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I have grown up in Delhi in a way, and I keep coming here often. But, and I am sorry to say, I'll always be nervous when in Delhi. In my college days, I have had my bum pinched around so many times. So yes, in Mumbai, I can just walk around and do what I want to do, but in Delhi I'll always be scared.
It's not that acting was something I'd always wanted to do. I had no formal training; I'd never really imagined I'd be an actress. Business was something that had always been in my mind, but when I got into acting, I learned everything on set, and for me at that point, I wanted to excel at what I did.
I grew up doing a lot of traveling. My mom left home when she was 15 and traveled to 48 different countries and speaks six different languages. So I grew up with my eyes open. She raised me so that if my heart says something is wrong, I have to go help. What's right is right and what's wrong is wrong.
I would [call myself a feminist], yes. I believe in the unadulterated advancement of women. And we have so far to go still. I do think because women are so clever and flexible and such good communicators, it been hard for men to evolve and keep up. I think we could do a little better to help them out.
I think I'm well on the way of overcoming a very big hurdle that's been in my way for several years. Which is trying to find a way to not let the insecurity of my profession get the better of me and make me crazy. I'm trying to find a way to maintain my own personal balance in the midst of everything.
I know in my own marriage I stayed in it to provide my son with what I thought was a stable background and to give him what I thought was the family life a child should have with two parents. But that isnt always the best way, and it took me taking my son to therapy after the divorce to really see it.
I'm attracted to directors in general because I appreciate the work and the job they have to do. I watched the post-production, I watched the pre-production... post-production is something that I'm very interested in and I did spend a lot of time in editing rooms when I was young pretending to be sick.
One of my favorite stories growing up was A Wrinkle in Time. I loved that book. I still remember the image, so strongly, of all the kids coming out of their house at the same time, they're all bouncing a ball at the same time, and they all go back in at the same time. A Wrinkle in Time moved me deeply.
'The Good Wife' was definitely the biggest surprise and gift that I've had in a long time, and that did come out of some other work that I had done. That whole adage of 'work begets work' actually worked in that case - it was at the very end of their first season that my character was first introduced.
I maybe need a break, because I feel like I've done every iteration of it, and that's what's been great, you know - 'Mr. Brooks' is so different from 'Friday the 13th,' which is so different from 'The Crazies,' which is different from 'Piranha.' So, I feel like I've kind of covered it across the board.
Hollywood is like high school, there are always going to be people who hate you and people who like you. When you're a teen, [that's tough] because you're hyper-aware of what other people are gonna say and think. But neither defines who you are as a person or how successful you are unless you let them.
Some of those early photographs of me might as well be sepia. It's always thought that I disclaim television and am too theatre, but the truth is 'The Avengers' bores me now. I was grateful because it catapulted me into stage stardom. It was good. I'm not ashamed of it. But I only did it for two years.
It's kind of a cross between, I think. It's not, you know, over the top Old English, like Lord of the Rings would be or something like that, but there is a very sophisticated air about the Asgardians[?], you know, in their dialogue, and - hold on. Okay. Um, and I'm doing an English accent in the movie.
I'm not advocating we should all be back in the kitchen and cooking all the time, because life's too short and we've got more interesting things to do. But to rediscover the intense pleasure of making a cake and putting it down on the table is ridiculously satisfying, out of all proportion to the work.
I never gave up. I never quit. I've been a leader all my life, from elementary school to president of my class to excelling at college. I had a dream, and my dream sustained me. I wasn't going to let anything stand in my way. I was like a meteorite. I wanted to become a star. It's been quite a journey.
I've got to work with people who have had really fantastic careers and who are still lovely people to be around. So, I suppose that's kind of a big inspiration for me - to work for as long as possible but to continue to enjoy it. I want to be a part of the process, rather than just wanting the rewards.
In the old days it was important, but not as important as it is today, to keep making success after success after success. It's terrifying today. You can maybe have one so-so movie but you've got to come back with another that's huge, if possible, and that must be very, very difficult for young talent.
When you're walking at the airport, you're expected to smile at people because they know you... I find that tough. I'm only trying to protect myself. So I don't take my eyes off the floor. People can take that as attitude. But it's actually shyness. Yes, it is a bad habit. But it's a defense mechanism.
The high point of my entire junior high school career was going backstage after the first concert to meet the Beatles in person. I had a huge crush on George Harrison at the time, having inherited my family's passion for skinny musicians, and I was simply awestruck to be meeting the Fab Four in person.
Today, tomorrow and every day, we will see at least 2,000 young children killed or seriously injured on the world's roads. This is unacceptable, preventable, and we have to stop it. We have the vaccines for this disease: helmets, seatbelts, speed enforcement, safe road design. We just need to use them.
There are times as an actor when you don't work for two months, sometimes three or sometimes six, and the only thing that's going to keep you sane is if you give back and live your life. I've definitely gone through that. It's like, 'Okay, I'm out of work for two months.' That's two months I can paint.
I know in my own marriage I stayed in it to provide my son with what I thought was a stable background and to give him what I thought was the family life a child should have with two parents. But that isn't always the best way, and it took me taking my son to therapy after the divorce to really see it.
The most important man in my life is and always will be Alain Delon. He is always there when I need a shoulder to cry on… even today Alain is the only man I can count on. He would always help me. Only Alain shaped me as a woman. Even though he hurt me a lot when he left me I also matured because of it.
When I get my feelings hurt, or when things scare me, or freak out my sensibilities, or when my feathers get ruffled, it takes me aback, of course, but then I think, I'm grateful that I have a mind that can want more for people and want more for the planet. It's not that hard. It's really quite simple.
He walked into a room and everything stopped. Elvis was just so physically beautiful that even if he didn't have any talent... just his face, just his presence. And he was funny, charming, and complicated, but he didn't wear it on his sleeve. You didn't see that he was complicated. You saw great needs.
I may get married later or may never get married. But I want babies, so I'll have to get married. I want fat, cute babies. Every girl has to think about it at some point. For me, marriage is about family, and that's why I find it necessary. Till then, it's normal to have a partner and do your own thing.
Sometimes we don't face what's going on in our world, be it a water crisis or an earth crisis, because it's a little too scary and painful. Just like we don't want to face the parts of ourselves that are a little too uncomfortable or painful. We've gotta face both and love both so that we can heal both.
I don't think I've done any profound work yet... People ask me, 'How would you want to be remembered?' I tell them I don't want to be remembered! I'm not here to become a Madhubala or receive a Lifetime Achievement Award. I'm not that kind of a person. And I'm not brash about it; it's just the way I am.
If I can iron out my accent, it opens up another world of possible jobs. Whereas if you have that very strong European accent, it leaves you always being cast as the Hungarian maid or the stripper or whatever. I have voice lessons, and my coach has given me different tongue-twisters to rehearse at home.
For breakfast, I juice a big green juice, and I try to get in as much raw food and protein as I can, obviously plant proteins and legumes, but sometimes it's late at night, and there's a frozen pizza in there, and sometimes it's all you've got! You don't have the energy to chop up a bunch of vegetables.
We need to humanize women instead of making the idea of a woman be so stigmatized. That's what's interesting to me as a writer and a director - being able to tell stories that represent women as human beings and don't relate specifically to their gender. I want to just allow them to have their journeys.
My character is different from all of the Elves you've met before, in that she's really young. And I keep telling journalists this because I've really focused on that in my performance. I'm trying to distinguish her from all of these incredibly sage and wise Elves that have lived for thousands of years.
Yeah, it’s really great. I mean, the clonesbians—you know, I have to say, I feel sometimes that fiction can reflect reality and sometimes even affect it. And I’m really proud to play a gay character whose main problem is not that she’s gay, which it shouldn’t be for anyone. So, I’m really proud of that.
I'm pretty low-maintenance, but I like my time to myself, and once you have a child, you have to fight for it. I remember the first long bath I took [after Ptolemy's birth] was such a moment. Because a lot of the time you're in the shower, and if that baby cries, you've got to turn off the water and go!
My whole life, when I was growing up, not one race has ever accepted me, ... So I never felt connected or attached to any race specifically. I had a very American upbringing, I feel American, and I don't speak Spanish. So, to say that I'm a Latin actress, OK, but it's not fitting; it would be insincere.
The choice of roles as I grow older gets more and more limited, so if I pin myself to one kind of part I would get in trouble. So, these oddball ladies came along for me to do - I guess Terry Gilliam helped in this respect. I have found them more interesting, flashier and I get more mileage out of them.
I worry about my face not having expression. I've never been known for glamour, so it's probably easier for me than it is for someone who has been known for her incredible beauty and glamour. I always wanted to be Geraldine Page, who was just a fabulous actress with just a nice, normal, expressive face.
I basically left Texas with no money. I was making $3.50 working in some mall, so I didn't have a lot of cash. I took $1,000 and headed to California. Along the way I stopped in Vegas because I had always wanted to see Caesar's Palace. So I stopped there and won $2,500 on a slot machine! It was amazing.
For me, the thing that I love about the show is the psychological thriller aspect of it. It's frightening and it's scary, and there are all these things that happen. You have these really dramatic scenes, and then you get in a scene with him and I can't tell you how many times I would start cracking up.
As an actress, I think I really understand that stage where you think you are picking reality in order to feed the fiction, but it happens to be the contrary. It's the fiction that suddenly feeds your reality. And you don't know how it has been done. That's the kind of magical transposition that is art.
When you get quick fame and success and exposure, it makes you feel dizzy, and I didn't want to lose my balance 'cause that's something I've been struggling with for so many years. I'm not fond of the idea of making it in Hollywood. That's not my aim; otherwise, I would have settled down in Los Angeles.
I was raised in Kenya, and I always wanted to be an actor from when I was really, really little, but the first time I thought it was something that I could make a career of was when I watched 'The Color Purple.' I think I was nine, maybe, and I saw people that looked like me - Whoopi Goldberg and Oprah.
Everyone always wants to talk about 'True Blood' and 'Battlestar Galactica' - no one's even interested in 'Durham County.' It blew my mind when I came to Canada and no one asked me about the show. So many people didn't even know about it. They didn't even know it was on the air! It's very curious to me.
There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
I am very ambitious and have set goals for myself. I really don't keep a tab on what my contemporaries are doing. I want to push myself as an actress and don't want to get into the rat race. With every film, I want to grow as a person and an actress. The character I play needs to change me in real life.
hat made me feel uncomfortable. People would be like, "Woah, that's crazy!," or they'd look at me really funny, but it also helped because that's how people look at Emily. I was like, "Come on, be sensitive! I have a scar on my face. It's not nice to just stare at somebody." That was really interesting.
My idea of an actor is to be different persons with different roles. Every time a script interests me, I look for interesting characters because I intend to completely transport myself into it. This happens only because I am a very greedy actor. I am not part of the rat race because I am living a dream.