Quotes of All Topics . Occasions . Authors
A director once told me, "You need to act like you're on mute and speak as though the viewer is in the other room doing the dishes." You become a part of the house. We can make fun of telenovelas, but not to the point where we're mocking them.
I think 'Glee' was a freshman comedy, and I think whenever it's your debut season, you get compared a lot to the other shows, regardless if there's any sort of overlap in content or tone or anything, just because you came out in the same year.
There were definitely bands and musicians I liked that drove my mother insane. I probably liked them all the more for it! Bjork drove my mom nuts. What I listened to was actually pretty mom-friendly for the most part. I wasn't very rebellious.
The process with the play, obviously, it belongs to you by the time you're stepping on stage in front of that audience for the first time. You can change it by just a look or things you're not even conscious of, but it's such a full immersion.
The rivalry between the Montague and the Capulet kids seems very modern to me. Juliet is a free spirit, full of untapped love and passion. I think a lot of girls can relate to her. And it's very relevant in terms of kids defying their parents.
The things you leave school knowing - some dates and long division - so much of it has been of no use to me. Schools should teach the basics of cookery, first aid, how to look after your money and how to speak foreign languages. Useful things.
I actually failed my first license test. I got an automatic fail. I guess I had been doing well but she had to pull the emergency brake so obviously there was a problem. I remember them handing me my fail paper and me just bursting into tears.
I don't think Roger Dodger is really about men. I think it is more about relationships and about how you present yourself, not only to the opposite sex, but to yourself. What lies are you going to tell yourself in order to get through the day?
I think there's really no rhyme or reason as to what keeps a show on air. Surely it's a numbers game, but some of the best shows get canceled, and some shows where you don't totally understand why they're on the air stay on for 15 or 20 years.
My views are very fluctuating. I have very contradictory takes on the subject. Dating is easier, while marriage is hard work. You see your friends having early divorces, and on the other hand, you see your parents having a successful marriage.
There was a time when I feel that I need to take time to know more about the industry, the workings of it. I was doing my modeling, which I really wanted to do at the time. So that's why even my entry into films was later than people expected.
It doesn't matter to me. I'm just worried. It's the first time I've see Teach like that. He said he had two regrets...Once, 20 years ago. And once when you hurt your wrist. He said he didn't ever want to regret again. I wonder what that means.
The character is important, of course, but I like when there's intelligence in a movie. I like when it's, how do you say, sensible. So for me a film is very subjective, and it's a point of view. I like to be brought into a world of a director.
I had a mini marathon once I landed the role - going from 'Splendor in the Grass' to 'Bonnie and Clyde' to 'Shampoo' to 'Reds.' I watched them back to back. I found that when you're in the mood for 'Reds,' you're not in the mood for 'Shampoo.'
As a viewer, I'm personally less interested in the damaged, white, middle-class male figuring out his dreams and more interested in maybe an underdog figuring out how they're going to survive in a world that doesn't necessarily invite them in.
I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.
I always imagined that magically, at some point, I would settle into this very easy and refined sophistication, but it turns out that who you are at eleven is pretty much who you are at 27, so I don't know how much I've learned over the years.
I'm always dying to do more comedic parts, I love it when I get to do something really overblown like Crazy, Stupid, Love that can just be silly. There have always been hilarious women, but I love that they are getting more and more attention.
I've often said in the past that I thought MTV was sort of evil incarnate and signified the beginning of the end. And I don't know if I'm entirely wrong about that, but they did sign my paychecks a year ago, so I guess I'm part of the problem.
I think as actors we need to close read scripts and we need to fully understand the intricacies of dialogue as well as the symbolisms of what the actor wears and what they hold in their hand because that only adds more layers to the character.
Will Rogers wasn't helpful to me at all. He was just concerned with his way of doing things. He didn't like me much because I used to wear slacks to the studio, and that was not done much in those days, so I guess he thought I was rather fast.
I did ride a bike on the streets of Manhattan with four-and-a-half inch heels. Is that fun... or a death wish? You tell me. I was in severe pain, and everyone was laughing at me. That was great. I like when people laugh at me when I'm in pain.
There are movies where I've walked onto the set and felt, "This is home," and I'm confident in myself and my work, but that was my first experience of live TV. At that stage, Friends was at its unassailable height of popularity and brilliance.
There are all these scripts where the women, if they're working, are prostitutes and lawyers with an angry streak who'll kill you. It's a reaction to women leaving their men and men being angry about it and saying it on some subconscious level
Older homeless people are more likely to be women, because they don't have pensions and they are caretakers, so they withdraw from the workforce and end up having no pension if their husband leaves them, so the whole thing is just a nightmare.
Luck always favours the brave. And you must remember that brave are the people who follow their heart; brave are the people who take chances in life. Which also means you have to say no sometimes. I believe the power of no is greater than yes.
I think that women are powerful and they're multifaceted and they're survivors; they don't have to depend on a man to do the things they needed them to do, whether it was hunting or lifting heavy things, so what's a man's place now? Who knows!
I didn't intend to even become an actor. I was studying fashion, and I think acting just happened by chance. It really felt more like I was watching a movie from outside, like it was happening to someone else. It's been a great journey so far.
With the right information at our fingertips, we can always make better decisions. That is one of the reasons I'm working with Tom's of Maine, in particular. For decades they've provided information about ingredients, their purpose and source.
When you're dead, you're dead. No one is going to remember me when I'm dead. Oh, maybe a few friends will remember me affectionately. Being remembered isn't the most important thing, anyhow. It's what you do when you are here that's important.
I like to look at American and European street style. Basically, I look at things I like and want to buy, just like everyone else. But having said that, I think that it can be a bad idea to pay too close attention to someone else's total look.
Actually, I think I'm part of the last generation to grow up believing in magic and fairies and believing I had powers - you know, lying on the ground and trying to have my spirit leave my body - which never happened; still working on that bit.
There are two things that give me perfect happiness - doing the perfect shot and travelling. I get stressed, really stressed by the fact that there is just so much to see and I am not going to live long enough to visit all the places I want to.
When I moved to New York, I started switching fragrances. Between different seasons I would change fragrance, or if I was going out for a big fancy night versus going out in the daytime. But I also found that I was changing and growing so much.
I don't consider roles like in 'Die Hard' what I do. This is like a hobby. It's fun. I had a good time. And I love being in a movie that people actually go see. But it's about things getting blown up. It's not about great character development.
My grandfather had been on the New York City force with his 11 brothers around the turn of the century. He was killed in the line of duty. My father, who was 16, was the oldest son, so he had to quit school and go to work to support his mother.
I feel like success to me is about feeling like I have done something in storytelling, where I've gotten close to articulating something intangible that I'm feeling, and I think I get closer every time, but I don't know that I've done that yet.
I think that in order for anything to work on television, you have to have conflict. Nothing can be too happy or it's boring. People don't want to watch that - they want to watch things that are exciting and dangerous and sexy and have tension.
It's something I deal with to this day, a fear of falling back into that darkness. I see athletes go through a similar thing. ... With athletes, it's never fully understood the level to which we push ourselves. Especially in an endurance sport.
Los Angeles is a really strange place. I grew up there like a normal kid, but it was not until I experienced other parts of the world that I realized how really and truly bizarre to the core it is - inside the homes of the powerful and damaged.
I think people want to stay home and run movies with their whole family at home. It become a family hobby instead of going out to the theater, sad to say. But I think it's very good because it reaches millions that would never see these movies.
I was chomping at the bit to get my career started - so after I took all the theater courses at Brooklyn College I enrolled in a two year program at AMDA in the city (The American Musical Dramatic Academy) I was there for 6 months and loved it.
I'm always like, 'I can't believe I sound like my mother.' I remember running out of the house telling, 'Put your shoes on or you're going to get sick!' That's an old wives' tale, but it's like some weird mind control that I would be like that.
She is a 13-year-old girl who shares Amanda's name, and politely explained that she could not give up the website. Why? Because the younger Amanda plans to be president of the United States, and she's going to need the website for her campaign.
There are jobs to be created on both sides of the climate argument. Whether we are investing in oil or sun, coal or wind, gas or algae, the economy will be stimulated by the investment. The economy, unlike each of us, is not swayed by ideology.
I trained with Olympics Athlete Jeanette Kwakye - who is amazing! And Shani Anderson, who is an excellent Olympic runner. We trained five times a week; running, circuits, weights, working out in the gym, and on the track. It was an insane time.
People ask why I always play crazy people and free spirits. I guess it is because I like to have fun. But I am more ambitious than your average free spirit. This job is hard enough that, without drive and hard work, you will never make it work.
I've started doing my Kathak, and I rehearse every day. Also, I'm eating right and keeping in shape. I'm a non-smoker and non-drinker and essentially a happy person. That's what counts the most. Your well-being is reflected in your personality.
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
Many countries had a hand in raising me. I am the product of many contradicting philosophies and cultures... My entire universe is comprised of these foreign traditions. If any one of these experiences are to be ignored, I wouldn't be the same.