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Carey Mulligan is completely self-possessed. She knows what she's doing, and again, quite like the big-hitters I was talking about, my job was just to feel and reflect back the amazing performance coming my way. If anything, I was slightly pathetically flying in her tailwind. She's an extraordinary actress.
I remember being a kid and seeing the 'National Inquirer' at the grocery store checkout line. When somebody actually picked up a copy, it was mortifying. You felt dirty for them. But now it's perfectly acceptable to read something like that. There's absolutely no taboo surrounding that kind of exploitation.
Playing Sally McKenna was a wonderful, freeing thing because we all in life have so many responsibilities to ourselves, to other people, that we rarely get to explore a very selfish side of ourselves in doing what we want, when we want, how we want, without answering to or being responsible for anyone else.
I loved growing up in a little town. I loved knowing people. I loved going to the store and running into people. I loved going into the store and having forgotten my bag, saying, 'Charge it, put it on my bill.' I loved going to the gas station and saying, 'Pete, fill it up.' I loved that continuity of life.
If you think about 'Person of Interest' with Taraji P. Henson or 'Scandal' with Kerry Washington - any of those black women could have been any race; they just happen to be black. And those are the characters that I'm more attracted to. It's not so much about separation of race, but really, more uniting us.
A lot of weird things happen to me. People call out to me on the street and I figure I know them, and I walk over. And then they start to talk about a movie, and I get so embarrassed. Sometimes they think I'm Lorraine Bracco or Laura San Giacomo or Marisa Tomei. I'm sure it happens to them all the time, too.
Your mind can't always tell the difference between pretend and reality if you pretend too long; or if you go too deep and really believe in what you're doing. If you're going to be that kind of actor and go way out there, it's really important to take care of yourself and have a safe place, whatever that is.
My friends once told me I remind them of the main character from the American comedy series 'Curb Your Enthusiasm.' I thought they must mean a sunny, affable girl-next-door, but instead I was confronted with Larry David! Crabby, moody, perversely neurotic Larry David. And the thing is, my friends were right.
I think that what kind of is making this different is the creative group of us that has come together and we're all kind of on the same page working towards the same goal. So it is a real collaborative effort of our hearts more than it is oh you have the writer, you have the director, the producer, whatever.
Acting is about giving yourself away, like the U2 song 'With or Without You.' You just don't stay behind a character and make people laugh or cry. At some point you have to take off that mask, and when you do, you're a human being, not just an actor. After all, I'm Catherine the person first. You share that.
I've seen women who were nightmare party girls, who were just crazy, and then they have a baby and this thing comes over them and changes them. Or there are women who you think are going to be the most doting mother in the world, and then they're not. You don't know how you'll be affected, when that happens.
In general, for me, a big thing in my life has been just sort of learning what true self-esteem is and what true positive self-image is. And being a dancer, and growing up in that world, you're so focused on yourself, and you're so focused on achieving goals, on finding perfection, and working on your craft.
I love acting, but I am a mom, and the roles just weren't coming because of a mixture of things: because I'm not ambitious, and because I'm older, and I had a baby. I really felt like I had said a graceful and completely happy goodbye to acting in a significant way. And I had sort of made my peace with that.
My whole thing is that often times when teenagers are about 18, 19, 20, 21, they get this mentality that they have to be old, they have to appear older, they can no longer be seen as a high schooler, they need to be seen as mid-20s all of a sudden even though they're only, like, 20. I'm the opposite of that.
It strikes me every time I do an interview that I don't really sit around thinking about my goals and my life and my career. I do what I love doing and I get a lot of feedback. I'm free as a bird, you know? If I do something good, it's, 'Wow, that was brilliant,' and if I do something bad, it just goes away.
You never know what you're in for when you take a role. When you're reading the script, you're in some café in New York and you're loving life and it sounds great because it's like reading a book. When you step into that book and you actually have to play it out, for real, it's a totally different ball game.
I do feel like especially nowadays, we are inundated with the message that, "Oh my god, you aren't making your own clothes? You didn't make your own bread? And you also don't have a career and you don't look unbelievable and you have 5 pounds on your frame? Where is your book that you haven't published yet?"
When my sister decided that she wanted to act, I was so nervous for her. She's doing great, but I have a lot of friends at every level of success as an actor, and we all go through periods of time where they feel like their worth isn't within their own control. That's a horrible feeling for an adult to have.
I think a famous parent is really different from a famous grandparent. My parents are very successful, but no one knows who they are, and they live a completely grounded, homey life. I'm friends with the Gummer girls, whose mum is Meryl Streep, and that feels from the outside like a different kind of burden.
It was very hard for me to come back to a place of feeling normal about food and about my body. And then, when I came to the other side of it, it felt like something was gone. An exorcism. I still experience the same chemical swings and moods and pain, but I'm much better at dealing with it than I was at 18.
When I debut on television with 'Meri Awaaz Hi Pehchaan Hai,' there were a lot of things that I experienced as an actor and felt that one could get into more nuances in terms of characterization. At the end of it, I wept non-stop for 15 minutes to get out of that character. It was that kind of emotional bond.
Once, I was coming back from school, and there was this guy who was eve-teasing me and my friend. I had a Milton water bottle that I flung it at his face. My dad told me if you are in a crowded place and a guy eve-teases, you should make noise. I did exactly that and got people on the road to beat up the guy.
With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.
I wanted a good relationship with my mother, and I realized I had a choice: Either I could spend all my time angry that she didn't give me the hugs I thought I needed, or I could understand that she hugs differently. It's not a spread-open-the-arms, 'come here' hug. She hugs by sheltering me from her worries.
I watched a lot of television as a kid, and the suburbs to me - that was exotic! Like, a mom and dad who lived in the same house and had jobs and cooked breakfast at the same time every morning and did laundry in a washing machine and dryer? That was like, 'Woah! Who are they? How do you get to be like that?'
I really liked to perform. My mother always tells this story: I was five. They had a party, and they'd put me to bed. I heard everyone on the rooftop, and I went upstairs. No one paid any attention to me, so I took a hose and sprayed everyone. Very elegant, right? 'It's me! Look at me!' I loved the attention.
I'm an athlete, so I can get up one day and run and it wouldn't bother me. I don't get the time because I work for long hours every day. Being constantly on the move itself helps me stay fit. I don't go to a gym. I use the stairs, not the lift. I'm not into fitness, but I feel I should start, as it's healthy.
With the counseling of my family doctor, my mother ended up turning to Weight Watchers and their children's program. I went to weekly meetings, got counseling and would exercise with my peers who were my size. It was the first time I saw a proper children's portion size, and it wasn't two burgers, it was one.
If you're playing someone who has lived, there's the risk of imitation, or whether you focus on the essence of who that character was as opposed to physical mannerisms. So, you have to figure out what it is ultimately that this particular adaptation of the story, whether it's fiction or not, is trying to say.
I do write. I actually do want to start my music as well. My sister and I are starting a band. I've been playing a guitar for nine years, and she plays piano, and we sing together. We're going to start up something soon. I mostly am writing songs right now actually, but I would love to write a script someday.
Once I wanted to get into films, I took my time about it because when I first got to Bombay, I gave my photos and CDs to all the production houses. But the roles that came my way were the 'typical white girl dancing in the background' kind of roles, which I was not too interested in, or it was advertisements.
We’ll all say that. We’ll all go on and make the place safe. Roads, cities. New sky, new soil. Until it’s all some kind of Siberia or Northwest Territories, and Mars will be gone and we’ll be here, and we’ll wonder why we feel so empty. Why when we look at the land we can never see anything but our own faces.
Well, the people I've known I must say are extraordinary. When I think about some of them, I can't believe that I knew them all. And I think the reason I knew most of them at the beginning was because they were of Bogie's generation, 25 years my senior, not mine. But they were the most talented people of all.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
I was Obi-Wan multiple years in a row. Alec Guinness' Obi-Wan. I was a Dalmatian once because I loved '101 Dalmatians,' and I think I was a Care Bear once and maybe a Spartan cheerleader from the 'SNL' skit. I'm terrible with Halloween, because I come up with these elaborate costumes and never follow through.
I wasn't especially a Broadway type. I liked film acting better. I didn't want to stay up late. I wasn't a smoker, a drinker, or a drug-taker. So that kind of Broadway life - not that that's what they do. But they do stay up late and hang out at Joe Allen's until 2 in the morning, and that just wasn't for me.
A filmmaker chooses an actress keeping the best interest of the film in mind. If he doesn't cast you, it doesn't mean there's a personal agenda. Change is constant, and if you have agreed to be part of this industry, you will have to go with the change. The films and filmmakers, even the audience has changed.
There was a time when I let go of the reins and thought, What's meant to happen will happen. That's probably one of my biggest faults as a person, and something that I've had to work really hard on: believing in this idea that the universe will decide for me. The universe is not going to decide in your favor.
My biggest concern is always the students who are working toward a certain career - when they limit themselves to just that one option. They need to know that the world is huge - it's an ocean, and there are so many options. It's not the end of the world if they don't get to pursue an apparent childhood dream.
My family traveled a lot. For a while we even lived in a trailer and traveled from campground to campground. If we got to eat at the Cheesecake Factory, it was the highlight of our whole year! But I don't miss having to share a bathroom with seven people or having powdered milk with my cereal. It was so nasty.
Suddenly I had a call one day saying they'd like me to come to the office to see Jean-Luc Godard. 'He is preparing a film called 'Breathless.' Jean would like to see you.' I said yes. I thought he was pretty strange, because at that time nobody was wearing those kind of glasses where you couldn't see the eyes.
When I started out as a model, I took things for granted. Because I bagged work thanks to my looks, I didn't give my body any importance. I was a couch potato who'd eat anything. Then, in 2005, a tabloid ran a story calling me fat. I thought, 'I'm famous. How can I be fat?' It was a slap. I decided to get fit.
For breakfast, I eat organic food with high fat content, such as whole milk yogurt, nuts, seeds, fresh fruit and a scrambled egg. I cook it in organic grape seed oil for its high omega content. I drink a cappuccino for its dose of milk and the coffee for its taste, antioxidant and anti-inflammatory properties.
We decided to have the baby at home because we wanted it to be a natural birth, and it turns out that it was 30 hours of natural. Eight hours of pushing - that's the part that men don't understand. Women go, 'Oh, dear, oh, dear God, eight hours of pushing?' And the men are like, 'Okay, eight hours of pushing.'
My son smelled like a cinnamon bun, and that smell entered into my biological being, and it became an imperative that I keep him alive at all costs, so then there's this monster - this tiger or lion - that comes forward in you to protect them. And it doesn't stop. It doesn't matter if they become men or women.
Garbo still belongs to that moment in cinema when capturing the human face still plunged audiences into the deepest ecstasy, when one literally lost oneself in a human image as one would in a philtre, when the face represented a kind of absolute state of the flesh, which could be neither reached nor renounced.
In true-life dramas, you have to do so much research. It's a big responsibility to make sure things are as correct as possible. In 'Robin Hood', you have more artistic license - it's all action, adventure and reaction. This gives everyone a chance to make their characters their own and to make them believable.
If I am able to sing again it will be through some miracle operation. There's a lot of work being done to help singers regain their voices, but in my case I actually lost vocal tissue so it's very hard for my chords to rub together and I need to replace that tissue. I remain optimistic but not tremendously so.
You kind of wake up in the morning, and you don't see anybody but these actors until you go home at night and pass out and do it again. So it's structured a lot like the process when you're making a film. You just kind of get in that tunnel vision. I like that. I like when the rest of the world kind of quiets.
As an artist, I think it's critical for keeping yourself alive that you try to get your hands into something a little bit more intensely. It's one of the reasons why I love theater because you never actually let go of it and it never feels like there's a tremendous distance between the process and the product.