Quotes of All Topics . Occasions . Authors
My schedule is completely different doing a play than it is doing a movie, and I actually think it's a much harder schedule because you've got to do it eight times a week and you've got to do it good eight times a week and with different kinds of audiences who are cold or drunk or tired, whatever it is.
When my first play was produced, I had this sudden feeling that I feel powerful. Like, the next time I go into an audition room, and it's me and the same eight girls as always, I will have this thing that no one can take away from me. They can see us all as interchangeable. But I am not interchangeable.
Actually way back when Abhishek and I were just co-actors, I kept telling him 'let's be a part of a troupe and go on a world tour'. And he kept on saying 'It's not the right time'. But I never thought that my wish will be fulfilled in such a grand way and that we will be part of the team as man and wife.
Why should I crowd the world with my opinions? Live and let live. That's it. Let people have their own opinions, and you just keep yours to yourself. There are too many opinions - some unnecessary, some great, some ridiculously stupid - so I think I rather not say anything and keep my opinions to myself.
I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.
So I called and said, 'Mommy, I'm doing a political film with Jean-Luc Godard. You have to come and sign the contract.' She thought I was lying, so she hung up the phone. But then she came the next day, even though she had never taken an airplane in her life. She came to Paris and she signed my contract.
I do think prayer is powerful and it is not to be diminished. Some of us who are struggling to put food on the table and are wondering where the next paycheck is coming from or have dangerous health situations and they don't have access to appropriate care do pray - do pray for yourselves and for others.
My mom did a really good job teaching me about sunscreen. She's savvy when it comes to all things moisturizing and wrinkle-preventing. Even early on as a kid, I thought to myself, Why do I need to do this? I don't have wrinkles. I'm a child. But my mom was in the preventative mind-set and that helped me.
I rarely get recognized, and whenever I do, it has to do with 'The Leftovers' because it came into someone's life at a particularly important time for them - if they were dealing with grief or loss or whatever tragedy - and they just caught it. And there is no rhyme or reason to the kind of person it is.
It's interesting to see what people who you find talented come up with, so you work with them. Sometimes ideas come along quicker cause they'll come up with something and you'll be like, "It would have taken me forever to get to that point!" Because you're talking together, your brains are moving faster.
My friends started having children after college, while I was pursuing this crazy acting career and living hand to mouth. Plus, all my boyfriends were artists struggling to make a living. Having kids didn't make any sense - why would I take on more of a financial burden when I couldn't even afford a dog?
I think that it is important to establish a world of place for the characters in improv and there is nothing to be gained from disagreeing about that. So you have to establish the principle that if some person establishes one thing we're all going to go along with it and that we are all building from it.
I try not to limit myself. The actors that inspire me are the comedians and the people able to shape-shift into different roles and into different media. That ensures your longevity as an artist and prevents you from getting bored with yourself and, hopefully, prevents people from getting bored with you.
I was born in the '80s, so I don't really remember it very strongly, but the music is so iconic. And so those artists - Madonna, Prince, Janet Jackson, Whitney Houston - you still hear those songs all the time. And there's such a distinctive style - the clothes, the shoulder pads, the big hair, the perm.
I guess it's one thing to play a character and relate to a character, and it's a lot closer to me than people might think. They are obviously watching a person with another name. But when they are listening to my music, it's way more me and my story and my words . . . that is the main difference in that.
I live in New York, but I am always delighted to come to Europe because I am European and grew up here until I was 20. I am not only Italian, I am partly Swedish. When my parents divorced, I was three years old and went to live in Paris... when I am offered a film in Europe, I come with great enthusiasm!
My first husband, John Barry, was a composer. I couldn't believe that this sophisticated, talented genius chose me and not any of the other girls. I was so flattered, so excited, so in love with him. Of course, my parents were horrified, as he'd been married once and had a daughter with the au pair girl.
To be honest, there are so many things I learned in acting school beyond the method; it was a safe place to practice. So acting school was about exercising that acting muscle and doing it every single day - and having people tell you that you're bad every single day! Which pushes you to work even harder.
My mom's a screenwriter, and before that, she was an actress, and my father was an actor; my stepfather was a director, so I was on sets a lot as a kid. I loved the magic of the set. You walk in, and it's a living room, and you walk outside, and it's just a piece of wood held up by another piece of wood.
If you feel like you're doing terrible in a scene, that usually means that you're not listening because you're too preoccupied with yourself... you're not listening to your scene partner. If you listen, you're naturally going to get that response that the camera's going to pick up because you just react.
I think the rejection - if it's taken in the right spirit, it can make you a better person. And I think that is what I've always striven for. If one thing didn't work out, a project or anything, it doesn't mean that I lose my own confidence. In fact, I give myself a lot more confidence and opportunities.
Guys never looked at me. I always had crushes on older seniors who never looked at me. So, when I tell directors that I wanna play that girl who gets rejected, they're like, 'Why?' I tell them it's because I relate to that girl much more than being the girl who makes jaws drop when she walks into a room.
Losing Bogey was horrible, obviously. Because he was young. And because he gave me my life. I wouldn't have had a - I don't know what would have happened to me if I hadn't met him. I would have had a completely different kind of life. He changed me, he gave me everything. And he was an extraordinary man.
When I was younger, I was nervous and didn't have a huge amount of confidence as an actor. Comedy is something - you know when you're getting it right because you can hear. And you can hear if you're not getting it right! I like to create interesting, weird characters, and they're often best in comedies.
We always see Aung San as a strong, tough woman. There are two stories running in parallel. You see the contradictions between the East and the West, and you see someone who does mundane and normal things - someone who's supposed to be a housewife - and then someone who's become important and imprisoned.
My kids always say to me, 'Can we watch TV?' I say, 'Absolutely!' because then I can get something done. But then they say, and I wait for it, 'But can you watch with us?' My moment of freedom vanishes. So not only do I not think TV's that great and I hate sitting in front of it, but I have to with them.
'Thirteen' was really hard on my family. I wrote this movie about them and their flaws and imperfections and what it was like growing up. It was from one kid's perspective and not a well rounded one. You get older, and it's like, 'How dare I portray my father as being a totally vacant, careless schmuck?'
Joe Roth, who ended up becoming president of 20th Century Fox, he was the producer of Our Winning Season. This was one of his first movies. It's just a really great, great little film, a lot of good people in it. I don't know whatever happened to that movie, and why it didn't get the success it deserves.
The number-one reason women say they returned to their abuser is financial insecurity. Often they have kids with them. They say half of the 66 million women and kids living in poverty in the US wouldn't be if women were just paid their full dollar. That's an enormous impact we could make on child hunger.
Instead of locking people up and throwing away the key, it's important to invest in them and show them another way - show them what they can do, instead of telling them what they can't do. Because by investing in youth, we're investing into the future of this great nation of the United States of America.
I've gotten to a place where I'm better at curbing your ego, which usually happens when you're feeling super small and scared about whatever you're seeing, and you want to go read, 'Oh, I hear there's a really good article about me.' I've gotten better about knowing that's not going to end well, usually.
The British are so funny. It's like they can't believe I lived in Hackney. 'You could live in Bondi Beach. Why would you want to live in 'Ackney?' But Hackney's fantastic. I'm serious. There are so many artists there. I loved the markets, the parks, the pubs, the diversity. It was a cultural melting-pot.
I love to cook when I have the time. I don't cook French or Mexican food with exact recipes. I just go to the supermarket and buy things that look good, and I mix it all together and invent something. Ninety-five percent of the time, I'm lucky. Sometimes not so lucky, and I say, 'Let's go out to dinner.'
It's difficult for me to really temper my personality, but I am trying to be a little more sensible about it. If I really lose my temper, I go to my room and scream and shout, but I try not to lose it on people any more. I've never said something mean just like that. I've only said things in retaliation.
The causes for my eating disorder ran along the usual lines: depression, an inability to express my rage, a desire to exert control, a desire to feel less, a desire to have my body express the things my voice could not. That, and I had gotten in the habit of believing it was better to take up less space.
A role needs a certain tone, so your own tone also changes. It's not like I lock myself up in a room to get into the zone. It is based on what I am feeling, because the minute you try too much, weird things happen. Of course, for an intense role you need some silence, and you need to do a lot of thinking.
I always do a lot of work around characters to make them real people because, oftentimes, they really are a sliver of a person. Even with truly wonderful writers, women characters are there to emote, and they're often incredibly chaste or worthy. Or they're a 'different type of woman', which is the worst.
There are two names that jump right out to me they are Mariska Hargitay and Katie Holmes. Both of these women are incredibly talented, and also wonderful moms, they would be down on their knees right after a take to play with their kids. They’re beautiful women inside and out, and that’s what inspires me!
My mom wasn't a fan of public school systems. She was scared of letting me go. So, she home-schooled my siblings and I, and she was desperately trying to find something for me to do for an extracurricular. She was trying to socialize me, so she put me in community theater, and I was instantly taken by it.
My mom was always like, "If you love it, do it. If she's actually having fun, and I know that my kid is having fun, she's gonna do whatever she wants. Whether that's gymnastics, learning the car, acting or just being a normal kid, she's gonna do what makes her happy." That's how I've always lived my life.
Once, I was going to a film event, and someone told me not to wear high heels to it. They said that it might intimidate the men. For some reason, I was ready to take their cue, but about an hour later, something in my head started ringing, and I thought, 'That is the worst advice anybody's ever given me.'
There are things to be afraid of - like extraordinary poverty and suffering beyond anything I've experienced, and climate change, despots - but there's really nothing to be afraid of when your job is an actor and you're at work, if you're in a place that is safe and full of respect and love, which we are.
I haven't always wanted to be an actor, no. I wasn't one of the little kids that was desperate to be an actor. I did a lot of drama and a lot of music, but it was just something for fun on the side. I was quite shy as a kid and I found a lot of freedom in performing. I never knew you could do it as a job.
Fashion is something I've always been interested in... I used to watch the Oscars but paid no attention to the awards... It wasn't until I started attending red carpet events and was flown out to Paris for my first show, and saw how much is put into it all, that I had this new appreciation for everything.
There's never been a game plan, and I suppose I've had an uneasy relationship with my ambition. Someone who had been in my year at drama school once said to me that I was terrifyingly ambitious back then. Which was not at all what I felt at the time - I felt paralysed with shyness, though that evaporated.
There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.
I started with the Target Company in 1993 when their Christmas theme that year was 'It's A Wonderful Life,' and they reunited the actors who played the Bailey kids. So we went all over and really had a blast getting the love from all of the fans and thought, 'Whoopty-doo, there's something going on here.'
I drink tons of water. When you're puffy, you think you can't drink water since you feel more bloated and gross but that's what you do to get the toxins out of your system. I put a little lemon in the water bottle that I carry around with me or drink a cup of hot water with lemon. It's a natural diuretic.
I've learned that whether it's with your skin or your hair, less is more. People go and do so much to it, I don't think that's good. Too much product is not good, so I think that's probably the best thing. And not the most expensive thing is the best thing. That's for sure. I've learned that the hard way.
Not many people know my father was an actor. He was the Artful Dodger in 'Oliver!,' and was in a film called 'Frauds,' too. It's interesting talking to him about acting, how much you can get turned down, and how not to take that as a discouragement. It's nice to have that element to relate to for us both.