Quotes of All Topics . Occasions . Authors
After 'Prom Night' I did two movies where I was playing a prostitute. I gravitate towards characters that have some sort of inner turmoil or some sort of character arc. That's the great thing about acting, so many different things and being really diverse in your choices.
I have had every hair color. I joke with my hair colorist. She keeps sheets of paper on every hair color that I've had, so she has records of it all. She's done my hair since I was 15, and I guess I have a thick folder going because I've had so many different hair colors.
I decided to be an actress, and the day after, I was an actress. That was quick and very scary at the same time. When 'Obscure Object of Desire' came out in France, I felt guilty for my friends at the National School who weren't in the movies. The whole thing was turmoil.
I played a lot of moms. You're always too young when you're playing moms. My first kid when I started playing moms was about six months old. And then a month later I was doing another commercial audition and my kid was two, and then about eight months later my kid was 11.
Rey's parents left her at 5, and we meet her when she's late teens or early 20s, and for someone to keep hopeful that there's a better life to come, I think, is astounding. Though she starts off alone, she very much finds her place in a group of people, and that's lovely.
I like people who are still actively creating in their life, who aren't set, I don't feel like I'm set. And I don't have any baggage, for better or worse. I don't have any plants or pets or kids. I can lock the door and go. I need to be with somebody for whom that's okay.
Such a big part of this business is rejection. Each time that you get rejected, a big part of it is just staying positive - even if you don't get the role, it's still giving you practice. I love being able to take direction and talk with the casting directors in the room.
Sometimes I have a nervous breakdown over my suitcase - over socks - because your brain just goes, 'I just can't pack again. I can't.' You're looking at your suitcase going, 'I'm in five countries in two weeks, and it's four different seasons.' That's when my brain melts.
I'm not a great sleeper. I try and do too many things every day. I think that I get very obsessive about parts and projects. I do let them kind of consume me, and when there's something on the horizon that I want to be involved in, I just kind of hurtle myself towards it.
I'm a massive daydreamer. I'm constantly lost within my own fantasies and my own thoughts personally, and I think maybe that is sort of represented in what we do for a living, the fact that we make believe everything and we escape into these other characters for a living.
I think you just have to take everything that happens on a TV show with a grain of salt. You sign up for a show for six years having zero idea where they're going to go with the character, so you just have to get on the ride of the show and go with wherever they take you.
I don't really want to just play the girlfriend or the love interest. I get so many scripts like that, and - not to moan, because I'm really fortunate - but I just look at those scripts, and my heart sinks a little bit because I think there's so much more to us than that.
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
There is a cost that comes with moving schools so often and it's not what I want for my son when he gets older, but it did make me very adaptable. I became aware of what was missing from the social structure of each class that I arrived in, and made sure to fill that gap.
For me, makeup is about being your best self. If I wake up in a foul mood and have to deal with temper tantrums and an exploding diaper--I know taking 10 minutes to get my game face on will reset my stress levels. It's a chance to check in and remind myself--you got this.
I wish there were two of me and 48-hour days so I could get everything done. But for me, I have to not try and think that everything has to be 100% perfect all the time and leave room for error. As long as my kids feel loved and a priority, everything really is secondary.
I never thought anything was strange in Puerto Rico other than the big mosquitos; because I was born there, nothing was really foreign to me. I think what I saw strange coming to L.A. was that a lot of people are a little bit two-faced. In Puerto Rico, you don't get that.
I wash my hair once a week. You can do that. I swear. My sister-in-law and all of my friends were like, 'I can't do that. It sounds gross.' Once you train your hair, it will do whatever you want it to do. And on day seven when it's too oily, you just put it in a ponytail.
Earlier, looking lighter or slimmer never mattered to me. Frankly, I didn't care. I had more important things to do. But when I figured that it's not that hard, and I have the time, passion and patience to take it up, I jumped onto the health-wagon. I started working out.
No support of one star or one director or one producer can make any individual actor a star. You have to connect with the audience; the audience have to like you. That is something that cannot be manipulated or fought for or tried for. Either they like you, or they don't.
After about a month of living on my own, I began to feel it. I bought some plants. I remember I named one of them Penelope, and I would talk to her and water her every day. Apparently, I over-watered her, and she died. That's when I knew I needed a roommate. So I got one.
That's the funny thing about life. We're rarely aware of the bullets we dodge. The just-misses. The almost-never-happeneds. We spend so much time worrying about how the future is going to play out and not nearly enough time admiring the precious perfection of the present.
I think the best advice I ever got about acting was from my dad, which was, 'If they don't buy the fish on the first toss, throw it back in the wagon and go to the second house.' Which is like an old Jewish fishmongers' story about how you become a successful fish monger.
If wearing the Spanx helps you get looks, and you feel that energy and response, and you're rocking your body with confidence, that's still how you'll feel about yourself when you get home and take the Spanx off... If your attitude improves from the Spanx, wear the Spanx!
The '80s to me, more than anything else, represents a time of real criminal activity in the office of the president: an incredibly disparate economy in terms of the class distinctions and whatnot, and a tremendous shallowness - a lot of sort of bank robbery by executives.
Acting is interesting because you get to be involved in different stories and get to work with different people. Also, acting allows one to be a part of different stories, travel to different parts of the country and all the experiences put together make life interesting.
I wanted to deliver babies and become a midwife. I think childbirth is one of the most amazing things you could ever experience, and I loved working with people and seeing the joys in family when they welcome a new member to it. It really brought me joy to be around that.
Just because you're part of 'Twilight' does not mean you're a superstar. It means that you're given the opportunity to maybe become one later if you work hard. Once fandom goes away, which it will very soon, it's all about having your priorities straight and working hard.
Me in high school, I was kind of a loner. I had a handful of friends. I'd eat my lunch in my car every day in my senior year. I went to ballet. I was a ballerina, so I was very focused on that. You kind of have to be. That was two-thirds of my week, going to ballet class.
A movie is painting, it's photography, it's literature - because you have to have the screenplay - it's music. Put a different soundtrack to a comedy and it's a tragedy. A movie combines all those forms and forces you to pay attention for two hours with a group of people.
So many people from the West are coming into India, all the studios have come into India, and they're making films here, whether that's Fox, Warner Bros, Disney, everyone. That stands as testament for us, so why are we afraid of sharing our talent with the world? We must.
It's not good to assume what your kid wants. It's not good to push them in their own way. It's not good to make them do something you wanted to do but didn't have the chance to. You should listen to what your kids are saying, and let them live, and let them be themselves.
We cannot talk with [animals] as we can with human beings, yet we can communicate with them on mental and emotional levels. They should, however, be accorded equality in that they should receive both compassion and respect; it is unworthy of us to exploit them in any way.
I always find time to read novels and poetry as well as scripts; I like to enjoy different kinds of storytelling. I spend time at the beach and with my loved ones. I like traveling to unfamiliar places to challenge my perspectives and glean wisdom from other ways of life.
The last word always belongs to the audience. ... Yes, that is a most powerful feeling. One that is worth savouring on dark nights when the wind blows. On the other hand, there is no way of ever knowing, when one steps out into that circle, if the connection will be made.
I've gone into auditions, and I think they have an assumption about me when they see my photo, and then I open my mouth, and they say, 'Where exactly are you from? And you were born in Ethiopia? But you're Irish, but you also kind of sound English. That's really strange.'
A different script calls for different things. It always takes me a long time to get to know the part, and know the logic behind the words. I have to be with the script for quite a long time before things start to fall into place, before they become part of the character.
What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
There are scripts when you fall so much in love with your character. And if you are lucky and offered this part, you should not tempt your fate and go to the greatest extent to be/to play this character. If you have an opportunity to do that and you do not, it's shameful.
When I would get close on a part but wouldn't get it, I would be like, "They made a mistake," which is not how I think about things now. I both admire it and I'm grateful for the modicum of health, knowledge, and humility that I have acquired over the last 10 or 15 years.
The first time you go on holiday is the test of a relationship, when you really find out if you're compatible or not. You find out what's annoying about that person, and whether or not you're willing to put up with that because you love them and you don't want to be alone.
The most important thing is to find the balance between city and nature. I have that 'hippie quality' - my husband is a super-hippie Los Angeles boy - so we'll have to make time to go to Puerto Rico, and upstate New York, and be sure we get to do outdoorsy stuff like that.
After I quote unquote came out as a Republican, one of my dearest gay friends said to me, 'You've got to go on a T.V. show and tell everyone you like gay people.' I was like, 'Why?' He was like, 'Because you're a Republican.' I was like, 'I'm sorry who's stereotyping who?'
I have a problem with fashion magazines sometimes - they seem to have these dogmas or uniforms. 'This is the way you must look; this is this season's must-have.' I really resent the phrase 'must-have.' I prefer to decide for myself what I think is beautiful or fashionable.
A lot of people probably don't realize how difficult it is to stick to that lawyer speak when you're not a lawyer. I see everyone on 'The Good Wife' - everyone, people who have been there since day one - struggling with that language because it is just not how people talk.
I'd never thought much about a series, because I liked the idea of picking a script I liked with a character I thought I could sustain for an hour. In a series, you live with one character day in and day out - and you only hope it will be one that will not drive you crazy.
I was a hostess in a restaurant in New York when I was 21, and I was too good of an employee. I was putting most of my energy into that instead of acting. But my father told my sister and me to look at whatever needed to be done and do that job well, no matter what it was.
While I was in London it was completely upside-down. I got a whole new life and it was a challenge to keep in touch with my life in Ireland, but it was great fun. Now though, I've been back home since November and gradually all connections with my HP life have been fading.
I love to hang out with my friends and go to the movies. My mom and I are involved in the Mother/Daughter Organization - national charity work. Whenever I get free time, we volunteer. It's an organization so mothers and daughters can spend time together while volunteering.
Without my specs on, I think I look really great; then I put them on, and I scream. But at 62, I still think less is better. I use Clarins foundation, but I don't put it everywhere - I hate that covered look - so just on the sides of my nose where the veins have gone bang.