That's the thing about Aquaman that's cool is he's not an alien, right? He's from our planet, and he's from a society that we're not privy to in the context of the story.

Pause and remember - Every person is going through difficult hardships and growth. Let's be more conscious of this by being more patient, compassionate and understanding.

When I found something I believed in and I cared about and thought I could market and sell and could be thought of creatively - the most important thing to me - I did it.

I don't think it matters what the frequency is of me writing or directing a movie. It doesn't really matter to anybody else. I'm just trying to put good things out there.

When you read a book, you create that tonal bandwidth. You set a tone for yourself, as you're reading it, in which everything exists within the world of your imagination.

It would have been impossible to get 'The Verdict' off the ground without Paul Newman obviously, but today without any star, kind of a dramatic piece would be very tough.

There's a technical reason why I think that frame rate is weird and it has to with your brain's ability to scan beyond a certain rate. The point is I find it looks weird.

A fast word about oral contraception. I was involved in an extremely good example of oral contraception two weeks ago. I asked a girl to go to bed with me, she said 'no'.

This sounds so bleak when I say it, but we need some delusions to keep us going. And the people who successfully delude themselves seem happier than the people who can't.

I think I've gotten technically better over the years but you'd have to be a fool not to. I've made so many movies that by sheer quantity you get better at the technique.

You can shoot and edit a movie from your iPhone and upload it to YouTube. Of course, what's not universal is talent. Are you making anything that anyone really should see?

Although we are busy with our own work, we still try and spend time together. At the same time, we give each other space. I think that is the key to a successful marriage.

I think I have got comfort, beautiful kids; I can do whatever I want, travel around the world... I know it's sounding very materialistic, but it's been a comfortable life.

I feel very proud that we have managed to stay together. In these forty years we have made forty-six films. Each one has brought a certain name and contribution to cinema.

Then my first film was something called Cannibal Girls, which sounds like a horror movie but was actually kind of a goofy comedy with horror elements. Like a horror spoof.

I think what 'Saw' did was really open up a huge branch of lots of these other movies that ultimately retroactively gave the first 'Saw' somewhat of a negative reputation.

Having such a diverse cast and crew is what makes the 'Fast & Furious' films so unique to all the other studio tent pole films that just have a very singular look to them.

One of the benefits of doing low-budget movies is you don't have to release them wide to recoup. You can release it in a smaller way, make your money back, and keep going.

I know everybody. I make friends easily. I'm a gregarious guy, I'm open, I'm easy to get to know - I don't lock myself in an ivory tower. So I like people; I enjoy people.

I mean, the trouble with some of the kind of relationship movies I've done, is there's only so many ways you can shoot a conversation. I was really tired of talking heads.

'The Sound of Silk' will serve as a lens for larger questions about cultural identity in a global society and the potential for individuals to act as catalysts for change.

With 'Brick' there was the Dashiell Hammett influence, and with 'Brothers Bloom' there was a really strong Fellini influence - both those movies wore that on their sleeve.

Traffic is about drugs. As detailed a portrait as I can muster about what is happening in the drug world, from top to bottom, from policy to how things move on the street.

I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves.

We as producers need to keep an eye on things and make sure we're doing great stuff, which is sometimes easy to do because of the talent we have, and sometimes not so easy.

Show me a Scorsese film, and I'll show you a movie where he's taken risks. It's just his nature. He's an artist, and artists take risks. He always does what he believes in.

Urdu can not die out because it has very strong roots in Persia. The language itself is not only just the language of the Muslims, but it's also the language of the Hindus.

I use myself as a measuring yardstick, and so if I come up with an idea that really scares me, then I'd like to think that people out there would feel the same way as well.

Horror is great storytelling with scary elements on top of it, but if you don't have great storytelling, you can have all the scares in the world, but the movie won't work.

I love scary movies and respect the filmmakers of scary movies, and it's just as hard to make a great scary movie as it is to make a great comedy or drama or anything else.

It's so funny, all the similarities that we have [with David Copperfield] of being obsessed young people and finding a way to be around the people doing what we want to do.

The accomplishment that I am most proud of is that 'Free Willy' and 'Dave' got a political message out, which isn't easy to do within the constraints of studio moviemaking.

Just one step. Just one mile. Just one dollar. Just one kiss. Just one person. When we look at life through the lens of 'one,' everything becomes that much more attainable.

My father believed strongly, and taught me, that you can't let yourself get too high on a success or too low on a failure. In this volatile business, that's useful to know.

I don't think an NC-17 rating is the kiss of death. Nor do I think that, in the hands of the right filmmakers, studios have a preconceived notion to pass on NC-17 material.

A long way of saying I've seen a lot of kind of more systemic and processed changes. Although we still are providing the kind of material you're still seeing out there now.

Ads answered out of desperation in the New York Review of Books proved equally futile as…the 'Bay Area Bisexual' told me I didn't quite coincide with either of her desires.

The audience wants to be attracted not by the critics, but by a great story. You must deliver to the audience emotion - and when I say emotion, I mean suspense, drama, love.

Shah Rukh himself, if he wasn't an actor, would probably have liked to become an architect or interior designer. He's totally into buying property, building, and decorating.

I have a notion that there's a Star Wars out there waiting to be made, and I'm not sure it's the next Star Wars. I think it's something else that will be fresh and original.

'Guardians Of The Galaxy' was, as 'Ant-Man' was, just fun, in terms of expanding this universe. We always say, how can we keep audiences surprise at what an MCU film can be?

At times I ask myself if I shouldnt be living a more regular, stable life with a 9-to-5 job. Then I think about it and realise that there is no point in planning everything.

You might have been able to fool people the first time, or something, but you really can't make a successful sequel today unless people really, really liked the predecessor.

When the creative spirit stirs, it animates a style of being: a lifetime filled with the desire to innovate, to explore new ways of doing things, to bring dreams to reality.

People love to be swept off their feet, to go into an environment where they've never been, to experience things they only dream about. And filmmaking offers that potential.

For me, I was entirely focused on 'Episode VIII' and having this experience, and now I'm just thinking of putting the movie out there and seeing how audiences respond to it.

It is clear the future holds great opportunities. It also holds pitfalls. The trick will be to avoid the pitfalls, seize the opportunities, and get back home by six o'clock.

I've always believed that thoughtful people don't really take the tabloids seriously. They're basically a form of entertainment. I enjoy them as much as the next New Yorker.

There is evidence that people do want to watch shows back to back - that's why DVR use is so high. When you're able to DVR something, people will watch more than one episode.

After The Silence of the Lambs and Hannibal, the audience would like to know where, when, and who arrests Hannibal Lecter for the first time. This is the story of Red Dragon.

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