Quotes of All Topics . Occasions . Authors
When a child comes in, I believe that it's a 'multipersonhood,' and it knows it, its consciousness knows it, and it has a nuclei in the center of its consciousness that is the repository of all experience and all knowledge. And when you look in the eyes of your baby and you feel this sense that they are an old soul, I believe indeed they are.
This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.
I don't think my competition is with the heroes. I don't think I'm competing with anyone. I don't mean to sound Zen, but genuinely, when I stopped competing with anything is when I started enjoying my work, and that brought out the best in me. I'm living in a universe of my own, and I'm enjoying that. I love to appreciate other people's work.
When it's all said and done, I'm very, very glad to work in this business, but that's exactly what it is. It's a business, and I get to do the fun half of it. I get paid to pretend. I get to play really great characters. And, we have such a wonderful writer. She just knows people so intricately, and it's so fun to be able to act out her words.
I really feel that I had a genuinely diverse, multicultural upbringing, and I just don't find New York to be quite as diverse. Maybe I'm romanticising, but I feel that I was exposed to a real melting pot in terms of culture and pop culture. My kids are essentially middle-class, but I do try to remind them that they come from humble beginnings.
I come from the mind-set that, if you want it to work, it will work, whether it's a friendship or a relationship. If you're both in the same mind-set and you want to be together and you want to make it work, you can make it work. It just takes dedication and knowing that there might be some miscommunication and lack of communication sometimes.
Well I was eight years old, and I have an older cousin who is three years older than me and she was doing acting, commercials, and modeling at the time and... to see my cousin doing that was really inspiring and I wanted to do it. So I went to my mom and I asked her if I could do it, and for the acting part of it, she made me study for a year.
I like the fog that creeps over the whole city every night about five, and the warm protective feeling it gives...and lights of San Francisco at night, the fog horn, the bay at dusk and the little flower stands where spring flowers appear before anywhere else in the country...But, most of all, I like the view of the ocean from the Cliff House.
I could have a one-night stand, and I'm the kind of girl who looks over in the morning and is like, Do you really have to be here? I don't need to cuddle and do all that stuff because I know what it is and I don't try to make it more. I feel like a lot of women try to make it into more, so they don't feel so bad about just wanting to have sex.
I once said to someone when I was playing Lady Macbeth and they said: "That's tricky, emotionally, what do you do about murdering your husband's cousin?" And there are, of course, things that aren't in your personal repertoire that you have to somehow understand by reading or watching other things and listening to other people talk about them.
Without an observer at a twenty three degree angle to the light being reflected off a cloud of spherical droplets, there is no rainbow. The whole universe is like that. Our spirits stand at a twenty three degree angle to the universe. There is some new thing created at the contact of photon and retina, some space created between rock and mind.
There's some freedom that you get with indie films that you don't get with the big-budget ones. There's just a different style. I hope I can switch back and forth for the rest of my career, but I've kind of grown up on indies, and there's nothing better than working with these directors so closely and and being such a huge part of the process.
I grew up on a mountain in Tennessee, and my brothers and I love to go to The Mountain Opry when we are home. There is alway an abundance of laughter and joy, and anyone can get up on stage and dance and sing. My family also goes to a candlelight service at church on Christmas Eve. It's such a wonderful way to spend the night before Christmas.
My favorite part about my job is not that it is never boring; it is that it is always exciting. There is always something new to learn. There is always something interesting to get from someone else. Whether it is an actor, or a sound engineer, there is so much to learn and there will never be nothing to learn. There is always something there.
Usually, when you get early versions of scripts, they are not very good. I found 'Borgen' amazing from the very first read-through because of how fast-paced and gripping it was. It felt more international because of the way it didn't dwell on the characters' personal lives as many Danish shows used to, but still, nobody thought it would travel.
Sometimes people ask me, 'You do stand-up?' I try explaining what I do, and I don't think they really get it. So: 'Yeah, I do stand-up.' I wish there was one word to express what I do - that way, I don't sound arrogant. Whenever I say I'm a performer, people think I'm a performance artist: 'She paints herself white and pretends to be a flower.'
John [Cassavetes] had shot a great deal of Shadows and I had to go fulfill my contract in California, so he and all the rest of the Shadows cast came out to California and they finished it off and he cut it. He turned the garage into an editing room and he was by then a director of Shadows. That's the only thing he'd directed. But, he loved it.
I believe in love. I believe in hard times and love winning. I believe marriage is hard. I believe people make mistakes. I believe people can want two things at once. I believe people are selfish and generous at the same time. I believe very few people want to hurt others. I believe that you can be surprised by life. I believe in happy endings.
I've learned a lot of things about myself through singing. I used to have a certain dislike of the audience, not as individual people, but as a giant body who was judging me. Of course, it wasn`t really them judging me. It was me judging me. Once I got past that fear, it freed me up, not just when I was performing but in other parts of my life.
I don't think every actress in Bollywood has been associated with Lux. A select few actresses, who they felt suited the brand right (have been associated with it) and they all have been actresses of great stature with wonderful careers and some wonderful work. I am very honoured to join the group of people who have been with Lux over the years.
I'm thinking like the character in order to be as authentic as I can. But after a while, how would I be able to cleanse myself from this unless I do something that's a different medium but also creative. That's what I do. It's my little ritual. After every filming, I just write a poem about it and my character specifically and I can let her go.
I have been into bodies and fitness, so I am very critical about how a body should look in terms of flaunting it. I would never fall down and roll and do a cleavage shot - I have seen those in Bollywood films, and those are things I cannot tolerate. I wouldn't do that. That's not me - I'd rather look sharp and sexy and stylish just doing a walk.
If I look back, my mother was always out. I can remember the perfume and her scarlet chiffon dress and crystal beads, going to a party. She used to play her violin at restaurants later on in life and at old people's homes. She loved the races, which she used to take me to as a child: our carpets were bought with her winnings. Loved her chickens.
Human Needs Project is really about how to come up with a different approach to helping, really focusing on the dignity of people living in communities you are not a part of, and how to approach these communities with help, but more look at it as an investment and a collaboration with these communities rather than, 'Here comes the white savior!'
When I realized I was depressed, then I started reading up about it. When I read that one in four people are depressed, I felt that I'm not the only one. I also felt that how many people must be feeling suffocated to fight this battle all alone. I just wanted to reach out and tell them that even I'm like you, and it's okay if you feel like that.
I love the theater, and I did tons of theater before I ever did anything in front of the camera, but I haven't done anything in New York in a while, and I really, really want to. I've been offered a few things, but it's got to be something that works, because it's so disruptive to the family that it's got to be something that I cannot turn down.
I think there's an assumption when you have a parent in the business that you're given some kind of a cheat sheet at an early age. Some kind of upper hand or some kind of advanced understanding of how the whole thing functions - maybe how to operate within it. I never felt I received that cheat sheet and grew up pretty removed from the business.
Very few people want to hear the truth. Bogie was like that, my mother was like that, and I'm like that. I believe in the truth, and I believe in saying what you think. Why not? Do you have to go around whispering all the time or playing a game with people? I just don't believe in that. So I'm not the most adored person on the face of the earth.
Not everyone is sold on crisis consultants. Linda Gray, assistant vice president and director of news and information at the University of Central Florida in Orlando, says that to a certain extent, the worse the crisis, the closer to home you should deal with it. .. You ought to be dealing with the crisis, not explaining things to somebody else.
I was glamorous because of magicians like George Folsey, James Wong Howe, Oliver Marsh, Ray June, and all those other great cinematographers. I trusted those men and the other experts who made us beautiful. The rest of it I didn't give a damn about. I didn't fuss about my clothes, my lighting, or anything else, but, believe me, some of them did.
What's really important is the people, first of all. I like working with people who are kind, above all else. I don't really want to work with someone who will manipulate me. The idea that you must treat actors a certain way in order to get a performance out of them kind of disturbs me, and it's disregarding what we do. Our job is to do our job.
As an actor, you don't really have a say or a voice in what the conversation of the show is going to be. So, as an actor, I'm just trying to make sense of why the character is making these choices, and somehow, in that way, you can sympathize or root, at least not detest, what this person is doing. That's, at least, my job in telling that story.
As a kid, I wanted to do so many different things; I saw my aunt as an air hostess, and then I wanted to be an air hostess. I found it very glamorous, but when I flew for the first time in my life, and I saw how air hostesses have to slog and how they have to work with everybody going 'ting-ting' and how they have to keep on running up and down.
The writers who inspire me most are all women: Enid Blyton, Agatha Christie, Margaret Mitchell and Emily and Charlotte Bronte. As for contemporary novels, one of my favourites is 'Everyone Brave is Forgiven' by Chris Cleave. It's the sort of book to read if you've fallen out of love with reading - it reminds you just how brilliant novels can be.
As a performer, you can't just sit around waiting for the phone to ring. You have to write and develop projects for yourself, because casting people aren't always going to see you the way you want to be seen. Write a one-person show, shoot a short film, do plays, whatever - activity breeds activity. No one's interested in a stay-at-home actress.
You know, I always say musicians, they can do it on their own. They can practice their violin on their own. A painter can paint by himself. A writer can write by himself. But an actor needs a group, and the hardest thing about expanding your ability and your craft is to have a group to do it with that is of a caliber where you can grow even more.
In Hollywood, there is a lot of pressure to do certain things and getting into drugs, alcohol, or partying a lot is a major one. I stay out of that, because it is a waste of my time. I always remember where I came from and to never change who I am - I stick to my morals, and I do not let anyone pressure me into doing things that I do not want to.
I'll keep this as nonpartisan and diplomatic as possible - but for those of us whose heads are kind of spinning off and are really engaged in what's happening right now and trying to effect change where we can, when we can, I think we also need to express ourselves and express our anger and also find joy in things like The Golden Girls right now.
Maybe you should think about the choices in your life, how someone can come and spit some kind of game to you and make you doubt every single thing that is your life, your relationship, your appearance, your job, your ambitions, your marriage, and how those thoughts can lead to choices and behavior that you never thought that you were capable of.
Sometimes directors get hired into TV shows, and it's so formulaic and they're a slave to whatever everybody wants them to do. But everyone came in with their own style, and it blended together with the Helix style that was set, and at the same time, they're bringing their own ideas and their own input. It was really fun working with all of them.
I think the other side of that is embracing the claustrophobia, and that's what a huge piece of this show is, just watching people go through having to be stuck in that. I think the audience is going to feel some of that. It might not be comfortable, but it's really cool to just be experiencing that along with the characters that you're watching.
A guy friend I was speaking to said he was talking to a group of male producersand he was just shocked that they said, "But if we give women directors a job they're going to take jobs away from the men." I almost fell out of my chair. But when I encounter this kind of thing, what I try to do is give a chiropractic adjustment to the mind, quickly.
I got out of Las Vegas after high school. I knew that if I stayed there, I wouldn't have been able to pursue my dreams as an actor or dancer. My family always told me to dream big, so I made sure that I got out of there and explored new places, because the world is huge. And I'm still learning new things every day in this business and in my life.
BruceLee.com will be the beacon of all things Bruce Lee on the Internet. The site will include everything from facts about Bruce Lee to digital content to merchandise. I'll also be writing a blog. My father's fans have been asking for a place to find information and communicate with each other. This site will be a meeting place for our community.
As a director, I have to do everything. As an actor, I'm just worried about one role, that's it. As a director, everything is important. Everything is something you have to be very detailed and specific about in telling a story. So for me, the job is far greater than just being the actor, there's a lot more responsibility creatively, technically.
Gary Ross one of those directors which lets you do what you need to do to become your character - he lets you try to do everything on your own when you're acting. Then at some points he would say, "Let's try this," or "Let's try that." Most of the time he just kind of let me try to just become my character on my own and it worked out really well.
Bruce McGill and Sasha Alexander are regulars on the show. That shows that it's not just a typical procedural show. We have these actors because they can come in and actually act, and show the different colors of actual people. No person is just one color. No person is just who they are at their job, 24/7. That was really what I was excited about.
At night, I love to look in the houses. When I was little, I did that much more, when I was so bored. It might be awful in those houses, of course, but I still speculate about them in a romantic way. It's the same if you are famous: you are in the light, and most people have fantasies about you, but these fantasies have nothing to do with reality.
My parents, despite their serious attitude toward life in general, and that of their children in particular, were very broadminded people. There was no such thing as a bad profession for them. As I was their daughter, they knew that, whatever profession I chose, I would do it well. That was enough for them. There was always trust among the Kellys.
I do think, where would kids be if it weren't for you and for the good pediatricians, and for the good parents? I passionately believe in sitting a child on your lap and tracing the lines of the book with your finger, and they can read before they know they can, if you bother enough. I did it with my kids, and they're doing it with their kids now.