Quotes of All Topics . Occasions . Authors
Grave of the Fireflies is an emotional experience so powerful that it forces a rethinking of animation... It belongs on any list of the greatest war films ever made.
I remember when a Coke came in a six-ounce bottle, and delicious it was. Now it comes in sizes so big that I question how the human bladder can deal with the intake.
The essay is a wonderful medium. I might mention that some writers who longed to be novelists were better as essayists: Sontag, Baldwin, Vidal, Mary McCarthy, Mailer.
What I want is a way to put Universal monster toys back in the aisles alongside 'Star Wars' and all the other stuff and introduce today's kids to the classic monsters.
Norbit operates on the principle that vulgarity is automatically funny. Crassness doesn't need a joke attached because it is (in and of itself) the height of hilarity.
Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.
I think that probably the - I don't give quotes to studios. They have to get those out of the paper or from television. So they wouldn't have had my quote opening day.
It's like the high school production of something you saw at Steppenwolf, with the most gifted students in drama class playing the John Malkovich and Joan Allen roles.
What you discover on your own is always more exciting than what someone else discovers for you - it's like the marriage between romantic love and an arranged marriage.
In 'The Adjustment Bureau,' Damon shows movie-star concentration as David Norris, a politician whose world ambitions hit a pothole when his angry streak becomes public.
The one and original lovable monster is lost amid all the hydraulic manipulations in what now emerges as the story of a dumb blonde who falls for a huge plastic finger.
Why is it that English, drama and music teachers are most often recalled as our mentors and inspirations? Maybe because artists are rarely members of the popular crowd.
When I had been a film critic for ten minutes, I treated Doris Day as a target for cheap shots. I have learned enough to say today that the woman was remarkably gifted.
If there's anything I hate more than a stupid action comedy, it's an incompetent stupid action comedy. It's not so bad it's good. It's so bad it's nothing else but bad.
Movies are as old as psychoanalysis. So if I were to put you or anyone else on a couch and say, 'Tell me your favorite movies,' it would be a way of psychoanalyzing you.
Stewart's interest in serious acting gives her something in common with Theron - and, like Theron, some of her most provocative work has come through working with women.
By focusing on such a narrow slice of Nepali life, Ms. Spray and Mr. Velez have ceded any totalizing claim on the truth and instead settled for a perfect incompleteness.
Like one of those fake-smart, middlebrow TV shows, the speciousness of The Social Network is disguised by topicality. It's really a movie excusing Hollywood ruthlessness.
Movies have been doing so much of the same thing - in slightly different ways - for so long that few of the possibilities of this great hybrid art have yet been explored.
The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
My other work, teaching, also is satisfying because I can be with people but in controlled circumstances, which aren't as likely to yield the pain of dealing with family.
As I swim through the summer tide of vulgarity, I find that's what I'm looking for: Movies that at least feel affection for their characters. Raunchy is OK. Cruel is not.
Since any reasonable person would choose a Mac over a PC, Apple's market share provides us with an accurate reading of the percentage of reasonable people in our society.
You can have a movie with hardly any cuts, or very few cuts, that is fascinating, you can't take your eyes away from it... Look at some of the long takes in Citizen Kane.
Not so much a film as a visual essay, exquisitely directed and photographed (by Sacha Vierny)... Difficult to watch but well worthwhile for those willing to be challenged.
Kevin Kline gives a master class in acting. He finds every nuance of mirth and melancholy in this wonder of a role and rides it to glory. You can't take your eyes off him.
If a movie isn't a hit right out of the gate, they drop it. Which means that the whole mainstream Hollywood product has been skewed toward violence and vulgar teen comedy.
It's easy to say "This year in art sucked." After all, about 85 percent of all shows of contemporary art are bad. But 85 percent of all art made in the Renaissance was bad.
So, yeah, I think it had a major effect. I think in franchising younger people, it was just an idea that's never been trotted out before, but it makes perfectly good sense.
[The photograph] is the object itself... [It] shares, by virtue of the very process of its becoming, the being of the model of which it is the reproduction; it is the model.
It's an oddity that will be avoided by millions of people, this new 'Pinocchio.' Osama bin Laden could attend a showing in Times Square and be confident of remaining hidden.
As he demonstrated with 'Juno' and 'Up in the Air,' Reitman has an uncanny knack among contemporary directors for tapping into the zeitgeist in dramatically satisfying ways.
It is a depressing fact that Americans tend to confuse morality and art (to the detriment of both) and that, among the educated, morality tends to mean social consciousness.
I'll tell you, I think that the Internet has provided an enormous boost to film criticism by giving people an opportunity to self publish or to find sites that are friendly.
Though finally overwhelmed by a preening lassitude, 'Hotel' is never less than fascinating, breaking into multiscreen scenarios like Mr. Figgis's 2000 experiment, 'Timecode.'
What audiences end up with word-wise is a hackneyed, completely derivative copy of old Hollywood romances, a movie that reeks of phoniness and lacks even minimal originality.
Well, news is anything that's interesting, that relates to what's happening in the world, what's happening in areas of the culture that would be of interest to your audience.
I worked for a newspaper in Europe for, I lived in Europe for about seven years, so I worked in this sort of a yellow journalism kind of a thing, it was like a scandal sheet.
Zach Galifianakis is a comic force of nature! He is terrific. He digs down here and delivers a beautifully nuanced performance that gets under your skin. Just like the movie.
A depressing number of people seem to process everything literally. They are to wit as a blind man is to a forest, able to find every tree, but each one coming as a surprise.
Life's missed opportunities, at the end, may seem more poignant to us than those we embraced — because in our imagination they have a perfection that reality can never rival.
It's not often a thriller keeps me wound up as well as 'Headhunters' did. I knew I was being manipulated and didn't care. It was a pleasure to see how well it was being done.
Like Godard, Tati is also remarkably appreciative of the odd beauty that can be revealed in the shapes, patterns and colors created by the technology of planned obsolescence.
Still, you can't complain about the number of movies being made. Never have the means of making movies been so accessible to so many. The problem is getting bodies into seats.
Silence is not the absence of sound. It's a physical place, a destination with value and meaning in a chaotic world, somewhere arrived at with difficulty and left with regret.
Jacques Tati is the great philosophical tinkerer of comedy, taking meticulous care to arrange his films so that they unfold in a series of revelations and effortless delights.
Within a scantily plotted, novella-style narrative (the movie is an adaptation of a short story by Tom Bissell), single shots become story events that mere mention would spoil.
I believe that we respond most and best to work in any art form (and to other experience as well) if we are pluralistic, flexible, relative in our judgments, if we are electic.
It's a good question, because a movie isn't good or bad based on its politics. It's usually good or bad for other reasons, though you might agree or disagree with its politics.
On this ancient and miraculous world, where such beautiful natural and living things have evolved, something has gone wrong when life itself is used as a manufacturing process.