Quotes of All Topics . Occasions . Authors
I enjoy being an actress a lot, because I can feel different women's lives. I have the chance to feel like a geisha one day, and on another day maybe a scientist. That's the interesting part for me. My profession has helped me to grow up.
I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
I'm a big fan of being able to hold those long shots and use space. I don't know, I think everything's so quick cut these days, as if films are too afraid that the audience is going to get bored instead of relaxing and trusting their work.
It's either feast or famine, and that's the way it's been for as long as I can remember. I've spent my whole career thinking I'll never work again. Every actor lives with that insecurity. You just have to negotiate the rapids as they come.
I love the roles that I'm having the chance to play, and I've learned to just let go a little. Children teach you that, every day. Life is large, so do the best you can and move on. Do everything you can in a given day, and then let it go.
I'm from a family with five kids in it, and my father almost became a Catholic priest. And my mother never went to church, but she's the best Christian I know. My siblings have all chosen different paths to or away from their spirituality.
Pat Phoenix kept that amazing sassy look. I always wonder, was that because she was thrilled with that look, and thought it looked marvellous, or was it because she was too scared to change it? It's a double thing. Security and insecurity.
After 30 years in the theater, I'm used to having a great amount of control over what I do. But with '24', you place your character's life in the writers' hands, and you have no idea what's going to happen until you're sent the next pages.
Most of the models have this thing I call slouchy sexy, not only in the way they dress, but in the way carry themselves. I don't think they would look hot in one of my dresses. They are more into A. Wang. Most of my clothes are nerdy sexy.
A definite highlight was doing 'The Brothers McMullen.' Shooting that movie was such a joy - and then we wound up winning the Sundance Film Festival. That big-break moment is visceral. It happens once in a decade, maybe once in a lifetime.
I was often told that I wasn't a thing. 'She's not pretty enough. She's not tall enough. She's not thin enough. She's not fat enough.' I thought, 'O.K., someday you're going to be looking for someone not, not, not, not, and there I'll be.'
Because of my own insecurities about the way I look, I do sometimes sabotage the looks of my characters by making them as homely as possible. I've never done a glamour part. I'd like to some day, though I don't know if I could pull it off.
It was a long time ago: 'Angela's Ashes' by Frank McCourt. It was a great story that was lasting, and I loved it so much. I also love Nora Ephron. I gobble up everything she writes. Also, I love Anthony Bourdain, very irreverent and funny.
One of the great issues in biology is the origin of altruism - of why you would do something for someone else that could hurt you - and Darwin posited that it might be rooted in maternal instinct, in sacrificing yourself for your children.
My mom was a big 'Smurfs' fan, so she would force me to watch every Saturday morning. I had no choice in the matter. I would jump downstairs on Saturday morning, 'Hurray, cartoons!' and she would say, 'Smurfs! That's what you're watching.'
These days, people like me who are in the arts are perceived as celebrity writers. That really makes me angry because I expend a great deal of effort and spend an enormous amount of time on my books. And I've been writing now for 35 years.
If I'm reading about a river or the trees or the wind blowing or the stars at night, if you can hear that in the music in some way, you've wedded the two and your imagination takes off. To be able to hear that in music is really important.
Marriage is made out to be so important for girls but the focus has to shift at some point from marriage to the real challenges of life which are the same for women and men, so we have to prepare our girls just the way we prepare our boys.
My man has to be more intelligent than I am, which is difficult to find. He should definitely be more successful than me, which is not so difficult to find. I'd be a fool to expect a better looking man than me, which is impossible to find.
For a long time, I really blithely walked around in the world imagining that gender didn't matter any more and behaving like I was on equal footing with other people. And I think, for a long time, it was easy to live in the world that way.
I put my career in second place throughout both my marriages and it suffered. I don't regret it. You make choices. If you want a good marriage, you must pay attention to that. If you want to be independent, go ahead. You can't have it all.
Everything was just so spot on and character-building for me in terms of creating Celia [Bryant]. The ability to get to wear all these vintage pieces and immerse yourself in that world and get to wear all these amazing hats. And the shoes!
Our business is complicated because intimacy is part and parcel of our profession; as actors, we are paid to do very intimate things in public. That's why someone can have the audacity to invite you to their home or hotel, and you show up.
I just like the insides of things and finding ways into microscopic worlds. There's also an element of control, taking things apart and putting them back together. It's a very tedious task. You can be alone and create a world for yourself.
I was imagining a long life of being a stone cold loser. Then I got a job, which was really nice, then I got a great agent, a great manager, which was really nice. I was doing a lot of set ups, and, you know, I got to start working in L.A.
I've cracked my head open before; I've had some great injuries. So I have to do it on the side now. I cracked my head open kiting before a competition in New Caledonia. The water was shallow, and I missed a trick and hit my head on a rock.
During cancer, when I was flat out on the bed, I was so helpless. I wanted to do things my way, but it was not happening. I learnt to trust the process of life and letting other people also sometimes take control. I became more easy-going.
I'd just like to see a role for women where someone who isn't traditionally attractive is not portraying the best friend. You know, the character that only speaks in questions. "Gee, are you gonna go out with him? Do you think I look fat?"
I'd just like to see a role for women where someone who isn't traditionally attractive is not portraying the best friend. You know, the character that only speaks in questions. 'Gee, are you gonna go out with him? Do you think I look fat?'
Well, I don't know what Ron has in mind, but I do know about the arc of the show. Looking at how intuitive and instinctive Eddie and I play, that is the sort of thing that leads into sexual chemistry. I wouldn't be surprised if it emerged.
Everybody just asks me 'Are you going to make Hollywood movies now?' First, I don't know. Second, I never dreamed about that; I just dreamed about making movies with Tarantino. So if I can make movies with a lot of amazing directors - yes.
When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.
Famously, Anne Boleyn was not a beauty: she was more about quirkiness and an innate sensuality, and there are a lot of references to her eyes. Which sends out a great message for women, because life is not about the aesthetic all the time.
I get accused of having a haughty smugness. I have a lopsided mouth. I can't help it. I was born with it. It looks as if I am smirking. I have had my publicist tell me, 'Don't do that smile on the red carpet.' I'm, like, 'That's my smile.'
Part of the reason for moving to New York was the sense that it just didn't matter how much work I did in England, I continued to be seen simply as a Redgrave. I did feel I could be who I am in New York and we all like to feel appreciated.
Sometimes you just want to go out and tell everybody everything because you're just so full of happiness. It's almost like you're high on it and you just want to tell everybody about your experience, but you're not allowed to say anything.
When I'm not shooting, I don't wear much makeup. I just moisturize and maybe put on a berry-colored balm on my lips and cheeks, and then mascara - that's it. My face and hair gets abused every single day, so I try take it easy on off days.
When I was in high school in America, I didn't see anyone who looked like me - hardly ever. I just thought that was normal because you don't know any better. So I used to idolize so many other people, like Sarah Michelle Gellar on 'Buffy.'
My brother was scouted for a commercial when he was three, and it was just because he could speak clearly and was well behaved, basically. I don't think he had any amazing acting ability at that age - although he is actually a great actor.
When I was little, I thought that everyone wanted to hold me as a baby because I was this thing of fascination. But rather than this thing that wasn't quite right, I just felt that my difference was something that was probably very exotic.
I had quite a scattered childhood. I was Irish in London, because I had my secondary school education there. I never really fitted anywhere. I didn't feel it was a negative thing, and I was never made to feel different - I just knew I was.
I like to eat. I'm always on the edge of how much can I eat without looking too - you know. If I eat something salty, it makes me want something sweet. I eat something sweet, then I want salty. And exercise is not my thing, though I do it.
I'm not as klutzy as I used to be... I've had visual therapy and all kinds of things to help, but I still wrap my purse around chair legs when I stand up to leave. I do ridiculous things on camera because I do them in my life all the time.
In terms of watching other directors, it's more like I go on set now, and I'm prepared, as an actor, and ready to give them everything, but at the same time, you observe how everybody else does it because there's always something to learn.
I proud to say that most of the Iranians love me and love my work. I love them, and I always have them in my mind when I work. There are few people who do not agree with me, but truly, I don't care. I call myself an actress with a mission.
Back then I didn't think a woman like that, or a relationship like that, could exist with complete freedom and no jealousy or possessiveness. I thought it sounded too good to be true and I was certainly convinced it wasn't the life for me!
It's funny you can pretty much substitute the same actors in that top tier, whether it's a Chris Evans or a Chris Pratt or a Chris Pine, for different movies and it becomes almost a joke. But it doesn't happen that way for people of color.
I think, as an actor, when you're starting off early in your career, you're kind of just seeing what lands. But 'Veronica Mars' definitely primed me to look for surprising, dynamic women. It took me awhile to realize how cool that job was.
Maybe this is a way of gaslighting myself, but I think of it this way: In certain circles, my grandpa was considered to be one of the seminal directors of the 20th century. I'm never going to be that. So I might as well do whatever I want.
I've done a lot of independent film, which are short shoots that are usually four to six weeks, max. I enjoy everything. After one particular experience of work, I like to go in the opposite direction and do a short film, or something else.