Quotes of All Topics . Occasions . Authors
My mom had done some TV and commercials before I was born, and so when I was born, she knew I had a really big interest in acting because I was always acting in plays with my dolls, and they were sort of boring, because I've seen them on tape; they always involved a lot of singing and dragging them around by their hair.
I learned, having played Marcia Clark, what the value of that is in your life because it can affect everything, every choice you make, the way you deal with a stranger on the street, or your best friend or lover. It's a powerful thing to know yourself and to have the commitment and the courage to let that be your guide.
You aim at all the things you have been told that stardom means the rich life, the applause, the parties cluttered with celebrities. Then you find that you have it all. And it is nothing, really nothing. It is like a drug that lasts just a few hours, a sleeping pill. When it wears off, you have to live without its help.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there.
I never want to do nudity that’s gratuitous. Girls look so much better in lingerie or a t-shirt and leave the rest up to the imagination. I make it clear that I have a line. Everyone tries to push you, and it’s easy to get talked into doing those things. I’ll just walk off-set. But not everyone realizes they can do that.
It's kind of shocking to me, actually, that I've almost been stereotyped, in a way - physically - because, I didn't get good grades in school; I got in a lot of fights. I wear glasses because I don't want something tugging my eyeball, but I wouldn't consider myself a 'nerd.' I don't know what really makes someone a nerd.
So many people look up to Jennifer Lawrence playing Katniss in 'The Hunger Games.' For them to look up to Rey and what she represents would be fantastic. She's a wonderful character... The reason I love her so much is she does all the fun stuff. She fights, runs and protects herself and has an incredible emotional story.
I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around Jennifer Bofinger, media spokeswoman for the animal rights group People for the Ethical Treatment of Animals, said despite the shabby treatment of deer just loves it!
I'm a good Canadian girl. I miss all that good stuff. I miss tobogganing and I miss snowboarding, but I've also learned to surf and I've become a water baby which I used to be relatively terrified of the water and I kayak all the time now and I'm able to run year round on the beach which you can't obviously do in Canada.
I have been waiting around to get the right script and the right director. For example, in the past, if a Hollywood director came to me with a script and wanted me to play a character, and she was a stereotypical Asian woman who gets into a fight and gets killed off quickly, that didn't seem to have much interest for me.
When I was growing up, I was teased for being too skinny. I went to summer camp when I was 11. I wore shorts, and the nurse said to me, in front of all my friends, that I was anorexic and that she had to monitor me to make sure I was eating. Because of that trauma, I never wore short pants or short skirts until I was 20.
I've always been an entertainer all my life; I come from a family of entertainers. I always made, very pretentiously, a comparison with Agatha Christie. Her inspiration was crime, and I'm sure she must have taken courses or read about crime, because it was the basis of her stories. But ultimately, it was her own fantasy.
When I read something, first I have an instinctual, emotional response to it. But of course, acting isn't only just feeling an instinct for what's going on in the moment with the character. You have to be able to carve it out and consider, follow, and create the whole journey that the character you play is going through.
I love to prune my roses. That's the one thing I really feel I do pretty well. Other things I usually, because I travel so much, leave to my gardeners who know what I love. But I do love to prune them, because you forget everything else. It's like if you're a painter, you can forget everything else while you're doing it.
I truly believe that everything that we do and everyone that we meet is put in our path for a purpose. There are no accidents; we're all teachers - if we're willing to pay attention to the lessons we learn, trust our positive instincts and not be afraid to take risks or wait for some miracle to come knocking at our door.
I live near Thompson Square Park, and there are a lot of colorful people I see in the park - a lot of different personalities and homeless people - you get to know them. And every now and then, there is suddenly someone who is no longer around, and you're just like, 'Wow,' but you never really know what happened to them.
There's people who watch shows while they're preparing their dinners, and they don't want to focus, and they don't want to be challenged, and whatever. And then there's people who want to really sit down and get into a character in a world, and feel like they're expanding, or they have complex relationships, or whatever.
Not coming from a film background, be it a teeny-weeny role or a big role, I have done it with a lot of dignity and fought my way through. But the only thing that kept me going is that I am the sort of person who doesn't take no for an answer. If someone rejects me, I will be out to prove that person wrong in my own way.
I am not comfortable kissing or exposing, and I believe in laying open my cards well in advance so that no one is inconvenienced. Till date, I have been very specific about certain things, and my directors have always understood my concerns and played along. I don't think this should pose a problem in the future as well.
So far, yes, I have been doing only commercial films because those are the kind of films that came my way. Those are the kind of films that I liked, but definitely I'm open to doing other kinds of cinema as well, and if something comes along - if I like a character - then I would definitely do something off-beat or edgy.
I may not be the number one movie star, or my films might not be doing too good. I am grateful for what life has offered me. I have got a great family, parents are together, have a great sister, I get to holiday. All these things make me grateful towards life, for everything. I always say - have an attitude of gratitude.
I'm definitely not a dancer. I can move well, but it's more about the acting and the singing for me. Acting and singing are completely different, so I can't say which one I love better because I love them both. I love acting because I get to play different characters. But I also love my music because I get to portray me.
There are so many of these young-adult movies with these cold guys who act like jerks to girls but are hiding soft sentiments. But in the real world most guys who act like jerks are jerks. Generally they are. I spent a lot of high school thinking that horrible guys must be very sensitive and interesting and it's not true.
It was a sort of organic thing. I never went, 'I must be an actress.' I thought, 'I think I could do this. I think I could be good at this.' I would just get sort of hungry when I read something I thought I can do well, whether it was in books or in scripts or if I saw a certain movie. It sort of happened quite naturally.
I love doing comedy, and that's the thing I will always go back to, really, but I'd love to have the freedom to do sort of 'meaty' roles but also have the freedom to do the sort of films I want to make, like what Woody Allen does. You forget he's funny because you're so gripped by the story, but they still make you laugh.
My daughter loves to be surprised. And she loves to surprise me. She loves to create games where either one or both of us are surprised, or go away, and then come back. And she loves to play them over and over, and over again. The combo is familiar. Go away. Come back. Surprise! She is only two. I better get used to this.
I don't relate to people that look like me. I find it deeply unsatisfying to play a version of myself. It was something I had to figure out really early on, when I was at RADA, because I was being cast, over and over again, as the young, virginal thing. When I left RADA, I was on an absolute mission to never wear make-up.
It seems to be this hot-bed for these ideas and bringing these groups together. You find that the one thing that everybody has in common, whether they're a teenager who has run away from his parents, or a divorcee who lost her husband, is that they all have in common this feeling of searching for a meaning in their lives.
Now that I have a 16-month-old son, my weekend ritual has changed - but it's better than ever. We get up early and go for a walk on one of the hiking trails near my home in Los Angeles, then meet up with friends at a diner. There's nothing better than sipping coffee, eating scrambled eggs, and taking three hours to do it.
Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.
I've not been in a live-in relationship. But I've been exposed to various kinds of equations that can exist between people. When I came from Bangalore, it was black and white. Over the years, I've realised that there's more to what we see on a day-to-day basis. There are all kinds of relationships, all kinds of equations.
Motherhood has completely changed me. It's just about like the most completely humbling experience that I've ever had. I think that it puts you in your place because it really forces you to address the issues that you claim to believe in and if you can't stand up to those principles when you're raising a child, forget it.
John Cassavetes was there at night while I was working. After they [with his friends] discussed as much live TV as they felt they needed to, they started improvising scenes just for the fun of it and one of those scenes everybody got very interested in and it turned into Shadows [1959]. That movie was entirely improvised.
When you start projecting on the future - "Oh my God, I gotta do this and I'm not there yet" - well, of course you're not there yet because you're here now. That time will come. I try to stay in the moment as much as I can and find whatever joy I can in that moment, no matter what it is. Then it doesn't feel as stressful.
My mother always helped me because she was kind of a research fanatic. When she would write a screenplay, there would be so much research all over the walls. And so when I started working as an actress, I would do the same thing. She instilled in me a love of taking everything very seriously. It didn't matter what it was.
I think that the most important thing for me is, how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor. Also, a good director and good dialogue.
In my college days, I went wild with my hair. I dyed it every color in the book and, quite naturally, my hair would break off from all the damage. When our hair breaks off, of course, there's only one thing to do - braid it up. I wore braids for a while and would always feel like I just never knew what to do with my hair.
In Israel, I think I have the image of an 'Ashkenazi woman' as a stereotype. Someone once told me that I look like a deodorant commercial. But my appearance is misleading; I can be emotionally aggressive, too, and in 'Law and Order,' I once played a murderer. I see no limitations. I see both my toughness and the softness.
I would prefer to live forever in perfect health, but if I must at some time leave this life, I would like to do so ensconced on a chaise longue, perfumed, wearing a velvet robe and pearl earrings, with a flute of champagne beside me and having just discovered the answer to the last problem in a British cryptic crossword.
At the end of the day, having a partner in crime for life is so amazing and special, when it's real and genuine, that it's worth taking the risk. And you are going to get hurt; trust me - I know! I've been hurt a couple times - maybe more than a couple times. But you gotta pick yourself back up and give it another chance.
I don't think I've necessarily been able to pick and choose in my career; I don't know how many people do. But I'll tell you what I've been able to do: I've been able to say no. It is the only thing you can hold on to sometimes, is that ability to say 'no.' And I think that in that way, you can create some kind of career.
I grew up partially in L.A. and partially in New York. In L.A., anything goes because it's really temperate. There aren't any fashion rules dictated by weather, whereas in New York, of course, there are. New York is seasonal, and also it's a fashion mecca, so people are a little more aware of how they put things together.
Let's face it; people are doing everything online these days. So if they are going to watch my movies, I'm happy as long as it's being bought legally and being exhibited legally, as long as they are paying even a small fee for it. I'm just anti-piracy. If it's a legitimate way of watching film online, then I'm very happy.
There are many people who probably don't agree with my acting, and it should be that way: they don't have to agree with me in general. I'm not here to be loved by everybody. I want to be. But I don't think it's humanly possible to be unanimously loved. But I think I've voiced it clearly that I'm not here to be a baby doll.
In horror films, they sometimes don't show the monster because our imaginations and our own pain is so much greater. Social media is like that. I think it's so great. It doesn't have to show a monster - when you see someone leaving a mean comment, or living a so-called perfect life, you just put all of your pain into that.
You try to follow suit and the directors I work with, like Sidney Lumet (on film in Before The Devil Knows You're Dead and TV in 100 Centre Street) who thinks actors hung the moon, thinks they can do anything, but he also works really quickly, the same like Clint Eastwood, and so you better also do your homework, you know?
Both of my grandfathers fought in the Second World War, and my great-grandfather died at the Somme in the First World War. I never truly believed that the War just finished and everyone was happy-clappy, brought out the bunting, and felt everything was okay again. That's definitely not my impression of the fall-out of war.
My first celeb crush was Hanson. I loved all three of them. My sister and I would always fight, and whenever they would come on the TV, we would always give them a kiss on the TV. And I also had a crush on Jonathan Taylor Thomas. Every time he would come on the screen, he was like my boyfriend. I was such a nerd like that.
I feel like, when the audience connects with something, they enjoy the experience so much that they want other people to go have it. They're like, "Don't talk about it. Don't tell. Just go!" It's a nice feeling to have people coming around it that way, protecting the ideas in it, so that everyone can see it for themselves.
My favourite song is Someone To Love. That is more like me than the other stuff, as it was the only one I was actually able to create from the bottom up. I call it an homage, not a remake. It is an homage to Freddie Mercury, because I don't think people can really remake Freddie Mercury. That's why we did a gospel version.