Quotes of All Topics . Occasions . Authors
What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
I seem to have a one-track mind. When I was having babies, I did nothing else. When I do pictures, I go all out. I really think it is easier to manage my seven. You can't afford to humor each one of them. They have to learn to do things when they are told.
I think about that with kids - you want to do everything for them, but you realize if you do everything and you make it easy on them, they won't learn anything and then they will walk around life needing their mamas all the time, and that isn't attractive.
The thing I know about Diana Trout is that she's the hardest-working person. She even says it in season one - that nobody works harder than she does. I believe that's always been true about her. That is why she has high expectations of everyone around her.
By 1951, television had already made such inroads on the income garnered by motion picture companies that the Golden Era which had prevailed until then was beginning to disintegrate. And by 1953, it had come to an end. Hollywood was a dismal, tragic place.
It hasn't really made it easier getting film work. It's not like I can call up a studio or a producer and say - insert haughty voice here - 'It's Parker. I guess you might know me as the indie queen. I'm wondering if you have any projects for me to be in.'
I am very reactive towards everything. There are some who don't react at all, they absorb everything quietly, while I'd go all out and show my expressions. This is not part of some tamasha I do; I do it because it's part of my personality. To each his own.
I'm a tough girl, I know what my job entails - it entails a lot more than standing in front of the camera. So I get it. I won't deny the physicality of it is exhausting, and sometimes my body just can't keep up. But it is ultimately about mind over matter.
My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.
When I see somebody sun-drenched in a shot with their espadrilles and a cup of coffee, I'm like, "Your life is amazing. It's so perfect." I get drawn into that very easily so it totally worked, because the visual style sucks you in. It makes you want that.
I went to regular schools and I was home schooled a lot but I don't have any history in schools. Like, I literally don't exist. I didn't even get a birth certificate until the mid-80s. I always feel like I could be, like, 10 years younger, or maybe I'm 70!
When it is important for you to say something and you find a vehicle to say it, then go for it. It is so rare when that happens so I think every minute spent fighting for it is always worth it. Even if nothing ends up happening, it's still worth the fight.
I had a complicated home life, and my teachers, predominantly my theater teachers and my English teachers, were very dedicated to taking care of me in a particular way. And in doing so, I think I developed a very easy rapport with people older than myself.
Everyone who's ever met Guillermo Del Toro knows that he's the most generous, creative, mind-bogglingly wonderful man. And I was so lucky that he had seen Storytelling and he asked me to do Hellboy. And then I watched Devil's Backbone and I was blown away.
The Bruce Lee Action Museum will represent action in the sense that the word is not just used to mean action in the martial arts or films. It is really meant to be a much broader definition as far as taking action, my father's belief of self-actualization.
I don't care about controversies. I am a young woman with an opinion about certain things. I can't be diplomatic. I am a feminist, and as long as I can be the voice of hundreds of girls out there, I will speak my mind. I don't care what other people think.
Even though the neighborhood I grew up in had some unhealthy elements, there was a caring there where you knew that you didn't want to get caught doing something wrong. There were bright spots in the neighborhood where I felt nurtured on a community level.
I really love doing period pieces. I don't feel I've gotten a chance yet in my career to explore it as much as I'd like to. So I'll constantly look for opportunities to play in those worlds and hopefully be able to express those characters as well someday.
I used to wait tables at Gladstone's, a seafood restaurant, day in and day out. I made some of my best friends there. I taught dance and acting lessons to kids. It was awesome - an outreach program, Voices Unheard. I was a messenger for a couple of months.
It takes a lot of bravery to be authentic and honest and to take that social mask off in order to connect with another human being. So much of what makes us who we are is smoothed away online. And what truly connects us is the wrinkles, not the smoothness.
I was going to school thinking I was going to do something entirely different, thought acting was just a hobby at that point, met Stanley Kubrick and was like, 'Whoa, this can be an art form, and you can really move people the way you do simply by acting.'
Water has always been something that I care deeply about, and I'm very aware of its limits on this planet. If we don't change our behavior around water, water will become as valuable as oil. That is a given. When people don't understand that, I'm surprised.
Of course, like any woman, I look in the mirror and think, 'Oh, wouldn't I look better with a bit of Botox?' But you've got to find comfort in your own skin. I've watched women stretch themselves year after year until their faces are no longer recognisable.
I just love to act. I like to get away, totally play a different character, someone you can get really involved in knowing. I've gotten really involved in some characters and written down little summaries of where they live and what their families are like.
When people send people on summer camps or bonding trips, they send them to do things like high rope climbing or extraordinary things. And when you do extraordinary things with people, like fighting battles or simulating huge wars, you do bond very quickly.
The assault on our body image, the hypersexualization of girls and women and subsequent degradation of our sexuality as we walk through the decades, and the general incessant objectification is what this conversation allegedly about my face is really about.
It's funny, though, because when I first started going to races after we met, I was extremely nervous. It's like being backstage and hoping you don't trip over something or break an amp or accidentally speak into a live microphone, so I was really hesitant.
I did dancing and singing when I was little, and then when I was 12 years old my friends were taking speech and drama at school. They were private lessons, and I started doing that. Over the years everyone else dropped out and I just kept going. I loved it.
When things have gone really wrong in my life, I've cried like a child. I have really, really cried. I cry it out. Two-three days I cry, and then I'm like, enough, time to deal with reality and figure a way out. This is the way I have dealt with everything.
I remember the moment that I realized that I was going to get the opportunity to be in my dream role, and I said, 'I just don't think life gets any better!' You have to take that moment and expand it for as long as possible because it's such a cool feeling.
There are a lot of sacrifices a mother makes when she's raising a child by herself. I saw it when I was growing up, watching all my mother did for me. But it wasn't until recently that I fully understood the price she paid because of how we had to struggle.
It was not easy for my mother, being a struggling actress and raising a child. We were these two sort of vagabonds, never knowing where the money was going to come from. She always says she couldn't afford a babysitter, which is why she put me on the stage.
The only reason I would stay away from a period piece is because sometimes the women are painted in a very stereotypical weakling, wallflower way - that's something I don't want to do. I want to show strength in the women I play, and a journey of some sort.
When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Juilliard and the National Institute of Dramatic Arts in Sydney, Australia.
When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Julliard, and the National Institute of Dramatic Arts in Sydney, Australia.
I think for everything that people say about me as a person today - whether it's about being disciplined and grounded or whatever - I think a lot of it is a credit to my father, who has been a massive influence in my life both professionally and personally.
I was cast in this commercial called "Hour After Hour." It was for a deodorant that won't wear off. And [Susan Sarandon] became the Hour After Hour girl after me. But I never met her. So I didn't really know Susan till after this movie [ "The Big Wedding"].
My earliest memory is seeing Michael Jackson in Melbourne with my sister when I was about ten. I still have this souvenir stick with a glove that would light up and make a peace sign in a bunch of different colors. I'm so happy my mom didn't throw that out.
I definitely gravitate towards quality genre projects and genre of any kind whether it's science fiction, horror or really anything. I'm just drawn to quality. I don't think 'Darkness Falls' is horror; there isn't any gore by any stretch of the imagination.
I've been in the studio experimenting on making a CD of my own. I'm trying out different producers, styles, sounds. With music, as opposed to acting, you are not playing a character. You are showing people who you are. I really want to have my spirit in it.
I see kids and young adults walking the streets of L.A. with this enormous sense of entitlement, who seem to think that if they are basically good people and pay their bills, then the world will be good back to them. And I think life isn't always like that.
It was this feeling the whole time like I shouldn't be here among all these stars and professionals. I was trying to keep my distance because I wanted to watch everyone. But they want you to feel at home and be part of it, and it became normal very quickly.
I know we've had AI films, but they've been quite specific in their scope. The scope of 'Humans' is a world set up where this technology is universally accepted. I haven't seen anything that's dealt with it in that multi-layered, every-layer-of-society way.
I really hope it engenders a lot of conversation because I believe there are a lot of people who put on faces. We all do it, every time we walk out the door. And there are a lot of people who have to hide who they are. And I think this story speaks to that.
I grew up in a family of filmmakers, so I always wanted to make films about animals, especially comical films. Something about animals amuses me. And they have a great mystery. It's the same mystique some people might feel looking at the stars or the ocean.
I loved being at the studio (20th Century-Fox). After all, I started at 15, and I grew up there. But there comes a time when an actress stays too long in the same place. People get used to having you around, and they can`t think of you in a different light.
[Her message to women and girls of the world] You are more powerful than you can possibly imagine. You are more powerful than you can possibly imagine. And it is incumbent upon you to use that power - not only for yourself, but for everyone else around you.
I was a complete brat but was an angel with my mother. I used to be perfectly behaved, and my mother used to be like... 'Really, are you badly behaved with other people?' I was like, 'No, not at all.' But the minute she used to leave the room, I was a brat.
We don't expect someone in a bikini to stand up for women's rights; we only expect a girl in an 'NGO outfit' to speak about it. It's as much as the right of the girl in the bikini to talk about it as a woman in a kurta. We need to embrace that multiplicity.
Male actors get into production, share profit, and they don't take money at times but are involved in some capacity which is economical and resourceful. These things suit them; as they have made a place for themselves, they have command over the box office.