Quotes of All Topics . Occasions . Authors
I never read the "Bobbsey Twins" or "Boxcar Children."But I did remember being downtown, at the bookstore by myself and having an allowance and spending it on a Nancy Drew mysteries. And I was probably eleven, twelve.
One of the best things Henry Miller ever said was that art goes all out. It's all out. It goes full length. . . . A big book is an all-out book in which you limit your life to things that pertain directly to the book.
A travel book is about someone who goes somewhere, travels on the ground, sees something and spends quite a lot of time doing it, and has a hard time, and then comes back and writes about it. It's not about inventing.
My earliest thought, long before I was in high school, was just to go away, get out of my house, get out of my city. I went to Medford High School, but even in grade school and junior high, I fantasized about leaving.
I think our goal and intention is to make sure that, when you watch each episode, you don't have to make that choice, but also that you can have stand-alone episodes, where a story can have a beginning, middle and end.
My favorite anything is always relative to the context of present time, place and mood. When I finish a book and want to immediately find another by the same author and no other, that author is elevated to my favorite.
My grandmother. She's someone I never met, and I would've loved to have met her. She's been a huge influence on our entire family, not just me. She is a mystery. It's not clear exactly what about her is truth and myth.
THE ARTISTIC IMAGE IS ALWAYS A METONYM, WHERE ONE THING IS SUBSTITUTED FOR ANOTHER, THE SMALLER FOR THE GREATER. TO TELL OF WHAT IS LIVING, THE ARTIST USES SOMETHING DEAD; TO SPEAK OF THE INFINITE, HE SHOWS THE FINITE.
Every revolutionary idea seems to evoke three stages of reaction. They may be summed up by the phrases: 1- It's completely impossible. 2- It's possible, but it's not worth doing. 3- I said it was a good idea all along.
I started working as a movie writer and a movie producer... all the way back to 'Teen Wolf' and 'Commando.' All of those experiences, plus working both at DC and at Marvel - each of those things are bricks in the wall.
As historians write more and more histories, it's a sort of self-fulfilling prophecy that other historians read their histories and then make synthesis, and certain things just get forgotten and left out and neglected.
Nixon had lists upon lists upon lists. They were tragic lists saying, 'Smile more,' or, 'Be stronger - remember, it is your job to spiritually uplift the nation.' This understanding of his limitations is heartbreaking.
It's interesting because I don't ever want to ask a better question than I can answer, if that makes sense. I find that frustrating as a viewer. Compelling questions, while not easy, are easier than compelling answers.
I had on a beautiful red dress, but what I saw was even more valuable. I was strong. I was pure. I had genuine thoughts inside that no one could see, that no one could ever take away from me. I was like the wind. -Lindo
I think that certainly the artists of the '40s, '50s and '60s were fighting a very conformist society, which didn't give them enough space to live or create, and they were bucking all kinds of spoken and unspoken rules.
Happiness includes chiefly the idea of satisfaction after full honest effort. No one can possibly be satisfied and no one can be happy who feels that in some paramount affairs he failed to take up the challenge of life.
One of the biggest roles of science fiction is to prepare people to accept the future without pain and to encourage a flexibility of the mind. Politicians should read science fiction, not westerns and detective stories.
I have to go with what comes naturally to me. Fantasy isn't my thing. I did enjoy the Oz books when I was growing up and certainly my grandson and I read Harry Potter together. You write what you can as well as you can.
O what a flowery track lies spread before me, henceforth! What dust clouds shall spring up behind me as I speed on my reckless way! What carts I shall fling carelessly into the ditch in the wake of my magnificent onset!
She was still waiting for him to come back to her, even though he wasn't going to. She was still holding out for something that wasn't going to happen. She was good at waiting. That seemed like a sad thing to be good at.
I'd like to see the comics' style expanded. I'd like to see artists synthesize traditional comics arts style with fine-arts styles or whatever. I like to see innovation. I don't like it when an art form becomes stagnant.
I started writing when I was trying to be an actor, and I happened to be friends with Tina Fey, who happened to have her show '30 Rock' coming out. So Tina, who happens to be a mentor to me, gave me my slot and hired me.
The Mole had long wanted to make the I acquaintance of the Badger. He seemed, by all accounts, to be such an important personage and, though rarely visible, to make his unseen influence felt by everybody about the place.
When you think of the 'Exorcist,' you think of Linda Blair and pea soup and all this madness, but really if you look at the first half of that film, the stuff between her and Ellen Burstyn is so naturalistic and so real.
There's definitely been moments in my life, even recently, where I've taken chances or spoken up about something where I don't know how it's gonna go, but it is true, or it is my truth. That's kind of that trusting life.
When I returned home that day, I saw my life as if I already knew the happy ending of a story. I looked around the house and thought, soon I will no longer have to see these walls and all the unhappiness they keep inside.
The makers of literature are those who have seen and felt the miraculous interestingness of the universe. If you have formed...literary taste...your life will be one long ecstasy of denying that the world is a dull place.
One of the chief things which my typical man has to learn is that the mental faculties are capable of a continuous hard activity; they do not tire like an arm or a leg. All they want is change - not rest, except in sleep.
Attempting to define science fiction is an undertaking almost as difficult, though not so popular, as trying to define pornography... In both pornography and SF, the problem lies in knowing exactly where to draw the line.
Even by the twenty-second century, no way had yet been discovered of keeping elderly and conservative scientists from occupying crucial administrative positions. Indeed, it was doubted if the problem ever would be solved.
If there is something to worry about, my mind has a tendency to worry about it. That can cut two ways. It can really keep you on the ball, but if you worry about every little thing, it's not a good use of time and energy.
I really do see everybody at Marvel Television as storytellers. They might have different titles, but whether they're actors or they're showrunners or they're somebody that answers the phone, all of them are storytellers.
Loss brings pain. Yes. But pain triggers memory. And memory is a kind of new birth, within each of us. And it is that new birth after long pain, that resurrection - in memory - that, to our surprise, perhaps, comforts us.
I think it rather fine, this necessity for the tense bracing of the will before anything worth doing can be done. I rather like it myself. I feel it is to be the chief thing that differentiates me from the cat by the fire.
She was afraid of these things that made her suddenly wonder who she was, and what she was going to be in the world, and why she was standing at that minute, seeing a light, or listening, or staring up into the sky: alone.
The parent reads the book. The kid reads the book and then they can talk about the characters instead of talking about themselves. You know there's a connection even if you don't talk about it when you read the same books.
When it began to grow dark, the Rat, with an air of excitement and mystery, summoned them back into the parlour, stood each of them up alongside of his little heap, and proceeded to dress them up for the coming expedition.
If you cannot bear these stories then the society is unbearable. Who am I to remove the clothes of this society, which itself is naked. I don't even try to cover it, because it is not my job, that's the job of dressmakers.
Hindustan had become free. Pakistan had become independent soon after its inception but man was still slave in both these countries -- slave of prejudice … slave of religious fanaticism … slave of barbarity and inhumanity.
I feel like we want to compartmentalise things and say, 'Well, that's emotional, artistic and subjective, while this is intellectual, objective and measured.' I have difficulty thinking that's the way we experience things.
Because she was raw and uncertain, and she liked to keep all the messy parts of herself to herself. ... As much as Lena liked to hide the mess and display the finished product, by this point she was all mess and no product.
You have to have a certain kind of thickening of the hide. I mean, I'm not particularly worried about what other people think. If other people think that I was not the world's most perfect mother, they are completely right.
The right to take a chance, the right to suffer. The right to be unwise, the right to die. These aims are hateful to the government, which values ever frightened mouse and falling sparrow as equal to a tiger burning bright.
All novelists must form their personal pacts in some way with the slowness of their craft. There are some who demand of themselves a 'rate of production,' for whom it's a matter of pride to complete, say, a book every year.
[I]t's not just the books under fire now that worry me. It is the books that will never be written. The books that will never be read. And all due to the fear of censorship. As always, young readers will be the real losers.
Mark Twain was a great traveler and he wrote three or four great travel books. I wouldn't say that I'm a travel novelist but rather a novelist who travels - and who uses travel as a background for finding stories of places.
The difference between travel writing as fiction is the difference between recording what the eye sees and discovering what the imagination knows. Fiction is pure joy - how sad that I could not reinvent the trip as fiction.
To a lot of Africans, seeing an animal is a something of a rarity. So it's a paradox of this sort of parallel life. A safari is an expensive experience and it's adjacent to a place where people are having a very tough time.
I have always felt that the truth is prophetic, and that if you describe precisely what you see and give it life with your imagination, then what you write ought to have lasting value, no matter what the mood of your prose.
With Courageous, it was the first film where we really began to pay our cast. Because the church owned the previous films and we started so small, with such small budgets, people were just volunteering on the cast and crew.