard. That's very unfair to those who are doing real jobs. People who work in the fields or fix roofs, engineers, or car mechanics. I think lying on your back working under an oily car, that's a job.
Some people are uncomfortable with the idea that humans belong to the same class of animals as cats and cows and raccoons. They're like the people who become successful and then don't want to be reminded of the old neighborhood.
Men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain.
I feel like math and writing are the same thing. You're putting together a lot of complex things to satisfy different requirements. It's got to be aesthetically pleasing; it's got to have subtext; it's got to convey information.
Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God?
Unfortunately writers take a very small part of the profit on their books, and I think in the e-book world there is a real danger they will take even less, unless they are vigilant and robust about protecting their own interests.
For most of my childhood, even through college, there was a lot of feeling very alone. I loved TV, so when those very special episodes of anything came, or when certain characters reflected the world I lived in, I felt connected.
My husband and I like to reminisce about how, when we were 9, we read straight through L. Frank Baum's 'Oz' series, books filled with wizards and witches. And you know what those subversive tales taught us? That we loved to read!
The United States is a world unto itself. We have mountains, we have deserts, we have a river that equals the Yangtze River, that equals the Nile. We have the greatest cities in the world - among the greatest cities in the world.
One of the things the 'Tao of Travel' shows is how unforthcoming most travel writers are, how most travelers are. They don't tell you who they were traveling with, and they're not very reliable about things that happened to them.
The way you speak of the characters in your story shows what you think of the values of conservatives‚ or evolution, for example. It shows where your moral center is. So you are in the message business whether you like it or not.
I never set out to make a movie that was everything to everybody; if that were the case, we could all just take a picture of a tree and agree that the tree is beautiful and move on with our lives. I wouldn't even need to show up.
If you didn't have a choice, you had to make a choice. If you didn't have options, you made some. You couldn't just let this world happen to you... he didn't see eternity. He saw this girl and this moment and this one slim chance.
Science fiction is the search for a definition of mankind and his status in the universe which will stand in our advanced but confused state of knowledge (science), and is characteristically cast in the Gothic or post Gothic mode.
The memories of childhood have a strange shuttling quality, and areas of darkness ring the spaces of light. The memories of childhood are like clear candles in an acre of night, illuminating fixed scenes from surrounding darkness.
But look what the Church has done to Jesus during the last two thousand years. What they have made of Him. How they have turned every word He spoke for their own vile ends. Jesus would be framed and in jail if he was living today.
I'm kind of concerned about 'Ego & Hubris' because I'm thinking that people will read it and maybe even be entertained by it, but at the end of it, you know, they'll wonder, 'Why did this guy write this? What was the point of it?'
The book is second only to the wheel as the best piece of technology human beings have ever invented. A book symbolises the whole intellectual history of mankind; it's the greatest weapon ever devised in the war against stupidity.