Quotes of All Topics . Occasions . Authors
For me, there are two different things that make Sherlock Sherlock. One is, you know, within the books: obviously he's a genius with an attention to detail, his ravenous hunger for all aspects of knowledge that might feed into his work. But the major thing that makes him Sherlock is his relationship with Watson - their friendship. For me, that, I guess, is the biggest side, the more interesting side than the genius.
Well, I came down to LA initially to join The Groundlings, which is an improv comedy group. I didn't get in, of course, becaue I'm not a part of The Groundlings. I just assumed that I could walk in and take over. So they said: "Hit the road Jack." And I ended up getting an agent instead. They sent me out on a couple of leads and I ended up on a sitcom and Van Wilder thereafter and then pantsless with Sandra Bullock.
At MGM there was a script cage in the basement where they’d show rushes. And I thought to myself, “How do I get into the script cage and find out what my future is?” I climbed into the script cage one night and spent the whole night in there. I saw the bowels of MGM. I saw the studio scripts that the producers had seen; the writers had just handed them in. And I started thinking this is a chance to pick my own roles.
The things a man has to have are hope and confidence in himself against odds, and sometimes he needs somebody, his pal or his mother or his wife or God, to give him that confidence. He's got to have some inner standards worth fighting for or there won't be any way to bring him into conflict. And he must be ready to choose death before dishonor without making too much song and dance about it. That's all there is to it.
The big difference I think between tv and stage is definitely the immediate buzz that you get. And that's not just as an actor, as an audience member you're getting the chance to have this kind of two-way process where the actors and the audience are experiencing the same thing. With tv you often have to wait months and months down the line to actually get the pay-off. Whereas with theatre it's a very immediate thing.
I have children. I have other concerns. I have other focuses. I really feel very sympathetic and I would love to be able to help but I don't see this as the opportunity, having done 'Extraordinary measures', for me to suddenly leap on a soap box and begin to talk about the pharmaceutical industry or the desperate plight of sick children. I do what I can in my world but I don't have the bona fides to do that right now.
Big Pharma needs sick people to prosper. Patients, not healthy people, are their customers. If everybody was cured of a particular illness or disease, pharmaceutical companies would lose 100% of their profits on the products they sell for that ailment. What all this means is because modern medicine is so heavily intertwined with the financial profits culture, it’s a sickness industry more than it is a health industry.
Obviously, when you're in theater, you have to be in character. You have to prepare for the unexpected. You have to be able to react to things that don't necessarily happen every night, or aren't supposed to happen every night. And you have to react to it in character. In six months, 192 shows, those things did happen. And the experience of that, the ability to stay in character, I feel like I've learned a great deal.
There's one denomination in particular, though, that has pushed very hard to be multiracial in its denomination - not only its denomination but, I mean, in its congregations, and it's called the Evangelical Covenant Church, http://www.covchurch.org/ which is headquartered in Chicago. Their whole goal is that's the kind of churches they start, multiracial, and I think they say now 20 percent of their churches are that.
Many years ago, in the late '70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire, read it to the class and then afterward we would talk and I would answer questions. It was really a way of expressing and finding out about where I was at that particular time, so it was very therapeutic for me.
Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.
If I'd loved my chemistry teacher and my maths teacher, goodness knows what direction my life might have gone in. I remember there was a primary school teacher who really woke me up to the joys of school for about one year when I was ten. He made me interested in things I would otherwise not have been interested in - because he was a brilliant teacher. He was instrumental in making me think learning was quite exciting.
Two roads diverged in a wood, I took the one less travelled I'm patient so that's one less hassle If I dream it, I can live it I've seen the light with vivid imagery I need to write with fits of energy But it's hard tryin' to get where I'm goin' Without a hint or an omen It's too late to turn around Perseverance, gotta learn it now But I'm stubborn how Am I supposed to survive this rollercoaster hurtlin' to the ground?
The reason I feel bad for Steve Kloves is because he doesn't enjoy cutting things out. He's not sitting there with scissors, just laughing maniacally, going, "Ahahaha." He doesn't like doing it. The stories mean so much to him. But it had to go. And David kept saying, "We're gonna try, we're gonna try, we're gonna try" all the way into the shoot until the very last days, when he said, "Sorry, it's just not gonna work."
When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story, the story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I'm struggling with - my own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.
I used to defend the West Wing show from the charge of sentimentality or wish-fulfilment, because I think if you do go into the Barack Obama White House you will find six or seven people around him who are true believers. We make these people climb this filthy rope and then we stand at the bottom and say, "Hey, your hands are dirty!" To show heroic, progressive, democratic politics at work was more than I ever expected.
I'm enjoying [my career]. If anything I'm aware that the pressure of the first, I suppose, six or seven years I was in America - I mean that energy of having such a rapid and ascending celebrity - it's not there anymore. It's the end of that chapter and now I'm just enjoying the work probably more than I ever have and yet I'm simultaneously less attached to it I think, which is kind of a strange state of grace to be in.
It's not hard to be sexy when you're standing in front of Angelina Jolie or Robin Wright Penn. They're two of the most beautiful women in the world and two of the finest actresses. I think that if you're with people who are good in your profession they become sexy because they're good at what they do. I enjoyed being 6ft 6ins, having an eight pack and a long todger, you know? If I fold mine in half it's the same length!
I'd rather be around a passionate nerd than a non-passionate cool person. Because if you lack passion, your soul is diminishing by the second. You have to be passionate about something. Call it obsessed or whatever you want, but be obsessed about something. Obsessed people care. I'm passionate about so many things, it becomes an issue at certain points, but at least you have the ability to feel that much about something.
Vocal music is an attempt to take the whole human being and project it into space. It is the ultimate gesture of getting out of yourself. You take a part of you that is most private, most personal, most inward and you hurl it out into space - you project it as far as you can. That gesture of opining this whole region of the body results in an enormous spiritual release, and is felt by other people with tremendous impact.
Well, Kajol's a lovely lady! She's a pleasure to work with and I really enjoy her company! She has the ability to make someone feel so important...she herself is really cheerful and she makes others around her feel cheerful too. I don't believe I've ever seen her cry...except in front of the camera of course! I believe she has the potential to go so far.She is such an insipiration to everyone around her.....including me!
Young people today seem to be coming around to the idea it really doesn’t matter which politician or political party you vote for; and they’re catching on that it doesn’t even matter if you don’t vote because they have realized modern elections are just a way for the 1% to appease the 99% – a way to keep the masses in line by making them believe they’ve had their say, thereby perpetuating the lie that democracy continues.
As an actor you bring some of your own experiences which can make things easier. You build off of it, but your imagination is always the best thing you have as far as creating things I think specifically for what that character is going through. But you're definitely drawing obviously upon things that you can connect to, and then you kind of mold the change that you're making into something that's right for the character.
I like film because it brings you very close to the absurd reality that you might spend a day shooting and not get a single image that you like or works, and you won't really know for a few days at least as you wait. It connects you and grounds you to a material reality and a patience that seems lost with digital. I also think the grain texture remains forever different, and in my opinion, what I find to be more beautiful.
Yeah, I know a lot of soldiers. I know soldiers who don't like to hear thank you for your service. And I know soldiers that do like to be told thank you for your service. The ones who don't like to be told are the ones who've been through serious sh*t. They don't care about feedback. They did their job. They did what they have to do. Sometimes the people that thank them are exactly the ones they don't want to be thanked by.
One of the biggest struggles that I've faced and overcome is finding a balance between emotion and facilitating it through logical means. One of the biggest challenges I have is finding that balance. This emotional mess that I am and this logical side of me, I try to find the medium that will balance me out. I think that's my big mission statement in life: to find that balance. It's a negative-positive and how that relates.
Whenever I go into Bloomingdales, I head to the womens shoe section and think, Hmm, maybe Ill get my next girlfriend a pair of those. I always buy my mom Louboutins or Jimmy Choos for her birthday. I have a pretty good sense of style, all in all. Once I figure out a woman, I know what she should wear - which comes in handy when you have a mom and girlfriends. You can always make them happy with a nice bag or a pair of pumps.
At that age, filming Harry Potter, I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view. And so when Jason Isaacs started throwing up these ideas, I thought, "Whoa. What an interesting way to look at acting." Which is why, again, I would do theater.
All this stuff you heard about America not wanting to fight, wanting to stay out of the war, is a lot of horse dung. Americans, traditionally, love to fight. All real Americans love the sting of battle. Americans play to win all the time. I wouldn't give a hoot in hell for a man who lost and laughed. That's why Americans have never lost - and will never lose - a war, because the very thought of losing is hateful to Americans.
I used to think most Democrats in Congress who voted for [ObamaCare] really believed they were doing something good for the poor and the middle class. Now I wonder. It's crystal clear that just about everything President Barack Obama promised about his health plan was false, his deception deliberate. If Democrats really cared for the people harmed by the law, you'd think they'd admit their mistake, try to fix it. They haven't.
I'm not a doctor, nor am I a member of the military. What I am is an appreciative, concerned American citizen, who was horrified when I heard about the horrendous rates of suicide (22 per day) and PTSD/TBI within our military. As such, I felt compelled to reach out to anyone who cared to listen, to try to help with this terrible situation. This is not just life and death - it is life and death for those who defend our freedom.
I am really interested in who owns ideas of religion. What if I say I'm a libertarian, socialist, Occupy-supporting, anti-war, Christian? Is that a controversial idea? I don't see anything really in the original semiotics of Christianity, in the specific parable of the radical socialist Jew from Galilee who becomes the hero figure in the Homeric-word-of-mouth-gossip-novel that becomes the Bible that should make that a paradox.
I've never thought it was a good idea to act back-to-back. If you are going to have any chance of replicating life, you need to live it. I also never forgot something Johnny Depp said to me, which Marlon Brando said to him, 'You only have so many faces in your pocket.' I really admire artists who take the time to recharge their batteries and not continually call on it. I think you can spot tired and jaded artists quite quickly.
I'm a very fortunate actor. I'm blessed to be the position I'm in right now. Hell, I'm blessed to be in any position, you know? There are so many guys who had good lives, great lives, and blew it...I think there are some guys who think they don't deserve to have good lives. They feel they don't deserve their good fortune, so they throw it away. One of my good friends was Chris Farley. Chris blew it. He blew the whole enchilada.
So one time for my disillusioned artists, I hear ya Two times for the kid that air-guitars in the mirror Three times for the 9-to-5-in' bus ridin' dudes And four times for my dreamers, yo I'm just like you That's why I sing for my queens with their own pair of wings My brothers flyin' beside me, drama behind me Mama tried to find me, she inquired emphatically I was in the sky with all these other ghetto kids, defying gravity, uh
In theater, there's a lot of discipline involved in doing eight shows a week for a year and a half. It's nice to be able to bring some of that bag of tools with you over to the film world, where you don't have the rehearsal, you don't have an audience. You don't have a month of rehearsal to examine these words, and you meet the guy who's going to play your brother the morning that you shoot the scene. So you need a bag of tools.
A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
I think it is very important to conserve and protect the natural world. I’ve just come back from Costa Rica and they are really big on eco tourism. They have lots of reserves, and they are really into protecting wildlife. I visited a reserve called Cabo Blanco. You walk into the reserve and there are capucine monkeys swinging from the trees and sloths. I am big into nature, and seeing animals in their natural habitats. I love it.
I discovered very soon, especially for movies, because I started in theater, that every director has his own universe. You have to be free enough to try to understand what he wants from you. Especially when that director has a tremendous personality. And I'm talking about people like Pedro Almodovar and Robert Rodriguez and Quentin Tarantino and Woody Allen. And you have to adapt. If you don't adapt to them, you are off the thing.
There came [a script called] “Dracula Sucks.” Now, I liked “Dracula Sucks,” but we gotta change [the title]. They said, “If you like that, you’re going to like this: ‘Zorro the Gay Blade.’” I decided I was going to go out and raise the money and develop my own projects. And that’s what I did. I made “Love at First Bite” and I made “Zorro the Gay Blade.” [Script rewriter Hal Dresner] and I put together “Zorro” in about eight weeks.
I say with pride that I've done over a hundred voices or something, and some of them may have only had two or three lines, but I literally never ran out. I think I'm a bit of a savant that way. I kind of remember every voice I hear, famous or otherwise, and can imitate it pretty fast. I've enjoyed mimicking people famous and not famous all through my life, and they kind of remain in the memory banks, so I'm ready to trot them out.
My belief about performance capture is that it's a technology which allows actors to play extraordinary characters. But from an acting perspective, I've never drawn a distinction between playing a conventional, live action character and playing a role in a performance capture suit. And from a purely acting point-of-view, I don't believe there should be a special Oscar category because I think it sort of muddies the waters in a way.
You can't see any movie nowadays really without it having some sort of CGI treatment, albeit whether it's a creature or an environment, something like that. To make a point, sort of poetically in that case, but clearly it was a drama and how do you approach it? Well, I think what you're supposed to do is what the text dictates. What you bring to it and everything you need to know should be there, and pay attention to your director.
An actor said recently that, unless you're a parent, you shouldn't play a parent in a film. I don't know who said it, but I disagree. I understand that maybe there are aspects that you don't understand, or maybe this actor or actress had a really strong recent experience with having their first or second or third born child. I don't know. As a dad, I get that. I get that there is no love like it. But, at the same time, love is love.
The best thing as an actor, the best tool you have is your imagination. That you kind of take things that have happened, and then go and expand on them. However small it is, you use your imagination to create what that reality is. There's something kind of fun when you're not old enough to do anything, driving a car, getting into a bar, drinking, going to a party you don't belong to, something when you're young in that innocent way.
One thing Fringe has is no shortage of ideas. There are so many jumping off points that we could use and have thought about. I just wouldn't want to pull a trick like that on the viewers. I really want to reward them. I honestly and sincerely feel that it's the most miraculous fan base I've ever seen, so I just want to make sure I use every fiber of my body to deliver for them what I think is going to be satisfying for their loyalty.
If it bothers me on the page, I don't do it. If it attracts me on the page and moves me, makes me think a bit, makes me laugh, makes me cry, I'm interested in it. If it's there on the page, it means it's there and up to me to bring it out. I have done some films along the way that have been screwed up and not as good as they read. Some films that are not that good on the page turn into good movies. So I'm fallible is what I'm saying.
There are three things, and it depends on the group that we're talking about, but there's history, there's culture, and then there's social networks. So, you know, historically black and white, they worship together until about the end of slavery, and people started moving out into separate churches. But it was because of discrimination and racism and such that blacks began to establish their own denominations and their own churches.
So these are the kind of things that now when people are trying to move towards multiracial congregations that they're stressing. They're talking about these scriptures that say we ought to come together, and that at Pentecost, when that the Holy Spirit is said to have come upon the first Christians, they were given the ability to speak in different languages, and so that no matter who the people were, they could all worship together.
Once in a while you get people that maybe because of economic reasons, or have a social network, they get attracted. But it's a very tiny percent so that when we look at, you know, who are pastors and who are the head clergy of these congregations, they're overwhelmingly white, just a few African Americans, and those folks are usually called to what were formerly white congregations, or they started interracial church from the get-go.