You do form a cadre of people that you trust and who are good at their jobs and who know you and what your quirks and foibles are. It makes making movies very collegial and a lot more fun.

To do that I try and keep myself in pretty good shape physically and I try to lead my life in such a way that I'll be able to be as strong at the end of the movie as I am in the beginning.

Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety.

For someone like Daniel Radcliffe, it’s really fun to go against your image. He’s such a goody-two-shoes in Harry Potter. I just wanted him to throw off the gloves and be weird and quirky.

I love the art house, and when I say the art house, I don't just mean little, independent movies but movies that really aim to be about something and say something and I love those movies.

In the press, there's this desire for the black audience to be this monolithic thing that always responds to the same stars. That's a really reductive way of looking at the black audience.

It's very difficult to figure out, for me, what stops really talented young female filmmakers from having the kind of careers that their really talented young male counterparts are having.

What fascinates me is that when we look at the history of women in politics, so frequently the women who get the farthest are the women who are quite conservative in their political views.

I do think there's a preoccupation that women understandably have with this idea of the roles we're meant to play and whether or not those roles serve us or ultimately kind of imprison us.

In our racist, sexist society, Christmas is the 8 hours when we stop killing each other and gratuitous over eating is encouraged so that the starving and other people in the world can die!

In our racist, sexist society, Christmas is the 8 hours when we stop killing each other and gratutious over eating is encouraged so that the starving and other people in the world can die!

Filmmakers don't work for posterity. We create with celluloid and chemical pigments that don't last very long. They fade away. In 200 years there will be nothing left of our work but dust.

Working with HBO was an opportunity to experience creative freedom and 'long-form development' that filmmakers didn't have a chance to do before the emergence of shows like 'The Sopranos.'

Do you know that every day, 10 people in Afghanistan are injured by landmines? It will continue for the next 50 years, because the country has the largest number of landmines in the world.

Like most struggling writers trying to get their scripts commissioned, I had to do something odd to pay the rent. So, aged 21, I started up my own small cheesecake company in Philadelphia.

I don't shoot movies quickly because I get a lot of coverage and a lot of angles, so we have all the pieces in the editing. I do a lot of takes, but it's because I'm looking for something.

It's hard to know whether certain characters come to life or not, they either come to have their own life or they don't. I've written many things in which the characters just remain inert.

I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of "Drive."

I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.

Forget the grand plan. Forget the master scheme. Forget control. That is the bleak but true basis of independent cinema. Inch by motherfuking inch we must, because we have no other choice.

I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.

Cinema has become my life. I dont mean a parallel world, I mean my life itself. I sometimes have the impression that the daily reality is simply there to provide material for my next film.

For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck.

Toy Story we found, sorta by accident, because we didnt know what we were doing, the idea of being replaced by somebody. Everybody has that fear, or encounters this jealousy at some point.

I made tons of films. I did animation for my friends' films. I animated scenes just for the fun of it. Most of my stuff was bad, but I had fun, and I tried everything I knew to get better.

In a world where we can all be our own filmmakers, the old elites are disappearing and there is no desire to look at somebody else's dream anymore because you can go off and make your own.

There were a couple Aborigines in my primary school, but we never spoke to them. They kept to themselves, and we never really even locked eyes. They weren't acknowledged officially either.

I'm all about freedom in art. I'm from Texas, so when someone tells you which way to ride your horse, you think 'I'll just go to a different ranch. You guys are riding it backwards anyway.

I knew that Jaye Davidson would not last because of that. I really liked him and thought he had incredible screen presence and talent, but I knew that he would not stay in that profession.

There's not really much destruction in New York besides the weather and it's a natural force so it's not like any destruction. But LA gets leveled (laughs). That's my comment to Hollywood.

As a director myself, you want to have colleagues and collaborators that respect your authority as the director. I'm very comfortable with that, and I've done a lot of work in second unit.

It was believed by the purveyors of male fantasies in films that nurses were a popular male fantasy because they were caring, and they were women who could legitimately touch men all over.

Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.

I don't consider myself a teacher of moral and political positions. I don't want to be that. I can't help but have a point of view when I make a film, but my first job is to entertain you.

Maybe it's just in America, but it seems that if you're passionate about something, it freaks people out. You're considered bizarre or eccentric. To me, it just means you know who you are.

It becomes pretty crystal clear once you watch that first assembly [movie cut] the things that are just grinding it to a halt, so to speak, or slowing it down, or getting in the way, yeah.

Life on our planet has been a constant series of cataclysmic events, and we are more suitable for extinction than a trilobite or a reptile. So we will vanish. There's no doubt in my heart.

My brother and I both used to worry about dying at 40 because our father died at 40. That probably wasn't terribly rational, since my father led a rather unhealthy lifestyle, shall we say.

It looked like 'The Sound of Music' would even surpass 'Ben Hur,' and I thought it would be unfair for me to have done both. I thought I'd leave something for somebody else. That's a quip.

It's very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.

Jesus Christ never preached there should be celibate priests. The only reason the church has this is because it's a mechanism of power and control. You can control priests who are celibate.

Now, unfortunately, some prissy card-carrying members of the U.S. Constitution have made us all look bad by pointing out that many of the Gitmo detainees weren't guilty of anything. Whoops!

No director directs 'Game of Thrones' without reading all the episodes and knowing what's going on. All the episodes are written in advance, so you can do that, which is an important point.

When you're a houseguest and you leave, it's nice to straighten something up or send your hosts a useful gift. And when you leave the planet, it's nice to have made a positive contribution.

Is there one specific source that determines correct morality and everybody should follow that? Or should individuals come up with following that source or not depending on their situation?

Well, there are conjoined twins in real life and we can tell a story about them so long as they're not the brunt of the jokes. In this, they're the heroes of this story; we love these guys.

Cinema is my religion. It is a way to make people sensitive, through emotions. To make them feel, experience empathy. People are touched and act ethically when they are emotionally touched.

I don't particularly like to go see 3D movies, but when I'm doing it I kind of do enjoy it. I enjoy seeing the image in 3D, there's a childhood fun about being able to see those dimensions.

I'm proudest of the fact that I've been able to make a few movies in the studio system that are slightly unorthodox and personal. But it's never quite as easy as you dream that it could be.

I had always liked, well, who didn't love Lestat and fall in love with 'Interview with the Vampire,' and 'Nosferatu,' and Coppola's 'Dracula' with the awesome costumes? So I loved all that.

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