Quotes of All Topics . Occasions . Authors
Sharing words with someone you have never met is like observing a shadow, without seeing the whole person; the place where my shadow touches theirs, is the place where our words meet, and it is in that place where wonderful exchanges can take place.
Television has changed. There's obviously the generic shows, but on HBO and AMC, there are some really great series, so I'm not closed off to television. If there's an amazing role with amazing people and a great story, I'd definitely be open to it.
You don't know if the actors are going to have chemistry until you actually start filming. They can get along, they can be friends for years, they can be hilarious as people, but you don't know if it'll actually work until the cameras start rolling.
I actually wanted to be a doctor. But doing all those horrid rat dissections made me faint. I studied science till the 12th standard and later took up commerce. I was planning to do chartered accountancy, but fate had something else in store for me.
When I was 14, my mother died. My father, who had always had ulcers, came apart. He had a series of intestinal operations, and was in the hospital for nearly a year. So the four of us teenagers lived by ourselves in the apartment without a guardian.
Yes, my life has changed in terms of the fame and the success, the number of eye balls on you all the time. I like to believe that it has not changed my ideology, the person that I am. I have people like Anna and my mom, my friends who tell me that.
A great day in New York would be to wake up, get a cup of coffee and head up to Central Park for a nice walk. Then I'd go down to the East Village and stroll around. After that, maybe I'd go check out a museum or catch an indie film at the Angelika.
The world looks at China as a big place with a lot of people, a good place to make money. And because so many Chinese families send their kids abroad to study, they are familiar with foreign cultures, so Hollywood films are very successful in China.
At one point I was introduced to a devastatingly handsome young man -- beautiful, really -- with black unruly hair, large sensitive eyes fringed by long dark lashes, a full sensuous mouth -- and an irresistible personality. His name was Tony Curtis.
I'm really drawn to comedy. I grew up in the South, so I'm drawn to all things southern, so my role in 'Getting On' has been fun for me to play something southern - I always feel like I understand those characters more because of where I was raised.
When something's wrong, even though you're the one doing it, you shouldn't feel defensive about it. It's hard because you have to protect yourself as a person in your life, but you can't protect yourself as an actor. You have to just take criticism.
What I do now, when I'm taking on a film, I always ask about the fairness of the pay. I ask what they're offering me in comparison to the guy. I don't care about how much I get paid; I'm in an industry where we're overcompensated for the work we do.
If you're one of the only women on a set - if it's you and a bunch of men - you feel like your value doesn't come from your thoughts and your talent and what you say: your value comes from how you look and how you're perceived by the men around you.
The only way my mother's beauty really affected me was that I always assumed that someday I would look like her. Then, late in my teens, I looked at a photo of her when she was younger than I was then, and I realised, no, it's never going to happen.
I've been very blessed, I think, or what do you call it... mmm... lucky to get at this stage what I have. It's not like I've come from acting school and done work at an academy or something. I feel I've been given a very huge chance and opportunity.
I'm not a big spender or shopper. Neither am I extravagant, nor do I have big expenses. I mainly spend on travel. I don't buy overpriced clothes, as I feel such expenses are unnecessary. I probably wouldn't buy expensive watches or jewellery either.
I started acting when I moved to California when I was nineteen. I started auditioning. I was waiting on my manager at the time. I was waiting on her table, and she sent me on an audition. From there, I just kept auditioning and, luckily, got parts.
I've got to be able to get my time off whether it's just enjoying my house or the peace and quiet of my family and being there and cooking for them. I love doing that. I also love doing leisure things. I ride horses. I love to shop. I love to drive!
I'm one of those women who's not to be messed with. I'm very opinionated and boisterous at times. I'm also kind and humble. I know when to fold and when to hold, and that's important. If my edge scares you, then you have a choice to remove yourself.
I love to see how a character unfolds off the page in a project. I don't always know how the character is going to turn out, even with the script being there. It's not always clear where that character is going to take me. Or where I will take them.
I got my first professional job at Harvard, at the Loeb Drama Center, and I remember sitting on campus one day under a tree - I was doing 'Threepenny Opera.' I was reading a book, and the light caught me, and I thought, 'I want to be in the movies.'
With BSG, sci-fi is the human experience taken beyond the envelope. When I first became involved with the project, I knew that I would be able to play a human being for many years, exploring and reflecting on issues that would impact people's lives.
This may sound surprising for someone who works in Hollywood, but I do not count calories, and I don't even care about weight gain, which I know sounds really bizarre. I listen to my body. I don't just wake up in the morning and cook whatever I eat.
I had a very big crush on Errol Flynn during 'Captain Blood.' I thought he was absolutely smashing for three solid years, but he never guessed. Then he had one on me but nothing came of it. I'm not going to regret that; it could have ruined my life.
The thing I love about vampires that I find so fascinating is that, unlike other sci-fi creations, they aren't monsters from the get-go, they're human beings first... and so what kind of human you are would dictate what kind of vampire you would be.
It's funny, honestly, by rights, with a lot of the stuff that's happened to me I should be running down the street with my hair on fire, but instead I want to shape things, and I want to shake things up. There's nothing wrong with being an agitator.
Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.
The monster of advertisement...is a sort of octopus with innumerable tentacles. It throws out to right and left, in front and behind, its clammy arms, and gathers in, through its thousand little suckers, all the gossip and slander and praise afloat.
I don't know if I was a desirable person, not just physically but emotionally and mentally and intellectually. I still have a long way go and a lot to learn, but I'm on my way, I don't think I'm terribly attractive, but I'm comfortable with my looks
Well, there's two things that happen when people experience something, whether it's a song, a television show, a film, a book or any piece of art. It connects them to a certain part of their life and whatever was going on at that time in their life.
I would like to see more of the making of just regular television shows. Like the casting process. I think it's so fascinating to watch the actors come in and see how they discuss everybody afterwards. It's a crazy world that has no rhyme or reason.
I'm eternally grateful for the fact that I'm doing what I like best. I thank my stars for it. I wonder why I wasted all that time being fat. I should have lost weight and started acting earlier. But as they say, things happen when they are meant to.
Coming from being a dancer, it was a great way for me to transition into being an actress. I get to really be expressive through my physical self, and that was just a comfortable way for me to start experimenting with how to get my character across.
When I was a little girl, I told everyone I was going to marry a very clever scientist and have ten children. I would always draw the children, and they included blond-haired twin boys whom I named Theodore and Frederick: Teddy and Freddy for short.
All you have is yourself and what you have to present, and just focus on that. And if you can walk out of the audition and say to yourself, 'I hit all my beats,' 'I accomplished my emotional honesty,' or 'I remembered my words,' then that's winning.
I vividly remember watching women in films when I was nine or 10, picturing them being what I'd be like as an adult. I had these real female crushes on certain actresses. And I'd watch them, thinking, 'One day, I'll be that. One day I'll be a woman.'
One of the great perks of being an actor is you're only as smart as the job you're in, you know, and you're only as informed as the job you're in, and you do become an expert, and you read all the books, but then there's a part of, like, you move on.
The feeling of gravity on your body and then off your body is so traumatic. But incredible. We with Tom Cruise were just like, "Let's do this, let's have an adventure - let's make something beautiful onscreen." No wires. Let's not cheat the audience.
I admire people who find that what fulfills them is their art or their work, but what fulfills both me and my husband is our family. Knowing that, everything else comes second. We've each given up stuff we loved in order to not work at the same time.
I love producing. My dream as a producer is to be able to build a company that can be a safe haven for artists, for directors and for writers and actors to do what they do best and let them have final edit. I'd like to build something to that effect.
I grew up doing all that stuff because I was obsessed with the '50s. I had sock hops for birthday parties. So I've always done The Twist and stuff. It was pretty natural and, with my parents doing it all the time, I'd just copy them. Not very pretty.
I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene. I had really short hair and started blurring the line a bit. But for me, grade school was about Benetton, Esprit, and Guess jeans.
You love your child and you want to protect your child more than anything on this planet, and yet by the time they're 17, 18, they're going to step into this world, and that world will not feel the same compunction, necessarily, toward your daughter.
I love cities that are on the water. I love the water element, specifically the sea. I grew up on the sea and I grew up sailing - I love sailing - and the presence of the sea gives the air and the light a very special quality that I absolutely adore.
The trend for documentaries will never go away, because everybody wants to learn about the world. The world is awful in parts, but there's always going to be briliant documentaries about it, and there's always going to be people who want to see them.
'Among Friends' was really well written and had strong characters, and while all the elements were there to make it a great genre film, it also left room for me to put a creative flair on it that wasn't your typical slasher or psychological thriller.
When you look at a person, any person, everyone has a story. Everyone has gone through something that has changed their life. Anxiety, depression and panic attacks are not signs of weakness. They are signs of trying to remain strong for way too long.
I have never had so much fun as in Montreal. I taught the kids French, I baby-sat, I went to school, I was a receptionist at a hairdresser's, I danced and drank all night. I found that the more you do, the more you have time to do... it's weird, non?
I was in the chorus in high school, not a soloist. I was on the basketball team. I was in modern dance, part of the group. I was a cheerleader, part of the group. I played the violin, part of the orchestra. I never wanted to be out there alone. Ever.
I think that there's a clinical mental illness called depression, but I believe that post-industrial America has been narcotized by progress. There's a cultural malaise - mental illness or no - that everybody suffers from at some point in their life.