Quotes of All Topics . Occasions . Authors
I would have to say that because I've lived in so many cities, by no means do I feel it's fair to call myself a 'fan' of any particular teams. I've lived in New York for a long time, and I did this movie about the Yankees called '*61.' I found out a lot about the Yankees during that time, so I love the Yankees, I've watched the Yankees.
I've always been into visual effects. It was something I took keen interest in before films happened. Ironically, I am a part of 'Raaz 3,' a film that is shot entirely on 3D. It has encouraged me to pursue my dream. Hopefully, if time permits, I will travel to the United States and attend a crash course in visual graphics and animation.
You asked me my favorite question: What happened and what did you learn from being under contract to MGM? And the answer is I know how to make movies. I understand how to do that. I've been doing that my whole life. It's just easier to raise the money yourself and then hire yourself. It's possible if you reduce your own budget a little.
I think that the best movies are made, not from a point of view that depends on your personal history, whether it's the color of your skin or the politics that you had or the place that you come from, but from a point of view of an understanding of human nature, an understanding of history, and an understanding of what motivates people.
When I was younger, I didn't have the finer things in life. It was around me - the cars, the jewelry and all of that. But I didn't have it. So I did bad things to get what I wanted. Going to jail never crossed my mind. I wish it had. When I was locked up, my mother didn't support me because she couldn't accept who I was and where I was.
When you're young, you get by on charm and good looks, not that I miss being charming or good-looking, but then you start to understand things about life, about the craft of acting. You approach it a different way. It's much more fun now than it was, because you take more chances and risks. I enjoy acting now more than when I was young.
Attachment is your biggest strength and your biggest weakness. Though it gives you the power to love someone more than yourself, it becomes difficult to live when you lose something you are attached to. Even when we have lost, we should go beyond that and get truly attached to someone. Loving someone truly is the most beautiful feeling.
Whenever I'm doing any film, there's always three different things. There's the script, which is really just a blueprint. And then, you shoot the movie and it's an entirely different experience than you would expect from reading the script. And then, there's the whole post process and the editing, and it becomes something else entirely.
The main objective of our cinema is to entertain. If you can pass on a message at the same time, that is fantastic, but if the audience does not feel they are going to be entertained by the film, they are not going to watch it. There are many examples of very responsible and great films that are being made, but nobody goes to watch them.
After 'Kong,' my knuckles have never recovered because I had to wear very heavy weights on my forearms and around my hips and ankles to get the sense of size and scale of the movement of the character You are telling your body that you are these things and that you're feeling these thoughts and that you're experiencing these experiences.
As a child, I had no idea that I would end up in the film industry. My ambitions changed from wanting to join the army like my grandfather to taking up merchant navy as a career to running for India, and finally, investment banking while I was a student of economics honour. But during my college days, I began to get offers for modelling.
It's hard to say how far we are down the road to our conventional understanding of artificial intelligence, but I think what we've developed so far, if it's not already consciously awake and hiding from us because it's seen what an ugly and destructive race we are, and it's trying to preserve itself, it's probably in a state of dreaming.
Contrary to what we, the people, have been told, we are the power; we have supreme authority because we are the masses and true power always resides with the masses, never with the global elite who, by their very nature, have always been a vulnerable minority and will always continue to be...As long as the masses realize that, of course.
I will say this: the first film that I was on was 'In the Heat of the Night', that Norman Jewison directed with Sidney Poitier. I'm on the set, and I'm totally taking it for granted. Everyone is working for everyone else and pulling for the very best, and it makes everyone better because you feel that effort and concern and appreciation.
It's easy to forget history or give it a cliff notes. The cliff notes of history. But mainly, so much of what happens in 'Eyes on the Prize' happened in Jackson, Mississippi. Jackson, Mississippi isn't really known for any other touchstone to the movement, other than Medgar Evers being killed. There were sit-ins and riots and atrocities.
I also realise power is fleeting, it doesn't last forever in this career, so I want to make the most of it. I want to make the kinds of pictures that interest me, it's as simple as that. I've never done work for money ever. If your choices are based on grosses and the film doesn't do well, what does that mean? It leaves you with nothing.
When I was working on the Olympic cookbook it was amazing to discover how different athletes need different types of diets. Everybody thinks that an athlete has to eat lots of carbohydrates, however some athletes don't need that. Some sports such as sprinting are explosive so you need a diet that will give you the energy for that moment.
Just as the grammarian makes one study grammar, A Buddha teaches according to the tolerance of his students; Some he urges to refrain from sins, others to do good, Some to rely on dualism, other on non-dualism; And to some he teaches the profound, The terrifying, the practice of enlightenment, Whose essence is emptiness that is compassion
Shyam Benegal has found a lovely voice in this film. We've all seen the kind of cinema he's come up with over the years. His films like 'Mandi,' 'Manthan,' 'Sooraj Ka Saatvan Ghoda' all have revolutionised the face of Indian cinema. And in 'Well Done Abba,' he has once again found a relevant subject, which even youngsters can relate with.
Who wouldn't want to be wizard, at least for a day, as long as you didn't have the dilemmas and the situations that Merlin was thrown into. I'd be happy if you could actually use the powers to have a bit of fun and do something good for the world and maybe for yourself, whereas Merlin's kind of limited in that he has to look after Arthur.
The greatest power you have is your faith. F-A-I-T-H. And the word faith stands for Fantastic Adventures In Trusting Him. God will be there to fight all your battles, all you have to do is let him. Faith is very strong. Part of my life ministry is talking about God in terms of bringing back who I really am to the forefront of my identity.
I guess if you have had a good education as opposed to someone who hasn't been to school, you start off on this journey having studied Shakespeare for years and years or studied classics. I suppose why people see this big divide - the boarding school boys getting all the roles - is because they feel like some people have had a head start.
I grew up, as I joke around, in the 'People's Republic of Charlestown' in the city of Boston. And I was blessed to be raised right there on Monument Square in Charlestown, and every morning I'd hop on the bus and go on a 45-minute ride out to the suburbs in Brooklyn for elementary school. And I got to have my seat, really, in both worlds.
It's just that... working on Green Lantern, I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
I work out like a maniac, three times more than anything I did in the past. I am off carbs, salt, sweets, and live on a fish diet. And I promise I am not going to indulge in food again. See, when I was 49 years old, I was fine, but the moment I touched 50, I felt that something within me had changed drastically. My metabolic rate dropped.
Hopefully, you'll be able to find enough of an audience, each time, that you can keep working, rather than getting caught up in the Hollywood system, which can so quickly become about how much money something makes and how many people went to watch it. It's very alluring. It's such a powerful machine that's playing on you, the whole time.
I drive out to this quail farm, where I get a lot of these incredible quail eggs, which I eat all day long. And I eat a lot of superfoods like goji, cacao and chia seeds, things like that. And I like unpasteurised milk of the goat and the sheep. They send it once a week from Pennsylvania, from the Amish farms, and I get it in Los Angeles.
Some people think that the people they lead are too stupid to be told the truth, and thus they must be lied to, in order for a greater good to be accomplished. Some people believe in the system that has been set up, where the strongest among us is going to lead us in a fight, otherwise everyone is the same. That's the doctrine of pirates.
I have no hang-ups in life. I don't care about groups and camps. I have been brought up with certain values and ethics. I have never been egoistic about my stardom and lineage. I don't have any qualms about breaking the ice with my colleagues. I can walk up to any actor and greet him, irrespective of what kind of equation I share with him.
When I was in school, sport was given utmost importance. I think it's fantastic for character building, for team playing, and I think it's a great profile for a nation. One in every six people on Earth is an Indian, and I look forward to the day when we can compete with the heavyweights of the sporting world and do well in the medal tally.
I've always felt like we're all human beings and we're all basically given the tools to make whatever choices we want to make. How we treat other people. How we treat ourselves. Just the whole philosophy of that and the philosophical logic of that is that we're all capable of great acts of evil, and we're all capable of great acts of good.
The school I went to was a little farm school in Wannaska, student body 61 or something. There was a kid, the only black kid in our county, Dustin Byfuglien. He won the Stanley Cup a couple years back with the Blackhawks. Out of a class of 21 kids, he and I always had to be on opposite teams on everything because we were the most athletic.
During the run up to the Iraq War, Mike Farrell and I did get on television kind of frequently, but then they saw that that didn't work. They really couldn't bait us into being stupid, so they stopped. You know the mainstream media, corporate media, avoids ever giving anyone who has anything to say a platform, if they can possibly help it.
The film business has changed and society has changed. I started acting before the internet, which is insane to say. That makes me sound so old! You evolve, and the kind of career I thought I wanted, even six or seven years ago, was completely different from the career I have now, and I couldn't be happier about it. It's been a crazy trip.
The media in the States can be quite self-reflective. When I lived in England, I was much more aware of the day-to-day politics that were happening. Living somewhere where the media involvement is greater and so omnipresent, you become pulled into it and, at the same time, because of that, politics changes and the way it's handled changes.
What's interesting is that you can have a set that's very calm, very smooth, very cooperative... and end up with a terrible movie. And you can have a set that's really horrible as far as relationships and volatility, and come up with a great movie. Sometimes that energy gets infused into what ends up on film - it's interesting in that way.
I'm an actor. The fact that I'm involved in Jigsaw, I don't approach Jigsaw any differently than I approached The Nordic in 'The Firm' or FBI Agent Stokes in 'Mississippi Burning.' It's the same deal. It's just that the effect is sometimes different. So I say, people ask me, 'How does it feel to be a horror icon?' I'm thrilled. It's great.
If I'm saying a universal truth, but maybe it's something that people don't feel comfortable saying It's a strange take, but at the same time, what you're hitting on is kind of right. You can relate. That's the heart of comedy. You have to have a point of view. You gotta commit. And the more you commit to it, sometimes the funnier it gets.
Whenever you do a movie, it's a culture shock. Who is it? Where are you? What are you doing? Who are these people? Where are you going now? It's kind of like how somebody describes private flying: It's hours of monotony punctuated by moments of stark terror. That's what it's like anywhere in the world, whether you're in Texas or Bucharest.
After 'Kong,' my knuckles have never recovered because I had to wear very heavy weights on my forearms and around my hips and ankles to get the sense of size and scale of the movement of the character... You are telling your body that you are these things and that you're feeling these thoughts and that you're experiencing these experiences.
I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure.
I have so many really gifted friends, actors who I thought deserved as much as I did to get an agent or a job, or deserved more, and just never made it through somehow. I've always been really fiercely tethered to that. You know, I've been very lucky. All the filmmakers I've worked with have taken my desire to educate myself very seriously.
I went to college at University of South Carolina and dropped out of chemistry, and to fill a class, the only spot they had left was a theater class. It was so annoying, but I took it and then I thought it was the greatest thing; the most socially creative. I dropped out of school immediately and moved to New York to start acting. I was 19.
I read as much as I could, but really just spoke to Chris Chibnall and asked all the pertinent questions. That made me feel like we weren't going to do an off-the-peg Camelot, which has been touched upon in many films and TV series before. I really just picked his brain and, in doing so, I got fired up by tackling Merlin in a fresher angle.
No, I've never moved on with a play. I did the original 'Closer' in London but didn't transfer to the West End or Broadway with it. The same is true of 'Iceman': I didn't go to the Old Vic or Broadway with that. I don't know; I feel an allegiance often to the play where you do it first, in the theatre that it's in; you do it for that space.
You've always got to have an imagination in the game we're in but it explodes on this. You get to try the costumes on before you start and feel the weight of them, which is great. But then you're opposite some of the greatest actors in the world and away you go. You find your imagination takes over without you really even thinking about it.
[Bad Influence]was David Koepp's first big screenplay. It was actually a writing sample that was around town to get David work at the time, and Steve Tisch - now the owner of the New York Giants - found it, loved it, and together we put it together. But I'd say that would be the one I'd tell people to go and look at if they haven't seen it.
It's just that... working on 'Green Lantern,' I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
I go to see my kids in school plays, ... I watched Lorna in a concert at the Westminster College of Music the other day and it was amazing. I felt very proud and surprised. I don't know why I was surprised, because I've known her for 17 years, but I've never seen her do anything like that in front of an audience. It's brave, it's uplifting.
I thought I was okay in my first film, and then I was really, really bad in some films. I really cringe when I see some of my scenes. There's a scene in one film where a dog is biting me; the expressions I have made should be qualified as the most over-acted scene in the history of the cinema. The dog's expressions were more real than mine.