Quotes of All Topics . Occasions . Authors
The fact is that we wouldn't have found out about Manzanar except in our story-telling because it was really never told in the American history books when we attended school. So we were very, very lucky to have that part of history told.
One day, my twin sister Sidra and I pranked Tyler Perry on the set of 'For Better or Worse.' I made her dress up as me and do a scene as if she were my character Angela. Tyler says, 'Action!' and my sister starts acting. It was horrible.
I don't know about changing my perspective, because motherhood is such a glorious blessing and I am very thankful for that. It is such a beautiful experience. I so strongly recommend it. It's bliss, love, and fulfillment of another level.
There are so many people I know who could be the greatest film-maker but who will never get the chance to make a movie; it's all about what somebody is going to make back. There are not a lot of romantic ideas about making movies anymore.
Naturally enough when I was a young dancer, I was terribly anxious to get ahead, and to get ahead quickly. I was impatient with all those older people who talked of the long grind to the top, who turned me down for jobs I knew I could do.
It's really difficult for me. Language, I am sorry that I haven't. I think I just always expected that you learn a word in place of a word and when I discovered how difficult the grammar was and learning that was very discouraging for me.
I think a lot of times we're so told in our world that marriage is everything, and having a partner is everything. If you look at our movies and things, it's all directed around that love, and if you don't have that love, how sad you are.
Sometimes people are like, 'Do you want to play strong women?' I don't have to play strong women in order to feel like a strong woman myself, but I do feel it's important to play characters that are complex and interesting and believable.
My parents are just really down-to-earth, earnest, hardworking people that don't want for anything. I think that really served me because when you put more value on experience than things, then you're going to go out and have experiences.
I'd had a French education for three years, my father being in the army. From 9 to 12, I went to French school. I've been sort of part of the culture, part of the geography, since I was quite young - the imprint was there. And I loved it.
Okay, my life isn't that romantic! No one has ever sung to me or wrote a song about me. But, I have to say that it's pretty much the most romantic thing ever. So, if that were ever to really happen to me, I would be really happy about it.
As long as we suspect female actors of being somehow complicit in their own victimization, as willing participants in their own humiliation, we shame the victim and enable the culture of silence that allows predators to act with impunity.
I'm very supportive of women getting to a place in life when it's right for them to start a family. It's important for women to take their time to come into their own. I only want to say we might not have as much time as we think we have.
I've always lived in New York; I never moved to L.A. I was developing and producing and writing a pilot for a year. That took me out of everything for over a year. When that sadly didn't go forward, I shot 'Black Mirror' right after that.
I'm grateful for the exposure that being on a show like The Flash gives me, particularly in this generation of social media and how accessible you can be to fans. And I think it's important to use that platform to send a positive message.
I would love a little bit of a change. I feel so fortunate to have been able to work so much, particularly in the horror-thriller genre, but I would love to be able to do something perhaps a little more dramatic or even a romantic comedy.
Because too much of my life was spent waiting to be seen. Hoping to be seen, hoping to be picked. Once you realize that you aren't looked at that way any more, other things start to happen and you have to depend on other things to get by.
Even if you're unhappy, just pretend that you're happy. Eventually, your smile will be contagious to yourself. I had to learn that, I used to think, 'I'm being fake,' but you know what? Better to be fake and happy than real and miserable.
Even if you're unhappy, just pretend that you're happy. Eventually, your smile will be contagious to yourself. I had to learn that. I used to think, 'I'm being fake,' but you know what? Better to be fake and happy than real and miserable.
Often, the truly great and valuable lessons we learn in life are learned through pain. That's why they call it "growing pains." It's all about yin and yang. And that's not something you order off column A at your local Chinese restaurant.
When Disney was creating Elsa, they based a lot of her movements on that of a ballerina, which was interesting for me to find out because I actually did ballet years ago. That definitely informed some of the ways I made her walk and move.
A friend of mine wrote a script, a feminist romantic comedy. She had a feminist scholar consult on it. My friend said, "Oh, my friend Gillian read it and really loved it." She goes, "Gillian Jacobs, you mean: Britta Perry, feminist icon?"
A friend of mine wrote a script, a feminist romantic comedy. She had a feminist scholar consult on it. My friend said, 'Oh, my friend Gillian read it and really loved it.' She goes, 'Gillian Jacobs, you mean: Britta Perry, feminist icon?'
I went to my mum at about seven or eight and said I want to start acting, but the week before, I had said I wanted to do ballet. She said if I took acting classes for a full year, she would look further into it, and that's how it started.
I highly recommend ClassPass. I spend a fortune on Barry's Bootcamp, Cycle House, SoulCycle, Flywheel, Ballet Barre, SLT Pilates, YogaWorks... I do everything, and I'm always trying different workouts, and I was like, 'Finally, 99 bucks!'
I had been a hurricane all my life. And that was, of course, because I was bipolar and did not know it. And I was - you know, the mania took control. When you're on stage and when you're performing, you're heightened, and it's an extreme.
As you grow, you stretch. You become more, and you have more to give if you've lived and learned and experienced. And I try to stay healthy. I eat as healthy as I can. I drink lots of water, and I work out just about every day of my life.
That's a great feeling to know that I'm going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It's just really nice to work with people that you feel that way about.
The great thing about modern feminism is that women can define what it means to them: it can mean being ambitious, it can mean being emotional, it can mean being sensitive and compassionate and also a leader. It can mean all those things.
You know, making an animated movie is such a lonesome thing. You mostly don't see your fellow actors or anything. You go into your booth, you record all your dialogue. It's very much an issue of trust. You leave it all up to the director.
The librarians that I've spoken to, the teachers and the librarians who really care and do advise parents and children of what's good and what's out there, they are very special. They have a kind of wisdom that a lot of people don't have.
I don't know why everyone feels the pressure to look young. Personally, I hate it. I don't want to inject Botox and look young forever. It's living in denial and anything that has an undercurrent of this philosophy is bad for your growth.
I just want to start conversations. I want to do films that prompt conversations - whether that is positive, negative, indifferent - just ones that you leave the theater wanting to know more, wanting to watch the film over and over again.
I think it's a real gift to be faced with man's potential for extreme cruelty but also man's resilience and the fact that love really does conquer everything. It's the only answer to these kinds of atrocities and it's not a passive thing.
I modeled for a little while in college. I was desperate to travel, and I got scouted, and they wanted me to go to Paris and London for six months. And I discovered that I hated it. I didn't like the expectation to be pretty all the time.
My first introduction to television, and really just the business in general, was working with David Lynch, with his incredibly open, creative mind that was not following any rules. I didn't know it, because I hadn't been in the business.
If there is a book that the script came from you have to read it, you have to see what you can get out of it: mood, back story and things that may not even be in the film. They kick off your imagination and broaden the character, I think.
I think that's the most dangerous kind of sexism: People don't realize it's there and we end up surreptitiously accepting it because it's just part of our culture. I've never experienced explicit, overt, confrontational sexism personally.
The thing I miss about Russia the most is what is called 'black bread.' It's rye bread, and everyone eats it. I slice mine up and put sunflower oil and salt on it... the best thing ever. It was like a little treat for me when I was a kid.
Sometimes you can incubate a character and that can take me a month just sitting on it imagining it, doing everything from sketching it to taking long walks, but sometimes you can see the character immediately. A lot of it is instinctive.
I like strong, strong women who don't go down without a fight. I like iconic roles. They don't come around very often, so I have to wait for them. Obviously I'm not the typical blonde who stands by the side, while the man has all the fun.
For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
I have never denied my background or my culture. I have taught my child to embrace her Mexican heritage, to love my first language, Spanish, to learn about Mexican history, music, folk art, food, and even the Mexican candy I grew up with.
One of my earliest memories is being backstage at Bran Nue Dae in Darwin when I was about eight. Its such a fun, happy show and a real celebration of being Aboriginal... it felt really great and achievable as a career. It all felt normal.
Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney.
If your insides are not well looked-after, then your outsides are going to suffer. It's like a glass that's not cleaned from the inside. Whatever you do to polish it from the outside, it's still going to look dirty. So that's the analogy.
The lead actress is like the host of the party, but when you're the lead actress and you're a producer, you're really throwing the party. You have so much control in making sure everyone is having a really good time and everyone is heard.
I don't like men who treat women like arm candies. He should treat me like an equal or better. And then he should be a good human being. He should see the human side of things. I like men who stand up for what's right and who don't cheat.
We need to be united, and we all need to understand that we're all capable of achieving the American dream. And, but that has to be something that is self-realized. And also, to demonize someone for achieving the American dream is unfair.
I know with Gary Ross especially, he kind of gave me pointers here and there, but he kind of let me become firm in any way that I needed, and he just let me try things and to explore what I can do with my acting. So that was very helpful.