Quotes of All Topics . Occasions . Authors
It is an oftentimes dangerous world and not all of the people in it are nice, sweet and benevolent. It is the nature of man to behave otherwise and we must find leaders who can show us a better way and still maintains a balanced view.
We are Disney, in a sense. When you've been there for 20 years, there's a certain heart and soul to one of those films, and you inhabit that to a certain degree. So if it feels true to you, then your audience will hopefully go for it.
The only problem is I can't get into PG-13 Land. I just get stuck in R rated movies, which they would love us to make PG-13 movies but I never get there. But I think that you've got to make them different. You've got to switch them up.
Some of us learned in a school of philosophy which taught that all was for the common good and nothing for oneself and have never, in any case, regarded the pursuit of happiness as anything other than an aberration of the human spirit.
Sometimes you can have a great scene but it just doesn't need to be in the movie. If it's not progressing the plot, not progressing the story, not adding to the momentum, or if it's not purposefully serving a breath - it has got to go.
I'm not looking for is the audience going to like it [the film during the first screening] or not. I want to hear somebody try to poke a hole in it. I want to hear why they saw the logic was flawed or why that scene was not believable.
The world has obviously changed in terms of the way filmmakers and actors and writers often look at their own careers. They all seem to want to include in their own process - along with some of their iconic and franchise-driven movies.
It's really easy to make a movie that five people understand. It's really hard to make something that a lot of people understand and yet is not obvious, still has subtlety and ambiguity, and leaves you with something to do as a viewer.
I don't why whatever works and whatever doesn't. You just make the film that you enjoy making at the time, and you think there's a good chance that people might enjoy the story. You're surprised pleasantly when they do. It's just luck.
I'm a big believer in supporting the action on film with the appropriate music. It covers a multitude of sins. It's gotten me out of a lot of jams, over the years. So, music for me is a very big thing in films and I use it unashamedly.
Jazz is a big thing with me. It's a very big passion of mine, to play it. I'm an amateur musician and I love everything about it. I was obsessed with jazz when I was 15 years old and I know a lot about it because I've loved it so much.
We didn't care if we were well-liked as long as the movies were good. We served the movie - that was our master at Miramax. In our second incarnation, the movie is still the master but we're getting the same results in more subtle ways.
I didn't tell anyone I had lupus for many, many years, and I didn't tell anyone I had cancer. I was afraid no one would hire me, and I also felt it was deeply personal. It was nobody's business. Now, of course, my feelings have changed.
It is an oftentimes dangerous world, and not all of the people in it are nice, sweet and benevolent. It is the nature of man to behave otherwise, and we must find leaders who can show us a better way and still maintains a balanced view.
The key point about a demonstration is that it must be seen. Hence the term "demonstration." If a person demonstrates privately in his own home, this is not technically a demonstration but merely "acting silly" or "behaving like an ass.
Meanwhile, the minute you put on the dotted line your Sam Hancock - and before a notary - you'll not only get the negative but Elsie makes a wonderful stuffed cabbage which we'll include gratis a few portions but return the jars please.
I like filming in New York a lot myself, but London is accommodating to me; the weather's very good there and the conditions for shooting and the financial conditions, the artistic conditions are good, so it's a pleasant place to shoot.
The movie business can be very frustrating and very circuitous; theres no straight path. You have to have tremendous perseverance, dedication and passion. You have to want it very, very badly and you have to deal with a lot of rejection.
In my beginnings, those nos were ever-present-even today, those nos are ever-present-and it's the workaround. I always found a workaround for people who turned their back to me. It's a way of being persistent that makes them take notice.
Every time I'm in editing, there's always a moment where you think, "Maybe this should be six or seven minutes shorter, but I'm losing character and story that I think is important." When I like things, I'm not in a rush for them to end.
I used to bug all of the comedians for interviews, and when people want to talk to me, sometimes I'm very receptive and sometimes I say no. Sometimes if I say no, I think, "If they're smart, they'll figure out how to not accept this no."
You can drive yourself crazy and tie yourself in knots trying to anticipate what someone's going to like or not like, and doing test screenings and opinion polls. But pay too much mind to that, and you'll wind up with a big pile of mush.
The best writers are gravitating to that world. What's rewarding also is this: you have a two hour movie, you can't really delve into character that much. In a TV show you can. You can delve into character. You can get into nitty gritty.
I can't imagine Hunger Games, even with its very popular books, being nearly a success that it's been without Jen Lawrence being the perfect person to play that role - a very modern celebrity, a very down-to-earth, accessible, celebrity.
In regards to those other franchises that are being remade, we must take pains to mention that we're the only one where the original creators are actually making the movie. It's a special feel of quality, like a Good Housekeeping quality.
The movie business can be very frustrating and very circuitous; there's no straight path. You have to have tremendous perseverance, dedication and passion. You have to want it very, very badly and you have to deal with a lot of rejection.
It's one thing to write the music, it's another thing to write it down, it's another thing to play it, and something else altogether again to learn how to play it. These are the elements that are fascinating, and, you know, move my world.
I feel like Superbad and Freaks And Geeks are somewhat timeless. That's always gratifying, when you feel like 30 years in the future, people will still get it, and it won't seem creaky. It won't come across like The Incredible Mr. Limpet.
There's nothing more disheartening than seeing a movie and going oh, that doesn't work, or it didn't inspire us. Versus seeing a movie that is 'this is so awesome!'. Oftentimes, a really good movie just inspired you to go and make movies!
I think it's hard for women to be directors, particularly in the feature world because, biologically, your peak career-making years are also your peak baby-making years, and that's just the truth. And those are choices women have to make.
The entertainment business is and always has been about money, and it's about, 'Does that person merit that salary?' The fact is that that the business, in my view, has been somewhat bankrupt for years - only the new media made it viable.
We need strong school board members who know right from wrong. The Bible, being the only true source of right and wrong, should be the guide of board members. Only godly Christians can truly qualify for this critically important position.
While we're waiting for a cab I'll give you your lesson for today. Don't listen to what your teachers tell ya, you know. Don't pay attention. Just, just see what they look like and that's how you'll know what life is really gonna be like.
It's been such a huge part of my life, it's hard for me to separate it out. All I can say is that I had an extraordinary childhood. I was around these amazing people and went to exotic locations. The whole movie-making thing is so magical.
It might sound odd, but I want to thank Michael Bay because hes been saying how important it is to show 3D with the right luminescence. And thats very important for this film, a lot of which was shot at night or with very low illumination.
The most important thing I think teachers can do for young people is to make them inquiring, is to ensure that they know how to gather information, that they check information and they take their information from a multiplicity of sources.
There's always a miasma of misinformation emerging from the higher education sector as to which are the "best" courses to take. My advice would always be to ignore the perceived wisdom and look for the most reliable evidence on the ground.
There's always a miasma of misinformation emerging from the higher education sector as to which are the 'best' courses to take. My advice would always be to ignore the perceived wisdom and look for the most reliable evidence on the ground.
I'm always trying to make movies that are better than the ones that we've made before. We don't always succeed at doing that by any means, but we're always trying to raise the stakes, raise the bar, make the movies better, and that's hard.
I have always been interested in garbage: What it says about us. What in there embarrasses us, and what we can't bear to part with. Where it goes and how much of it there is. How it endures. What it might be like to work with it every day.
Everybody, including me, has to submit to what it needs to be. The thing is at the top of the pyramid, the best version of the thing; we all have to serve that. You forget that at your own risk. And I think movies are too long, in general.
It's nice to hear when someone gets something and the sincerity is enough to tickle you. They can have the wrong notes but the essence of it is there, so it makes you laugh, because even when Frank [Zappa]'s music is sad, it makes me laugh.
Occasionally I'll be a producer for hire on a larger budget movie, but with Blumhouse Pictures, we mainly focus on micro-budget, under-$5-million-dollar movies. That's what we're in business to do, and that's what we're in business to make.
I couldn't stand it. It was what I thought I always wanted. I was there every day in the trenches, and I hated everything about that job. But what I loved - and what I got from 'The Tooth Fairy' - was to see how studio movies were released.
A lot of athletes have star quality, but they just can't perform in front of a camera. So no matter how good-looking you are, no matter what kind of presence you have, you still have to be able to be a convincing performer to become a star.
I never start editing a film until it's completely shot; I don't edit along the way, ever. When it's finished I come in here [screening room] and we start with reel one, scene one and start editing shot by shot by shot until we're finished.
It might sound odd, but I want to thank Michael Bay because he's been saying how important it is to show 3D with the right luminescence. And that's very important for this film, a lot of which was shot at night or with very low illumination.
When you watch a Coen brothers movie, it is always so certain about what it is trying to portray. That is their strength. The minute they write a word, they know how it will look on-screen. They are very purposeful, with no kind of mistakes.
People don't understand this, but I started very young, and I became very, very successful at a very young age. By the time I was 26 years old, I was a multimillionaire. And I started with nothing. And I was on the road 10, 11 months a year.
Most obviously it [Doctor Strange] will introduce a new character who will be in play in the universe, but once you have gotten an audience to buy into a new concept then it's fun to keep, to play-off, or spin-off that concept down the line.