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My father was an engineer, .. But I found out that the film critics for the Stanford Daily got free passes for all the films. So I became first an assistant critic and then the main film critic. Those free passes changed my life.
I think that music is a very difficult art form in which to be avant-garde. When we sit down to listen to a piece of music, I think our implicit hope is that we're going to find it beautiful, or at least emotional, on some level.
As vocal as some people have been about how emotionally attached they've been to celluloid, I've been equally emotional in my stance that nothing is more valuable than this. Than being able to see the result of your work quickly.
When I asked my mother where babies came from, she thought I said rabies. She said you get them from being bitten by a dog. The next week, a woman on my block gave birth to triplets... I thought she'd been bitten by a Great Dane.
I've inherited the worst of each parent. I have my father's hypochondria and lack of concentration. I have his amorality. I have everything bad that he had. Then I have my mother's surly, pill-like, complaining, whining attitude.
In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been.
In documentary we deal with the actual, and in one sense with the real. But the really real, if I may use that phrase, is something deeper than that. The only reality which counts in the end is the interpretation which is profound
If a character dies, you should feel that. If a character accomplishes something, you should feel that. That's where you try to find that balance. It's impossible to articulate, as you go through it. You just have to recognize it.
Like the tectonic plate it sits upon, Hollywood is subject to seismic jolts and constant tremors. Each season erupts with a new champion, and every so often a genuine earthquake will tear down the apparently secure infrastructure.
We've created a device that has absolutely no limitations. There's no insurance company that can say 'no.' There's no hospital that can say 'no.' Anybody who's paralyzed now has access to draw or communicate using only their eyes.
If you're a wildlife filmmaker and you're going out into the field to film animals, especially behavior, it helps to have a fundamental background on who these animals are, how they work and, you know, a bit about their behaviors.
anyone own a disease? I was also startled at the level of hypocrisy. How can a leading make up company not sign onto the "Campaign for Safe Cosmetics" and at the same time promote itself as leading the fight against breast cancer?
When you write the script, you're home in a room by yourself, and you're writing, and there's no connection with the real performing world. So you get a lot of things wrong and make a lot of mistakes and make a lot of bad choices.
If I can play a scene in a master shot, I always prefer it. And the actors always prefer it. It's fun to look at on the screen, the actors get a chance to sink their teeth into something substantial, and it's economically helpful.
I still love it, every day. I get up and I love going to work. I love seeing it all happen, and I admire the people that we work with. I just hope that the films will continue to entertain audiences, as they have done for 50 years.
Studios felt like Blu-ray was going to be the next panacea, and so they dumped the prices (of traditional DVDs) and devalued the product. That's a misreading of consumer behavior as well as a misreading of the economic environment.
For a long time, the film business was a single-digit business on investment return. Now, because of home video, it's a low double-digit business, and the studios want to make sure it doesn't go back into the single-digit business.
In the late 1960s, English artists like the Rolling Stones and Joe Cocker began recording in the States, and at that point, they realised, 'We can get real African-American voices on our records; we don't have to pretend any more.'
When you have giant corporations that give you a one track message of "finding a cure" or of "hope" it can give the public a false sense that someone is looking after their health interest and some cases even managing their health.
Memory is a form of time travel. That's something we do during the course of the day, every single day. The idea of actually being able to physically adjust that and change it instead of being haunted by it is a really human thing.
Self-reflection entails asking yourself questions about your values, assessing your strengths and failures, thinking about your perceptions and interactions with others, and imagining where you want to take your life in the future.
The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
Now I've even gotten to running out to the fan buses that pass by our house, so I can talk to the people. I think I'm trying to gather fans, frankly. They're very, very nice people - they really understand. It's fun talking to them.
I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters.
I'm gut all the way, which is why I think I'm so connected to shows like Falling Water and even The Walking Dead, which is all about the mortal consequences of our actions. Generally, we act first and realize the consequences later.
I called my book 'When I Stop Talking, You'll Know I'm Dead' because that's the truth. I will keep talking until the big hand comes down from Heaven. But I am a spiritual man and I believe that even that does not have to be the end.
We're smart enough to know we need to live in groups to survive, but we're still animals and we needs lots of room. In the case of the male of the species we also probably need that-guy-over-there's space. And his wife and cow, too.
Are you doing what your heart desires, or living up to society's expectations, what friends and family think? Because the moment you start doing what you love, what you truly feel in your heart, all your cells start working for you.
It's so much work to make a movie, and for me it has to get me off my butt. To get me actually writing you have to strike something inside, you have to hit a power main to get the energy. You have to strike something you care about.
In some ways, I think "Pulp Fiction" hurt cinema in a very, very minor, small way. It did a massive amount of good. But it also made it impossible to make a movie even remotely like it without someone comparing it to "Pulp Fiction".
In some ways, I think 'Pulp Fiction' hurt cinema in a very, very minor, small way. It did a massive amount of good. But it also made it impossible to make a movie even remotely like it without someone comparing it to 'Pulp Fiction.'
I never ever see a film of mine after I release it to the public. I see it when I shoot it in my dailies and while I'm editing it, re-editing it and reshooting it and all that. By the time it's finished I never want to see it again.
When I sat there in 1971 and watched my grandfather open Walt Disney World, I was a little 11-year-old girl who worshiped the ground he walked on. You probably couldn't have found much daylight between the NRA and the Disney company.
My father used to describe how he'd love going, early in the morning, out on a location and waiting for the trucks to arrive and the circus to come to town. That's what it's like, every day, when you're making a film. It's the magic.
Because I'm fat, people believe I'm somehow vulnerable and easy to handle in a negotiation. Ever try to negotiate with a fat guy? We can be mean: Marvin Davis, Harvey Weinstein, Hermann Goering. No one screws around with us for long.
I met Edward Teller. Everything he believed in and stood for was antithetical to what I believed in and stood for. I like running into that in life. I like extreme points of view, a level of commitment - and I certainly love mastery.
No one wants to hear from the producer. He's the guy by the pool with a cigar in his mouth and a couple of lovelies on his arm. But when you're a director, they want to hear what you have to say about everything - the war, the world.
The budgets are much higher now, it costs more to make a movie and the kids that go to see them are into instant gratification. They want things bigger and bigger. I don't make those kind of movies. I make movies about relationships.
I just try to be true to myself and write about things I'm passionate about. I think what most people don't like about movies is they can tell that most movies are a product, and they don't mean that much to the people who make them.
In some ways, the most rewarding thing I've done were the two times that I did the Oscars, particularly the first time because it was really like the ultimate "Let's put on a show," with every great movie star in the world available.
Being involved in movies is my passion. What's gotten me off the mat is the sense of the child in all of us. I feel like the same guy as I did back in the mail room, but with more wisdom, from the depths of experience to the heights.
The entertainment business is and always has been about money, and it's about, "Does that person merit that salary?" The fact is that the business, in my view, has been somewhat bankrupt for years - only the new media made it viable.
Men would make love with any number of women ... even total strangers, while females were selective. They were catering to the demands of one small egg. While males had millions of frantic sperms screaming: "Let us out, let us out!".
I've tried my hand at everything... trying to whittle down the right profession for myself. I tried my hand at clothes, I've modelled, but nothing really worked for me. I didn't really enjoy it, and maybe I was not really good enough.
I really woke up one morning and said, you know, 'I haven't seen a good film about the American Revolution. And all the ones I have seen haven't been successful, but I'm going to make a successful one.' Well, I wasn't able to do that.
I remember when 'The Right Stuff' opened in Hollywood. I got dressed that morning and drove my car down to the theatre that it was playing on, thinking that there would be mobs of people outside. When I looked, there was nobody there.
It all comes down to what is best for those particular genres, and if you believe in the stories that you're telling and the characters that you like that you want to tell those stories with, you can pretty much apply it to any genre.
Back then, you seemed like a crazy person when you were trying to push the boundaries of network TV. People looked at you, and they were offended by the fact that you didn't follow the generic rules of what was expected on network TV.
My advice for other female directors is look for people who really appreciate your vision and are willing to genuinely support you. When it comes time to taking notes on various cuts, if you have a smart producer, listen to her notes!
To be honest, I found the 3D in 'Avatar' to be inconsistent and while ground breaking in many respects, sometimes I thought it overwhelmed the storytelling. Technology aside, I wish 'Avatar' had been more original in its storytelling.