I was a Beach Boys guy, but I was won over. In '64, as the radio stations were creating this duel between The Beatles and The Beach Boys, I slowly but surely got won over by the Mop Tops.

Don't make election popularity largely a matter of which candidate hires the most creative and effective propagandists. Insist that it be, instead, a running conversation with the public.

I don't think there is a single character in 'The Graduate' that is not a phony, to one degree or another, except Benjamin and Elaine, and only in the scenes when they are alone together.

I'd say that 'In the Heart of the Sea' is the most challenging movie I've made. It was tough to figure out how to lead this large cast into some very sensitive, intense, emotional scenes.

Listen, you make a big movie, you're going into the Coliseum, and people are going to give you the thumbs up or the thumbs down. And that's part of the game. It's part of the fun as well.

What upset me was that after 'Saawariya,' which came after the awards and rewards of 'Hum Dil De Chuke Sanam,' 'Devdas' and 'Black,' I was written off, almost hounded out of the industry.

I have one life. I am a certain age. I'm married to one person. I have a certain number of children. I won't have another life other than that, but I do have many lives through the films.

Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.

I'm not a big fan of spiders, rats, especially if they're like - I got up one morning on a holiday recently, and there was a centipede in the bed that big. I wasn't very happy about that.

I always bring it up to my lawyer every now and then. And another reason we have to revisit it is because there is a restoration going on right now for the film through UCLA and Sundance.

I'll talk about these things, but it's just, you know, you only get so much time and I'm much more interested in what I'm going to be doing next year than in something I did 10 years ago.

[This kind of strange mythology about me.] I've pulled a huge steamboat over a mountain; I've done a feature film with all the actors acting under hypnosis - things that are very unusual.

Mostly with commercial work, it isn't about personal vision. It's not a personal effort, it's work for hire. That's more my attitude with those. You just want to be a professional worker.

'To Kill a Mockingbird' was so important because it was such adult film-making - to see something that dealt with such an important issue and had such an enlightened outlook on the world.

I want to - we're working toward Justice League, and I really want to create the - part of the thing I really want to create is the possibility of a world where they could exist together.

I've noticed in my life that as you work on more things with more people, you spend less time hanging out with other people who are artists, creative people who give you a sense of family.

I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.

When I was about to turn 50, I went into a kind of personal revision and observed my own priorities and what led those priorities in my life. And many things that, in a way, were profound.

Time starts out as a notion. But after you turn fifty, time is not a notion anymore but a fact that you start feeling clearly, and in a way, it pushes you to become present in the present.

I'm a sports junkie, and I am interested in athletic will - how you exceed the expectations of your own performance when it counts to deliver something beyond yourself so that you can win.

I think the future of journalism is going to be a battle between caution and recklessness. And I think a little bit of recklessness is a good thing, as some of the WikiLeaks cables proved.

I was 8 when we landed on the moon. I was so into the space program as a kid. Eventually, I realized it was very unlikely that a Mexican kid in the early '70s was going to be an astronaut.

Anyone who's done their homework knows that the West was a pretty rough-and-tumble place. People from all over the world were there - and when you were there, you had to be tough as nails.

I can't make pronouncements about the entirety of Iranian cinema, because there's such a great number of filmmakers and because of the diversity of points of view and filmmaking attitudes.

The ugly duckling is a misunderstood universal myth. It's not about turning into a blonde Barbie doll or becoming what you dream of being; it's about self-revelation, becoming who you are.

I want to talk about privacy, the quality of the information you receive, whether it's neutral or commercial or pointed, bringing consciousness to the lack of neutrality in the algorithms.

I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.

I'm a big believer of "when there is a will there is a way" but from the studio's perspective I think it just seems like a bigger leap than you can get a sort of bureaucratic move to make.

Everybody feels protective and possessive about Kurt [Cobain] , and I think that can be attributed to his unique gift, an ability to touch our lives, and make us feel like he's our friend.

You just never know if people out there will relate to things when you write them; it matters to you, and to some people it doesn't. Some people are 'I'm not in the mood for that; thanks.'

Everyone wants to be liked, so of course you want critical acclaim. After that, box office acclaim isn't bad. More than anything I think you have to try and make something you're proud of.

Honestly, I don't go out of my way to see animated movies. I'm mostly influenced by.. the films I tend to like are the small films, small personal stories. With characters you can believe.

Creating stuff is hard. But, if that terrifies you, you will just be numb, and you better just stay at home and watch TV and do something else. Move into the woods and live with the trees.

It's a simple thing he [Frank Daniel] taught me. If you want to make a feature film, you get ideas for 70 scenes. Put them on 3-by-5 cards. As soon as you have 70, you have a feature film.

I don't know if I'd want to do that anymore, because you always get bigger laughs on college campuses. So, when the film plays in front of a city audience, you've probably cut too loosely.

I didn't think I'd do movies in Los Angeles. I never thought it would happen. In fact, it was not a fantasy. For me, I said, 'If ever I go there, they will ask me to do 'Legally Blonde 5.'

Tony Scott, Walter Hill, Michael Mann - I'm a big action fan, full stop. And even though Michael Mann is the more celebrated film-maker than Tony Scott, I love them both in different ways.

I need to eliminate 'like' from my vocabulary. I begin sentences with, 'That's seriously like... ' I hear myself talking in this Los Angeles high-school student kind of way, and I hate it.

What is striking in Minnesota is the invisible horizon line. On a grey day, when there's snow on the ground, the sky and the ground are one tone. Everyone appears to be hanging in mid-air.

Being healthy is not just about building a body: it is a lifestyle that manifests itself in your general outlook. It makes you more positive and optimistic and increases your energy level.

Being a parent to my daughters, son to my parents, and friends to many people, I would wish for a society that's fair to everyone, that's free of prejudice and as non-divisive as possible.

Because we [people] have an intellect, part of what we do is try to understand the "intelligent design." Everything we don't know is "intelligent design." Everything we do know is science.

They're getting more and more experience on what to expect, and the Hellboy audience is such a faithful and fanatic audience as I am, and you have to really be very open about what you do.

Expenditure can't really guarantee a great experience. I don't even like shopping; I've never bought stuff for myself, and everything I wear are gifts from my brothers, friends and people.

Humanizing good people is kind of boring and I don't really see the value in it... humanizing tricky characters is exhilarating, and making audience films out of indie subjects excites me.

I've been very, very lucky in my career, in my life - from day one. When aspiring directors say, 'what's your advice?' first I say, 'be born the son of a famous director. It's invaluable.'

John Wayne was never shy about that fervor, but because he was never overly zealous about his politics, and of course his status as a movie, he was embraced by both the right and the left.

For me, my taste is all over the place, so the festival is the perfect match for me because I can hit, again, Against Me! and SZA, all those different genres and the experience is awesome.

I think the best thing I have is the introvert's ability to listen when you're working on something as complicated as this and you have to really be aware of everyone's specialized skills.

When ypu awaken love and laughter in your life, your mind lets go of fear and anxiety, and your happy spirit becomes the healing balm that transforms every aspect of your human experience.

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