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Whenever possible, I try to get a professional to do my makeup, because the idea of putting together a flawless look intimidates me. I like to be open to a makeup artist's ideas on the look they want to create, but I always ask to keep my foundation pretty lightweight and luminescent.
Women's lives get more interesting the older they get. For some reason, when you hit 35, it turns into a grey area filmically. There's not much more until you start playing grannies. I'm not ready for that. I'm just naffed off that, between 35 and 50, there aren't better things about.
The thing that drives me nuts is when I get stopped in a crowded place, and they look at me and say, 'Who are you?' I don't know if they're friends or fans, and I say, 'I'm Annabella Sciorra', and they say, 'What have you done?' So I start to give them my resume. It's so embarrassing.
My skin is really sensitive, so I don't use too much on it. I'm actually really bad at washing my face. I get so lazy at night so I usually buy the Neutrogena wipes and it gets all the makeup off and its easy and that's the way to go. I hate washing my face, so I always use the wipes.
They [people who were actually CSIs ] try to be as accurate as possible as far as like swabbing and getting it into the centrifuge and whatever all that takes, but I know that definitely we tend to get a case solved all in one week when in reality it takes years to solve one, I think.
If I want to know how I'm doing at work, I don't wait for a pat on the back; I ask the people who will give me a clear, objective opinion. When I need a real, arms-wrapped-around-me hug, I go to someone who does that. I stopped getting disappointed by my expectations from non-huggers.
I don't have an issue with marrying an actor, though it's definitely tough. I work with actors and interact with star wives, and I don't know how they do it. Loyalty is a very important factor for me, and I need to be in a relationship where the person will complete me and fill me up.
You think there's a rule book, in a way, until you realize there's absolutely no rule book, and you can use a red carpet to express something about yourself. There are so many wonderful designers in the world, and they create such wonderful things. Why go with something uninteresting?
There are so many actors that I've worked with that I'd like to work with again and there are so many girls. So often when you're up for a role, you're the only girl, and people think that a positive thing: "You get to be the only girl here!" That's not an exciting kind of idea to me.
I think 'Humans' is more about provoking the idea that there is a class of beings in society that we treat as less than... as subordinates; people who we treat badly and take for granted. Often they are the same people who work hard to keep the city going. We need to think about that.
To me acting and doing movies is really strongly about the present time. It's all about when you do it. It's to create this feeling of extreme awareness and concentration. Because it doesn't happen without an extreme concentration, when you are completely immersed and focused on that.
I wrote a show - just as a joke, actually - and called it 'Bipolar, Bath, & Beyond,' just to bring some humor to it. I wasn't saying to myself that I'll 'come out' with it - I didn't think there was anything to 'come out' with - I was just writing another one-woman show about my life.
We have a long way to go in the world in all industries. If I'm in the situation where I have equal experience to the other actor and my role is just as significant, there is no reason why I should be paid less. It's not really part of my world anymore, because I just won't accept it.
Whenever I think of my birthplace, Walton-on-Thames, my reference first and foremost is the river. I love the smell of the river; love its history, its gentleness. I was aware of its presence from my earliest years. Its majesty centered me, calmed me, was a solace to a certain extent.
To hear that you're doing something that other people are enjoying, it's a fun game. It's like hitting a tennis ball over the net, and somebody hits it back. That's what it feels like with the fans. It feels like someone else is participating in my creation, and it's quite incredible.
Honestly, I have yet to encounter a really bad working experience. Sets are really my favorite places to be because of the many varied and interesting people you get to meet, interact and collaborate with. And I have always developed strong bonds with female costars. No cattiness yet!
I like to think of myself as a very passionate person, and as very determined. So, if I set my mind on something, I definitely stop at no end to find within myself the power to keep going, whether that involves thinking of a new approach to a problem, or physically challenging myself.
Every time I go out on a stage I consider myself very lucky. Because, in a time where people are economically thinking about what to go and see - so, when I am on a stage, and it doesn't matter where I am, that's my favorite show. I come home after and say "That was my favorite show".
Hollywood is a wonderful machine for making big movies. In France, we make smaller and more personal films, but if things keep changing, this will disappear. The industry in Italy is practically gone. Cinecitta now is used mostly by filmmakers from others places, like Martin Scorsese.
In high school, theater was all I ever wanted to do. I didn't see that I was going to set it aside for so many years and take a right turn into television. Of course, wanting to do theater is something you hear a lot from actors. I think I've been embarrassed to be in that big cliche.
When you're with a bunch of loud 20-year-olds, if you're on a movie and everybody is a lot younger than you and they want you to go to a club, I'm not very comfortable in that situation. I've been on movies when everybody goes out to some loud place. I don't know; I'm not comfortable.
I'm kind of floating out there as an artist. I'm in a safe place where I can play a girlfriend or a best friend or a mommy or a lawyer, but a huge part of me is unused. I'm classically trained, historically inclined and somewhat revolutionary by nature, so I'm frustrated as an artist.
I don't, really a fashionable person. I'm an actor, so I like costumes. But fashion is very popular now. Really overly popular. It's like New Age music in the '80s, or art. And then independent film. Now everyone's a fashion designer. It's had a big effect in New York, in our culture.
There are a lot of movies about misfits that are quite cool, that kind of glamorize it on some level. I think there are fewer films, certainly with a lady at the center, about the agony of what it's like to feel like you're not accepted, and you're different, and somehow you're weird.
I used to be much heavier when I first started out acting and did a lot of crash dieting and a lot of crash exercise - a ton for a month before you burned out. Then I made a decision in my twenties to only do things that I can do for life, so everything's kind of in moderation for me.
When I was a kid in Ireland, there were not very many black people. I was very much like the strange brown thing, intriguing and cute. I didn't experience racism there. The first time I did was in London. It was that moment that you realize you're black. A kind of lifting of the veil.
Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
I don't want to do anything and everything. I want to be a brand that, every time I leverage my name, I want people to feel sure that it's going to be something good - so whether it be my movies, my perfume, my restaurant, my musical, it'll be good work, good food and good everything.
There will always be a slight difference between the reel and the real. Even my family might know 99 per cent about me, but there will be this one per cent about me that nobody will ever know. Being in this profession, I am fine with biopics or movies inspired by real-life-characters.
There was definitely a moment, a time after 'The Hand That Rocks the Cradle', when I did get offered a lot of women in jeopardy-type roles. But I couldn't do it, physically, I just couldn't. But now I know what I know, I wonder if I should have played the whole fame game a little more.
Sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical. I'm more interested in the kinds of movies where the science fiction world has a set series of rules and you operate in it because of, maybe, constraints in the budget.
Most directors that I've worked with - I've worked with before, especially in Holland - and they know that I'm somebody who talks and asks, and talks, and talks, and talks and questions and turns things around. I'm like a little cat, walking around my little nest until I find my place.
There's this index that tallies up how much your movies have made, and if they haven't grossed a certain amount, then you're not bankable. I know I'm not Will Smith but, you know, my ranking's pretty low. The only studio picture I've done is 'Zodiac,' and that didn't perform that well.
When I was doing theater in the 1950's, 60's and 70's we weren't allowed to film any of the shows that I did, it was against union rules. It was a stupid law, because so much is lost. We now have no record of these famous stage plays, so it turned out to be very narrow-minded thinking.
I look at my father. He is one of my heroes. He is such an incredible, classy man. He was such a great father and such a great husband in so many ways, and we lived through some pretty tough times losing my mom. When I see all that he did, I think, 'Wow, that's a really wonderful man.'
As far as my projects are concerned, I have always maintained a healthy balance. My south Indian projects have never taken a backseat even though I've been busy in Hindi. Both regions have loved me, and being wanted by both the north and south film industries is a compliment by itself.
There are a lot of great love stories. It's just the best thing. Why wouldn't you write about it? Why wouldn't you want to read about it? But it's hard to write about. It's weird to have such a powerful and universal feeling and hope that you can write that and make it real for people.
I took the test for AIDS. I began to hate people who were not sick. Those people are monsters, I would think, believing that they are well because of moral superiority, because they are good. I identified with the loneliness of the sick. I felt that there was something pure about them.
A great foster parent can end the cycle of abuse and neglect, and impact not just the foster child's life, but also that child's future children's lives, the lives of people who would otherwise be victims of a lost foster child's crimes, and help end human trafficking and homelessness.
My first go at drinking did not go so well. I ended up getting sick in front of everybody. You know that Ginuwine song 'Pony'? It was playing at the party while I was getting sick. My entire senior year, everyone sang that around me. For a year. I would like that erased from my memory.
I've never done anything that I felt was crossing the line for me. But everybody has to make that decision individually. Like, I've never shot heroin to play a heroin addict. I've never turned a trick to play a prostitute. Whatever. You draw the line where you feel it could be harmful.
I think I am very hands-on mother. I am very strict, and my daughter keeps telling me, 'You are too hard on me,' and I keep telling her, 'I have to be hard because if I am not hard, you will not learn the lessons that I want you to learn.' I think it is really important to be that way.
I grew up in Hollywood during WWII, and my mother was afraid that my father was going to be drafted because she didn't think we were going to be able to live on army pay. She didn't want to have to get a job, so she decided to put me to work, and that's how I got started in the movies.
For me, the acting part - and I have to say it makes me a little worried about my own psychological make-up - is that I just love to hide in other characters. I don't like to get up in front of people and talk as Kathy Baker. But as soon as you say 'action,' I'm lost in that character.
'Hairspray' was my first Broadway show. In the meantime, after the show was over, I would go down and do gigs at these clubs that I wasn't even old enough to get into. That continued on, and I think what ended up happening was that I just got these incredible opportunities on Broadway.
We have over an hour of footage with Ken Marino. Same with Kevin Smith. Because you never know, when you let people who are so talented at improv go, what you're going to get. You don't want to strangle them with your own words, because probably what they're going to say is way better.
Voicing acting is usually fun. I'm very curious about that world. I'm a fan of documentaries, as well, and the voice kind of makes it right. Mostly for me, though, it's all about the acting -you don't have to get hair and makeup and the whole bit. You just can have fun with the acting.
I like a really natural looking body, so I'm not into muscles and looking like you just did 1,000 pull-ups and sit-ups and like you only eat lean turkey. That's not for me. I just like people to look like people, and so I think it's really attractive when men don't have perfect bodies.
If the role is right and it's another situation of having a benevolent genius at the head of it, someone who likes actors, and will protect the actors from the ravages of reality-TV drama. It's a brutal world, and you need to have a strong creative team who can stand up to the network.
I think the success of a film is very important to an actor. It depends on how many people go to watch your movies; the more the merrier. Nobody wants to do a film for five people. You work so hard that millions of people watch the movie; this is directly related to box office success.