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If you love food and you love red wine and they put you in France, you’re in a good place and you’re in a bad place at the same time. You have to weigh yourself every day, and you have to have an alarm number. When you get to that number, you have to start putting it in reverse.
If you love food and you love red wine and they put you in France, you're in a good place and you're in a bad place at the same time. You have to weigh yourself every day, and you have to have an alarm number. When you get to that number, you have to start putting it in reverse.
I studied acting for five years. I quit college at that point. You know, I go hard. When I know I'm supposed to go in a direction, I'm fully committed and I go all the way. Everything falls to the side and I'm all in. So I completely dove into acting even though I was almost 30.
Don't be ashamed of your age. You've lived a long time. You've learned a lot. Tout you knowledge. Be proud of your experience. Be proud of who you've become. Don't hide, and don't be ashamed like, "Oh my God. I'm nearly turning 50," or, "I'm turning 60. Shhh, don't tell nobody."
I totally love my job, and I wake up every day basically thinking about how can I do my job better. It never feels like a job. It's hard, and it's exhausting sometimes, but it never feels like - I would do this even if they didn't pay me to do it. That's a pretty amazing feeling.
My best friend and I go to bed at 11 o'clock. We have such old lady schedules. Everyone's always like, 'Let's go out!' And we're always like, 'No, we don't want to.' They call us the grandmas. L.A. can get really old really quickly if you waste your life away in a club all night.
There are different types of talents and intelligences, and traditional schools sometimes ignore the creative ones. It is important for us to give kids every platform for them to find what they are good at and what they love. The arts also provide a space for newfound creativity.
I learned from master teachers at the University of Evansville, at Juilliard, at Shakespeare festivals all over the country, eventually landing at Shakespeare in the Park in N.Y.C. That show transferred, so I got to make my Broadway debut doing 'The Tempest' with Patrick Stewart.
When you're in relationships with people, not every relationship is the same and not every love that you find is the same. The love that you get from each person is totally different. You learn, from each relationship, that there are many different ways that you can love someone.
When we lived in a suburb of Atlanta, Georgia, my sister and I did a local play. My whole family got involved. My mom did the makeup. My sister and I were being homeschooled, and my parents wanted us to be socialized. We had a lot of fun with the other kids hanging out backstage.
I was nice and well-mannered because I was taught manners. I was very imaginative and quite adventurous. I was a tomboy, and I was always jealous that my older brother Hugh had bigger toy aeroplanes than me. I was always playing with boys' toys; I don't remember owning any dolls.
I hope that I'm sexy in a different kind of way than I think that a lot of girls are right now. I think a lot of girls in the public eye, especially musical artists, are just kind of objectified a little bit and wearing super-skimpy outfits and leaving nothing to the imagination.
Although telenovelas have been part of my world since childhood, I always felt like I had to be something that I wasn't. I had to put on so much makeup and wear a push-up bra and have huge hair with blond highlights. I was falling into a mentality where "more" was more beautiful.
I've done some movies because I would regret them if I didn't, but other projects I've done because they've scared me or if I felt I needed to do a big romantic comedy to help me professionally. Then I'll take a teeny movie when I need to work on myself and become a better actor.
There's no fun in a bag if it's not kicked around so that it looks as if the cat's been sitting on it - and it usually has. The cat may even be in it! I always put on stickers and beads and worry beads. You can get them from Greece, Israel, Palestine - from anywhere in the world.
I wasn't the typical pageant girl - I was a little more nerdy, and they gave me a voice. I created the Queen of the Universe pageant, which is charity-based, to benefit UNESCO. For me, the most important thing is that contestants have a charity-based platform or charity ambition.
There was that moment of, "Oh, my parents are watching Columbo and I hate it" to "No, I love this show, too." And I feel like, for me, that was around 11 or 12, where I could actually join my parents in their viewing and wasn't so irritated that they were always watching Columbo.
First off, from reading the script and knowing that I was going to be apart of it, I'm a huge 'Wizard of Oz' fan so to be involved in something that was connected to the original books was really exciting for me and it was very different than anything I had ever worked on before.
I'm quite shocked and have been for quite a while as for the way people are treating each other. That's why I go out and I speak for the hungry, and if I see somebody needs a hug during the day, I'll go and give them a hug, and I think we should all use a little bit more of that.
When you're filming in Russia in Catherine's Palace, and you're in the real place where the Tsar's ball really happened, all those years ago, it does so much of the work for you. It's so vivid. You escape into this different time through the costumes, the sets and the atmosphere.
Falling in love for the first time, and then the heartbreak of having it end, is difficult, but I don't think it would ever hurt as much as when my mother was killed in the boating accident. I feel a part of my heart has already been broken, and that place is reserved for mother.
I'm terrified of being too famous. What I'm really afraid of is that the audiences will go into the theater and not be able to forget that it's me, that fame will stand in the way of my acting. I want to keep being able to change into different shapes and different personalities.
I think no one but me has the right to write about my life as I want to write it in a particular way. I don't think any other person will be able to tell the story of my life like how I have approached it. It works best when it's written by someone who has experienced it herself.
When I won Miss World, I wasn't even 18, and I only remember, like, I thought of it as a day in the races or something. It didn't feel like it was Miss World of the Millennium Year, the change of the century. I didn't understand the magnitude of it for at least a couple of years.
You want to make entertainment sometimes, and sometimes you want to make art, because I think the way we understand ourselves as human beings is through art, and the way we process emotions - I know I do - is through recognizing experiences on screen or in novels or in paintings.
I always think about the settlers who moved to New Zealand in the 1800s. They hadn't even been to the place before. They just packed their bags and shipped over knowing they'd never see their family again or be able to speak to them - they'd maybe get a letter if they were lucky.
I practice Buddhism, so I meditate daily, which helps keep me centered and reminds me not to get my knickers in a twist over the things that are not within my control. There is a saying: "If it can be changed, then no need to worry; if it can't be changed, then no need to worry!"
I could feel my body temperature - I knew I was bright red. It was so humiliating, I was so upset, and it was nothing I had planned to do. It was just one of those beautiful moments, the alchemy of acting that is so mysterious, where you sort of go, "How did that come out of me?"
Developmental readings are actually the best part of being an actor for me. I once spent a month doing so many developmental readings at the Roundabout that we all joked that I was an 'artist in residence' there. But to me, it's such a special time to be involved with a new play.
I adore gardening and plan to take it up properly when I have a bit more time on my hands. Until then, I love pottering in garden centres. I'm totally low maintenance. I don't ask for fancy plants, just basic, long-lasting shrubs that look nice. But I am particular about flowers.
My opinion is that you cannot really blame cinema for the result of what is somebody's mindset. I think it's just entertainment. For me, I've always believed in doing things that I can sit and watch with my family. So far I think I've stuck to that, and I will also in the future.
What I find astounding is that we've had a president who is black in office for the past eight years, who gets most of his funding from the liberal elite in Hollywood. Yet, there are not very many roles for people of color. How can that be? And why is it just now being addressed?
I got introduced to yoga in drama school. It's now a mainstay in my life, ever since I got instructor certification at a teacher-training intensive. I even occasionally guide an intimate class of friends and family, but mostly the training was to serve and deepen my own practice.
I think of myself as a Hollywood hillbilly, but I'm sick of all these questions people ask about Alabama. 'Do you have an outhouse?' 'Is there a lot of inbreeding in your family?' They think all Southerners don't have computers and TV sets and that we're all still living in 1862.
You know why stardom screws up people ? Because it gives you too many choices. As a 20-year-old I was making as much money as, well, as much money as it was possible for a 20-year-old to make in India. That sort of thing could drive people nuts. But I put my in money in the bank.
Everything I do is unfabulous. Im the most normal person. I love walking everywhere, and going to hole-in-the-wall places, like nail shops, because they do the best job. And I go to vintage stores rather than high-end boutiques, because I like to dress different from other people.
Everything I do is unfabulous. I'm the most normal person. I love walking everywhere and going to hole-in-the-wall places, like nail shops, because they do the best job. And I go to vintage stores rather than high-end boutiques, because I like to dress different from other people.
Well, the teacher I studied with for nineteen and a half years was a man named Paul Gavert. He was a great lieder singer, so basically Im a trained lieder singer because of that teacher. The teacher I currently study with - since 1995 - is Joan Lader, who also studied with Gavert.
There's this thing in TV that I find hysterical where the writers and creators will ask us if you want to know what happens to your character or if you want to experience it episode by episode. In the theatre, we always know the ending; we always know where the character is going.
After having done this whole slew of press for 'Big Love', now I'll have anxiety dreams for like a week and a half about all the stupid things I said. I can't even imagine being in front of the cameras all the time. I had a weird dream the other night that I was on 'Jersey Shore.'
I want to be able to walk a red carpet and look great but also be able to shred onstage and move. So I tend to go for comfort over anything - I like menswear-inspired stuff but I also like getting glam once in awhile. Whatever I wear, I like it to feel very strong and very unique.
To become a big movie star like Joan Crawford you need to wear blinders and pay single-minded attention to your career. Nobody paid attention to me, including me. I was the original Cinderella girl, looking for the happy ending in the fairy story. But my fantasy prince never came.
I think working with Johnny Depp was very intimidating. It was my fault though. I mean he's a total cool nice, nice guy, but I was just so, I don't know, overpowered by his presence. Like he's a very mystic person. He's older so I never really warmed up around him. I was so stiff.
It's sometimes hard to accept that the people you love and feel the closest to may have different dreams and goals from yours, and those are valid. And I've felt that way: accepting people's differences and recognizing them as valid choices even if they're different from your own.
You've got to find a way to relate to people. I just did an improvised episode for Joe Swanberg's new Netflix show, 'Easy,' and it was a huge learning curve for me and taught me so much about fear and courage. But when you're present in the moment, the audience, it's incomparable.
I think that the most important thing for me is how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor.
SOLOSHOT is such a brilliant idea and an athlete's dream. It has given me the ability to film myself training without anyone's help - it's perfect because I can go to the beach, set up my SOLOSHOT, and not have to rely on anyone to stand there and film me from the beach for hours.
Chemistry is so important and so unpredictable. Sometimes you get in a room with someone where aesthetically you make perfect sense as a couple, and then you read, and you're both kind of sitting there like, 'This isn't working for some strange reason; it just doesn't really pop.'
I had a really good time at MGM. And we had no quarrels much, except once in a while, I'd go up to the front office and say I thought I should be doing something big, like washing elephants ... All my life I wanted to have talent ... Finally I had to admit there was nothing there.
I was married for nine years before my husband and I separated and eventually divorced. Just as I'd watched my parents arguing and fighting, my son watched his parents arguing and fighting. It was like history repeating itself, and I felt terrible about him having to witness that.