Quotes of All Topics . Occasions . Authors
I get tetchy with myself when I forget. I also get tetchy when directors ask you for take after take after take after take for no apparent reason. I've heard Maggie Smith gets tetchy for the same reason.
I didn't really know what to expect. I had been told about the scale of Cannes, but nothing could have prepared me for just how many people would turn out for our photo calls or for the opening ceremony.
I need to push myself. I'm not saying that I just want to do anything that's shocking, but when you have that combination of a script that's really beautiful and extremely shocking, it's exciting for me.
Of course I am political. You 'ave to be don't you? Every day it is about your future, your right to that future. 'Ow can people ignore this? We 'ave to leave a good world for our children, n'est-ce pas?
When you think of things like medicine, people who have lost limbs now have a chance to have a limb replaced that is connected to the brain that they can actually control with their mind. That's amazing.
I went to college and got my degree in acting, but because it was all theater, I really consider my first couple years on 'Mad Men' as amazing training for working in television and for acting on-camera.
I've always been sort of addicted to genre-jumping. I've never been in the mood to do the same thing I did last time. Hence, me going from 'Big Love' to romantic comedy, to period film I can't sit still.
Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.
I grew up in Italy, and our country is a country of great agriculture and food produce. It wasn't like I was urban and only knew about high-heeled shoes and purses and never knew where my eggs came from.
It's very difficult to have a successful series that can continue to capture and captivate an audience and keep people interested. Because the story, you've got to be able to continue to tell this story.
Southern people are raised with a work ethic. My son is 5 years old and does chores. My mom was a dance teacher, and the training and discipline it takes to be a dancer I've carried with me in Hollywood.
I don't know why people keep banging on about the '60s. I came from a conventional family and I didn't go off with different people - I rather wish I had now, seeing all the fun everyone else was having.
Nanotechnology is really interesting to me. Stuff to sort of make our world a better place, and a cleaner place, through science. And it also explains things that are happening. I've always been into it.
I'm the worst liar - I can't lie for my life. And I don't lie at all, because I'm the worst liar - but as a kid, I thought I was a great liar, so I would lie all the time, but everybody knew I was lying.
Actually, I had a lot of good people with me - my mother's sister did a lot of taking care of me, and I suppose I got more attention than my stepbrothers because at least I got to travel with my parents.
I'm not necessarily [into] pricey products, and I'm not recommending super-fancy stuff. It's more the consistency and the sunblock of it all, engaging in that process - I can be a little snobby about it.
It's only over time that you get to exploring or adding nuances to the character. Like my part in 'Zindagi Na Milegi Dobara' - I am so not the person who wears high heels and totters about like a poodle.
I don't feel drawn to lightness, I need something more. I feel that - oh, I hate saying this, it sounds so wanky - but I feel a real urge to give voices to people we don't usually hear from in real life.
I'm very old-fashioned in some ways because of my father, who thought that being a public servant was an honor. Everyone must find a capacity in which they can serve, because we all benefit from society.
I figured as I got older, the good roles for women would be in the theatre. So 15 years ago I started building a Broadway career to try and develop the chops to be accepted as a great theatrical actress.
I was a freshman and auditioned for the school play. Freshmen usually never got cast. I was the first freshman to be actually given a legitimate part and it was that feeling of 'Wow! I broke the system!'
Thanks to a lot of people, not just myself, 'Whale Rider' had an amazing impact emotionally, and people remember it. I count myself very lucky that all those doors were unlocked, I just had to open them.
I don't like comfort zones. Having never had any drama training, I don't really have a technique, so I'm continually learning new things. I like being frightened, and always having to start from scratch.
Lise: Paris has ways of making people forget. Jerry: Paris? No, not this city. It's too real and too beautiful. It never lets you forget anything. It reaches in and opens you wide, and you stay that way.
You can talk about movies all you want, but I have this porcelain fetish. I've had it since I was a kid, because there were so many kids in my family, the only place I had any solace was in the bathroom.
I guess life offers you opportunities to live your dream. We just have to accept what comes our way and live those moments completely. You will not get back this time again, so live every moment you get.
It's a lot of work to make a marriage work. Just because you have been married for a while doesn't mean you can sit back and relax. You still have to be on your toes. A marriage needs constant attention.
When I first tried the American accent, for a moment I thought I could never be an actor because I just could not do it. But then I thought, 'Okay, it'll just be something that I work at until I get it.'
Of course, every actor wants to play as many roles on the Richter scale as they can, and Rachel Koresh certainly is very different from Supergirl, but she shares a lot of the strength that Supergirl has.
For an actress, everything is always fine - you are looked after, you have your trailer, and everything provided. But the crew are the ones out there in the wilds all the time, hours before and after us.
I used to audition like crazy - I would go on a hundred before I got anything. It took me a long time to get any jobs at all. It was hard until I booked 'Galaxy Quest,' and then it started to get easier.
Cersei took so many of us out in the last episode and she's really turned dark; even Jaime Lannister can see that, so I don't think that Cersei Lannister is long for her Westeros world. I hope she's not.
It's a writer's or director's role to be cerebral, whereas for an actor it should be a visceral, gut thing. When the action starts, it's best to turn the brain off and let it become an instinctual thing.
There are so few movies that still cast on chemistry. Now it's often, like, this person's movies make this amount of money, and this person's movie makes that amount of money, so let's put them together.
I had highfalutin ideas about being a serious actress when I was 16, 17, and first signed at Universal. I was so flattered to be asked to be in the movies - the idea of being paid to act was heady stuff.
Nobody got Punk'd and he was still in his season for that show when we were filming. So the kids were very aware that it was filming and that was his show and they were very much on the lookout for that.
After reaching season two on TV series, having done a film, and receiving acknowledgment in America, I feel like now whatever I do will be on me. My choices will be mine; my disappointments will be mine.
I like buying drones, hover boards, 360-degree cameras and fabulous cars. I am a little bit like a boy. I also spend a lot on books. I am a voracious reader, and I love vintage stores and first editions.
I don't think I can boast about him. 'Hey, my dad is a British institution; he's done all these incredible things and I'm really proud of him.' There is a certain baggage that comes with that in England.
I can read significance into tiny, tiny things. If I'd met someone 10 years ago and not seen them again, and then I suddenly bumped into them, I'd feel that that was 'meant,' or there's a fate, you know?
I remember times of anxiety, ups and downs, and times of unexpected windfalls. But my parents loved what they did. And because their work was also their hobby, it taught me that work could be fulfilling.
If somebody said something racist around me, or you, or most people, you would correct it, you would stop it, but when they say things about women, so frequently no one says anything. That has to change.
No surgical tweaks. No Botox either. I think it is terrible, these girls in their late 20s injecting their faces and lips. One told me, If I kill my muscles now, I'll never get wrinkles. Can you imagine?
So you have to keep waiting and then they give you the script and it's terrible. Then you have to go to the rewrite and they're very upset because you didn't like it. I went through that for seven years.
I guess the biggest difference from the things I've done in the past is that my work will be more narrative-driven adult films or vignettes, not just "gonzo" scenes, which are straight sex, no storyline.
When I have struggled with things like being Bruce Lee's daughter, it's his words that have guided me: his words that said that I just need to have faith in myself, believe in myself, and express myself.
Nothing in life prepared me for the way I felt about being a mother. Until then, I sort of felt like a blank sheet of paper. I was always trying to second-guess myself, to be what others wanted me to be.
In every movie, there's always some physical thing that triggers the character for me. In 'The Long Walk Home,' it was the girdle. Every time I'd put that girdle on, I'd feel my character wiggle to life.
I started with commercials - for shampoo, pancakes, insurance, Volvo. I did a Lux soap commercial with Sarah Jessica Parker. And I got a role in an indie film called Satellite that did well in festivals.
I'm incredibly hopeful - in many ways, still very naive. I think a lot of that has helped me. My sort of naivete has sort of gotten me in trouble at times, but I haven't stopped myself from doing things.