Quotes of All Topics . Occasions . Authors
There are so many actors whom I can be paired with... like Hrithik Roshan, but there hasn't been an opportunity. Abhishek and I looked good together in 'Sarkar.' And of course, there's Shah Rukh Khan, but I haven't been offered a film with him yet. I hope to work with them in the future; it's just a matter of time.
Yes, creative people are more prone to addiction or addictive behavior. But, equally as prone is your mailman, your mother, your brother, your friend, the guy who does your banking. It's everywhere. The thing that happens in the press sometimes is Whitney Houston. She was just an addict. Just like your uncle Steve.
As human beings, we aren't as individual as we'd like to believe we are. And I think that's what makes acting possible. Despite the fact that I have not experienced something, I have it in my human capacity to imagine it and to put myself in someone else's shoes, and to take someone else's circumstances personally.
The most common thing over the years is, 'What's it like to work with David Lynch?' That's absolutely the fascination, whether it's people that are in the industry or it's just diehard fans. Because he's our modern-day master. We're lucky enough to be alive at the time that an absolute master and genius is working.
There's tens of millions of families with single mothers who are living at 100 to 200 percent below the poverty level and these are not women that are on welfare, these are working women. How different would there life be if they're making an extra 40 to 60 cents to the dollar. We can't do this to our kids anymore.
You look at the road you could have taken, you know, I just think that's interesting... I've been on a lot of roads and I had to hitchhike on a couple of 'em... I have to be very honest: There's not an awful lot of regret in my life. I think that, you know, you learn from everything, and then, sometimes, you don't.
I have seen this whole process of films releasing, becoming hits or flops, for too long now to expect things to do well. If I expect a film to do well, then it is for somebody else's sake, not for my own. I do my work, and if you feel that my work is improving from film to film, then I have done my part of the job.
Yes, you have to be brave enough to take steps that your heart is telling you to take. Because when I decided to go into cricket, not one person told me I was making the right move. At that time, nobody thought the IPL would become so big. I was nervous at that time, because suddenly I was in an uncomfortable spot.
When I was 7, an old lady was driving too fast in my neighborhood and hit me with her car. I was running out of the house, and when I got halfway into the street, my mom saw the car and yelled for me to run back. As I turned around the car hit me, dragged me five houses down the road, and I fractured my collarbone.
We're in this space right now where things are very precarious for women and things in the States are so terrifying. There are so many rollbacks of rights women have gained - and it can happen quickly, more quickly than we think. I think it would be good for us to think back and ahead to protect the space we're in.
Some days I want to look like a hipster kid, and then other days I want to be prim and proper. I really wish I had, like, seven lives so I could go from being a hipster one day to a punk the next. But that's the great thing about fashion. In a way, it's like acting, because you can try on all these different roles.
Most of the time, it just sat there in my body, until the weekend. After five or six takes of crying, your body does not want to cry anybody. Your body is like, "I'm over this, can we start laughing, or something?," but you have to keep the emotion. It's a really weird process and it definitely just stays with you.
Actors are not a great breed of people, I don't think. I count myself as something of an exception. I grew up in the theater, and my values were about the work, and not being a star or anything like that. I'm not spoiled in that way, and if I fight for something, it's about the work, not about how big my trailer is.
Daily meditation keeps me sane. I memorize prayers or poems that express my highest spiritual ideals, and quietly, word for word, go through the prayer first thing in the morning. Julian of Norwich or St. Francis or the compassionate Buddha. It's called passage meditation. You internalize the perennial philosophies.
There have been so many times where I thought I put on enough sunscreen but actually didn't. As a result, I'd get unbelievable tan lines. Of course in Florida it was expected, but now looking back at pictures, I think I spent an entire summer at the beach with my friends looking like a tomato. A bright shade of red.
I was attracted to the positive outlook on women especially exploring relationships with different people and being confident and comfortable and strong. That was the kind of thing that was appealing to me, because that's what's real, and that's honest, and it's nothing to be ashamed of. That's what single women do.
The characters I've played as an actress have been really challenging and emotionally rewarding, but there was just something missing. I was finding over and over again that directors were looking to me to help with troubles on set as far as characters' relationships, special effects and story points were concerned.
all creative writers need a certain amount of time when they're creating something where nobody should criticize them at all - at all. Even if the criticism is valid or good, they should just shut up, and let that person create. Because at a certain point you have to make it your own - not the world's, but your own.
I had danced with Janet Jackson and P. Diddy so I had done a bunch of hip hop. Really and truly my roots are in modern and ballet but, professionally, that's not really out there any more, unfortunately, so these artists aren't really having a lot of ballet dancers behind them so I had to learn hip hop really quick.
I'm either at the movie theater, or I'm at home cooking - well, not really cooking because I don't cook, I usually have friends over who can cook, and they do the cooking. I'm sort of a homebody, even though I love going out to dinner and I love going to the movies. Those are my favorite things to do on a night off.
But, it takes some of the characters to some very dark places, and they start doing things that they might not do, if they were in regular circumstances. Their true humanity comes out - the good and the bad. Something else that was fun was that every director would come in so excited to go with their own creativity.
The thing about happiness is that it doesn't help you to grow; only unhappiness does that. So I'm grateful that my bed of roses was made up equally of blossoms and thorns. I've had a privileged, creative, exciting life, and I think that the parts that were less joyous were preparing me, testing me, strengthening me.
It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works, as well. It takes a director who is open to that because you have a script, but then something funny could happen on set. So, to have people around you who encourage improv is really exciting.
The journalist in me always loved relating and socialising and connecting with people, but there came a point where I needed to make a decision to stop that being my focus and really focus on acting - an audience are only really going to believe me as a character to an extent if they don't know me as Lily that well.
Growing up, I had really bad skin. I had a skin disorder. Yes, I did. And my mother went to great lengths to try to find something to remedy it. I remember she took a trip to Madagascar and came back with all these alternative, medicinal herbs and stuff. They didn't smell so good, but I think they worked some magic.
I'm a quasi-only child. With my brother and sister, I've more of a tendency to be semi-maternal. So, yes, I spent a lot of time talking to myself - I had this big dressing-up box and would just dress up as lots of characters and talk back to myself... Verging on schizophrenia, I suppose, if you analyse it carefully.
When I was at college, my nickname was Keds because I wore Keds. I guess it wasn't really a nickname, because nicknames are usually given to you by people who are your friends and who know you. But I didn't know the people who called me Keds. I think that they didn't like me because I didn't want to join a sorority.
My motivation is to get a deeper understanding and exploration of something that I want to know about the human condition. So, that's what I look for in the material I read: if it's asking a genuine question about a concept of the world that interests me. And also, it helps if it's a context that I find interesting.
I think the thing that I think about the most when I consider my father's philosophies is attaining that third stage of performance where you no longer have to think about what you're doing; you've worked long and hard enough to be able to have your body respond when you want it without your mind getting in the way.
It had never occurred to me that my colour - or lack of it - was an issue for some people, but then I moved to Sydney, and apparently it was. People look at me and don't see what they think is a typical Aboriginal. Thankfully, my mother raised me well in knowing where I come from and who I am, and I'm proud of that.
I have a deep, scratchy voice. Boys would call me Froggy, and my father would often tell me to shut my 'big bazoo.' I remember standing in line for confession. After I walked out, the other kids were like, 'You punched your sister in the face?' Because of my voice, my confession was like speaking into a loudspeaker.
When I realized that nothing is perfect and no one is perfect, I was able to overcome my initial fears. I was holding myself to some weird standard that I was putting outside of myself, i.e., the director or casting director - they're not expecting perfection. I had all these strange trappings I would put myself in.
In interviews, on the set, talking to people, I'll just start talking about my parents' divorce, and go on and on. My mom's always like, 'You don't have to be that honest. You have to be more fake.' You see some of these actors, they have a permanent smile on their face. How can they do that? It really fascinates me.
There is something about the South that accepts the supernatural. If you don't accept it and you're having a conversation with someone who does, it's just one of those polite things where you don't question their belief in ghosts. You just go, 'Oh, yeah, okay.' It's amazing to be able to have conversations like that.
That being said, in my top five favorite movies, two of them are Alien and Aliens. I love to laugh, and I love to make people laugh. I love comedy, but I also love the darker things in life. I guess I'm an extremist. I'm an adrenaline junkie. Just cruising along at a normal capacity really doesn't do anything for me.
I do a combo situation of lotion and body makeup and put it on with my moisturizer in the morning. That seems to work best for me because self-tanning lotion always streaks and looks kind of crazy. So I put on some body makeup and wash it off at night. I have to do it every day, but that's just a part of my life now.
The '60s in London obviously brought about the explosion of music, the 'Beatles' especially, and then the 'Rolling Stones' and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our 'nouvelle vague' in Britain, films that talk about real life.
I wanted to have no ribs. I wore what was called a waist-nipper in those days. My mother made it. It's a piece of rubber band I wore around to hold my rib cage in. I don't know why I always loved that. I guess I was a glutton for punishment. I think I was born one of those people who loved swords and fought in armor.
I guess my personality is that of a modern, strong Chinese woman. I don't believe in destiny. There are many things that can be changed. I don't like to be defeated by difficulties. I love freedom, so when I am shaping a character, I usually do it the way I want. I always find some part of my own character in a role.
I always encourage women to let their individuality show by not covering up what they perceive as flaws. When I see a woman with the natural wrinkles of time on her face, I do not see the wrinkles at all, but when I see a woman trying to cover them up with too much foundation or concealer, all I see are her wrinkles.
There were a lot of pretty women in cinema around Audrey Hepburn's time, but she stood out because she had a very interesting personality - which went beyond her looks. She did so much for women, for animal rights, for children's education - it's always the personality that comes through and makes one seem beautiful.
The fans reacted very positively to me being cast [The Mortal Instruments] which, as a Twilight or Harry Potter franchise, when you read a book and you have someone in your mind or you have a vision and then they're cast in real life, it can go either way. So I was very, very honored and happy that they were excited.
The idea that you won't have a job is a real fear that people go through, so when people talk about jobs and say, 'I'm gonna create jobs!' or, 'There's gonna be a loss of jobs,' those are just words. But the reality of someone actually losing their job - I mean, it's their entire life for most people in this country.
We all press buttons in relationships, in our dealings with people, without thinking what it really means. We all knock along without questioning what kind of situation we're in. We may often be in a very good one, but we don't even appreciate the good situations. We're lazy. Or we're scared. Or we just don't notice.
People love that kind of beginning, middle, and end. They like that comfort of turning on the TV week-to-week and being entertained with a good story. There's nothing wrong with TV franchises because, first of all, they're successful. They just make people feel good and hopefully make people think about other people.
I had a teacher in college who drastically changed the course of my life by telling me that he believed in me as an actor. I never received that support before, and it inspired to me to such a degree that I never looked back. He taught me that it's okay to be crappy; it's okay to fight; it's okay to go to any length.
My first real kiss came when I was 10, and it was in an acting class. I had to do a scene from a movie where someone gets kissed under a tree, and I did not want to do it! But my acting partner wanted me to feel comfortable, so he bought a picnic basket with all these snacks. He made such an effort - and it was cute.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the characters face really helps get the message across. On stage, you cant do that. But the stage has that live feeling that you cant get anywhere else because the audience is right there.
When I was a kid, I was fat, and I was teased mercilessly. But once I grew up and got out of my unhealthy relationship with food, for the most part I've had a very healthy view. If I ever find myself getting worried about how I'll look on the red carpet, I'll take a step back and look at what's really going on inside.
Day-to-day scheduling is always a conflict. You go, "Oh, I want to go to that awards show because when am I ever going to do that again?" But then you go, "Yeah...except this other thing is more important." It's more the micro day-to-day stuff that becomes a daily task as opposed to worrying too much about the career.