Quotes of All Topics . Occasions . Authors
Michael Clarke Duncan and I met at a music festival that was honoring films, and we happened to be seated next to each other at the dinner, and we just hit it off and kept in touch ever since. He was just the gentle giant in real life like you would have expected him to be.
I'd like to start off by saying that every experience no matter what it is, good or bad, you'll learn from it. That's just life. But something I've done I've regretted is probably picking on my siblings growing up, because you appreciate them so much more as you grow older.
We have little bags we pack specifically for touch-up makeup if you're chosen for the top 16. I knew I had to sneak in my banana because nothing calms my nerves like it! I don't know if it's the potassium, but I need it before I get on stage because it always calms me down.
In a perfect world, I only act when I really want to. I don't do most of the stuff that is out there, but it's a joy and a pleasure to do anything that promotes this higher power - this light, if you will. I just think there aren't enough projects in the world that do that.
I moved from a mountain with one traffic light to New York City when I was 17, and it was an amazing, eye opening, creative adventure. I would walk through the streets of Manhattan looking up at these huge buildings, amazed that I didn't know a single person in any of them.
You get those couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage.
I have a lot of brothers. It's easy for me to do physical stuff. I had to survive. I really love it, and I'd love to do more of it. I want to do action films. I want to go and hang off of wires, and jump off of bridges, and hang on bungee cords. I've always really loved it.
My life is fair game for anybody. I spent an unhappy, penniless childhood in Brooklyn. I had to slug my way up in a town called Hollywood where people love to trample you to death. I don't relax because I don't know how. I don't want to know how. Life is too short to relax.
I don't know why he [Darren Star] is so good at writing for women. Maybe he just likes women. I'm not quite sure what the magic recipe is, other than he just knows how to entertain an audience, and he knows when to be gooey and sweet, and when to be provocative and naughty.
Gratefulness is a double-edged sword. Because I think we've poured it into a feeling. And the batter of gratitude gets kind of stuck to the edges of the Williams Sonoma melamine mixing bowl. But gratefulness, the act of being grateful is actually... a verb. It's an activity.
I push myself hard. I don't like pain, exactly, but as a ballerina, I lived in constant pain. At ballet school in Stockholm, I remember we had a locker where if someone had been to the doctor and gotten painkillers, we divided them among us. In a sense, we were all addicted.
Before I go to bed I clean my face with a cleansing milk and cotton pads and then wash my face thoroughly with a foamy face wash. I apply a calamine lotion on my face and a medicated moisturizer on my face and neck. I repeat the same procedure after I wake up in the morning.
Often, I'll read a script and the female character's an extension or serves some sort of purpose in terms of the male character's narrative and it just isn't fully formed. But they will be very beautiful. Whether a secretary or a doctor or a vet, they will be very beautiful.
I never really thought about acting as a child. It wasn't like, "This is the career that I want to pursue." So when I first started acting, I was more concerned with just being on a set and all of the woes of that, and I didn't really know it or understand it as a craft yet.
I knew that my hair was falling out and I had really weird skin. My face looked really weird and I was getting this fuzz on my face and I was always cold - always to the point of uncontrollably shaking. I was more scared that 85 lbs. wasn't good enough. I wanted to be lower.
In the streets, they're very nice. On Twitter, there are people who love to hate me. Sometimes people get mean. I tend to answer like, 'Careful now, know who you're dealing with...' They're like, 'I'm sorry! Don't send the Lord of Light after me!' It's fun to play with that.
I want a guy who is masculine, good with his hands and able to build stuff and who has survival skills. Facial hair is a big turn-on. Most of the kids I hang out with in New York are hipster arty types, but I like a stronger, more physically imposing man - like a lumberjack.
He caressed my backside. I had heard that he was famous for his 'admiration' of the ladies, but I didn't expect him to be handling my booty. As handsome as Prince Philip is, I wasn't sure if he was making a pass or just exercising some royal rights to squeeze the foreigners.
Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug.
Sometimes you don't really understand the characters you do. I don't need to. Most of the behavior is obscure and I don't mind that. On the contrary, it's a fuel for me, to find out who the character is. As the spectator is finding out, I find out about the character myself.
Finally, after a lot of searching and digging, it was simply the love of family that gave me a road into the character. Once I got into that, and we delved into what it would be like to survive cancer and the ability to see how precious life is, it became easier to play her.
There's so much confidence and freedom that comes from that way of doing things. Robert Altman and Alan Rudolph make the set the place to be. It's fun. It's a kind of creative freedom that's really inspiring. Altman loved actors so much. He was a great mentor for me, really.
As a teen, I had no idea what the self was. Changing skin like a chameleon came naturally to me, but the self felt like a plastic chair in an airport where I'd have to sit and wait for the next radical character to define who I'd be that season. Acting grabbed me by the gut.
Acting is a community where you come in and out of each other's lives. I'm slightly envious of the Golden Age of Hollywood. It must have been frustrating to be owned by the studio, but it was also like being in a company, working with the same people, and that appeals to me.
I used to be a big planner and had to have things figured out ahead of time, but I'm learning to love living in the moment. Last night, I called my friend up randomly and said, 'Where are you? I want to come see you!' It's not a new version of me. I'm just embracing it more.
I did a film recently in the Republic of Georgia [upcoming 'Halo of Stars'] which was based on a long poem written by the director. We found that all these words were beautiful as a poem, but for humans it was more about the emotion or a look than just saying what was there.
During the football scene in the Point Break they were playing, and I wasn't slated to be in the football scene. I was like, "I want to play!" So they said, "Go play." It was just a gas. There was a responsibility of being the leading lady - there's a responsibility to that.
In Point Break, I was the only woman in there, so it was pretty easy to feel like a sex symbol. You've got all the naked, wet, Hot Chili Peppers, right? You've got Patrick Swayze and Keanu Reeves and then the whole crew. It was me and 50 dudes the whole time. It was awesome!
It's so funny, you go to acting school thinking you're going to learn how to be other people, but really it taught me how to be myself. Because it's in understanding yourself deeply that you can lend yourself to another person's circumstances and another person's experience.
Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
I fully believe in ghosts. I have, my entire life. The first house I ever lived in was haunted. There was a grave of a man in the backyard. I was just a baby then, but my parents would tell me that every night, at the same time, they would hear someone walking up the stairs.
My very first show that I ever did was a show called 'Then Came You'. It became a huge hit - no, it didn't. But it was a sitcom with some great people involved, and the story was about an older woman and a younger guy. I was the older woman's best friend. I was 27 years old.
Because of my job, I get a lot of opportunity to grab a few days here and there in many cool cities for press commitments, magazine shoots and premieres - Barcelona, Madrid, Rome, Paris, Stockholm, New York, Berlin. I always try to get to a gallery or museum if there's time.
My father in the film - which we probably haven't seen in previous movies, and in British Asian movies you could probably count on one hand - he says exactly why, actually why he's frightened for his daughter. He came to this country, England, and had a bit of a crappy time.
I had gone away from Twitter because before people had been so mean to me. Talking about my lisp and my enormous forehead and all these things. I do have a lisp, I do have a forehead I know you could land a plane on, it's no mystery to me. I just didn't have the skin for it.
There's a poignancy to being with someone older. I think there's a greater appreciation of time and what you have together and what's important, and it can make the little things seem very small. It puts a kind of sharp light mixed with a sort of diffused light on something.
I go through phases as far as working out goes. I'll do yoga for a few months or then work out at the gym, and then if I'm not doing either, there are things that I usually try and do something active, whether it's trying to jump in the ocean with the surfboard or go hiking.
I think the movie business, you meet people, and you work intensely with them, and you have these relationships - there's an intimacy to it and a familiarity to the relationship because you're having to let go of all your barriers so you can let people in and work with them.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
I also went to the Makah Nation 'cause that's where Emily is originally from and spent time with them too. Seeing the whole spectrum of who she is as a being was cool. And, I miss it. It's beautiful. I miss the kids a lot. I miss everything about that whole entire adventure.
Turning 30 changed me in ways I didn't expect. For the very first time, I felt like my life is valuable. Not my life because I'm putting something good into the world or I'm well-respected in my field, but my life as a human being on this planet for a limited amount of time.
I definitely gravitate towards things like vegetables, chicken, brown rice, but I don't deprive myself of anything. If I want a Sprinkles cupcake, I'm having a Sprinkles cupcake. But I'm not going to have one every day... you just have to have a sensible outlook on all of it.
When life partner happens, I hope he is not a youth icon then because I doubt even I would be youthful then. Whether life partner is hot or not, that doesn't matter. He has to be a nice man. He should be funny, responsible, and he should be sweet, and he should love me a lot.
Every role is a potential lover. I ask: Are they someone I want to wake up to in the morning and go to bed with at night? Do they question my assumptions about life? Consume me to distraction? Make my cry, then clown to make me laugh again? If I say yes, then it's all I need.
I'm just a psycho myself. I loved playing Leila [from Fifty Shades Darker], taking on [a character] who's completely unhinged. I saw her as a girl who's grief-stricken and she just doesn't have the tools to cope. Grief and heartbreak, it makes you do some pretty crazy things.
'Preacher' really appeals to my iconoclastic nature because I'm a student of comparative world religions since my early 20s, so I love shows that really challenge what you think about all these things. I think it's genius. I was so excited there was a role I could play on it.
I am a positive person. I am not cynical. If you are born in this world, no matter who you are, negative things will happen. If you aren't positive as a person, you'll be very unhappy. It's extremely important to be positive, to laugh, to be happy, to accept life as it comes.
I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.
Right now I'm sick of acting, so it's like, Maybe I'll do writing for a bit. Then, when I'm tired of writing, I'll go work on my music. When I'm sick of music, I'll be like, I'm going to start performing comedy now. So it's good. It's not like I want to be famous or anything.
It's hard to encapsulate my inspiration because there are so many different looks, but I think it's just like, sexy girl you see walking down the street in a cool outfit. A lot of eyelet, a lot of leather, playing with the hard and the soft, the good and bad inside of us all.