Quotes of All Topics . Occasions . Authors
I went through a low phase for two years when I had a string of flops. At that time, I even felt that I was in the wrong profession and that I should leave acting. But thankfully, I utilised that time to introspect and went on a self-exploration trip. I did theatre in between, and it helped grow the fire within me.
I would go into a place that was quiet and isolated and think about how my character would feel in the situation, considering who he was and what he had been through. I would think about that even up to 30 minutes. And when I felt the character was in my body and I had left, I could walk onto set or into rehearsal.
As you do on any cable series, if they introduce you as the villain, then you better start working towards making him a really good guy, or if they introduce you as a really good guy, then you better start working towards being the villain. Your character has to go somewhere, or else they become very uninteresting.
There's this whole grey area seemingly every time it's talked about animators and who takes ultimate responsibility for the characters [of the Planet of the apes] but without question and I'll go down saying this year after year, these characters are authored by what we do on set. They are not authored by animators.
When I played Gollum in 'Lord of the Rings,' if I was climbing up the side of a mountain, which I physically did, you know, I was on every single occasion swimming through streams, all of that, that wasn't captured. That was filmed on 35 millimeter, and for certain of those shots, it was rotoscoped and painted over.
I was gearing up for it. I took some singing lessons. And I opened my mouth, and Atom promptly said, 'That's not going to happen. We love your voice, but maybe we could use some of your English wit.' He had doubts about it from way back. For starters, we weren't going to be doing the Italian-American crooning thing.
When I was about ten years old, I was brought to London to watch a production of 'The Lion, The Witch, and the Wardrobe.' I think it was at Sadler's Wells in maybe 2000. I watched it because my school was putting on a production of it, and it was the first school play that I was able to audition for a speaking part.
Eventually, I think I may end up directing. It would have to be the project where I think that I'm the person to direct it, and I don't know that that's happened yet. I certainly haven't written it, and I don't know if I've read that script yet where I was like, "Okay, I think I'm the guy that needs to direct this."
Finn doesn't have as much respect for Han's legacy as everybody else does, and Han finds that a bit charming. They team up and go on a mission together. The banter is very choppy, and the dialogue is pretty funny. Chewie enjoys the banter and the friction between the two, but they definitely have each other's backs.
Theater is just so much more satisfying than film or television just because you deliver the whole thing from start to finish in one evening, and you can tell if people have enjoyed it or not. That's great to do every night to go in front of a full room of people and tell the story. There's nothing like that really.
'How do you balance the creative with the biblical?' One could pick up the scripture and read it to oneself and you would be communing directly with that information. As soon as you go into film, as soon as there's a camera, and there's an angle, and there's lighting, and there's editing, you're into the adaptation.
He [Merlin] is slightly from another world and place, so it [challenge in bringing the role to life] is about having fun and presenting it in a new way. He's more of a politician, and slightly Machiavellian, but there's also a lovely relationship going on between Merlin and Arthur. There's so much to be had, really.
People who are living donors who give kidneys. You can't give a heart and you can't give a liver, but you can sure give a lung - well, kidneys, anyhow. And that's where the main part of this whole thing is - one out of every eight people, I believe, is going to have some kind of kidney problem during their lifetime.
There used to be three networks, and now there are 40 million networks. There's a lot more competition out there, too. We would bring in 27 million people. Now, they're lucky if they have 17. I looked at the ratings, for the first time in 25 years, just to see, and there were 130 shows on. There used to be maybe 30.
I can't tell you about acting. You can develop all the skills, voice, gesture, movement, you can develop by exercise and practice but finally fundamentally it's mining from yourself, from your own personality, from what you know. If you can't know it you can have a good guess by people you know or books you've read.
Whatever it is, if you draw, you paint, you're a carpenter, you play football, the more you do it, you're a journalist, the more stories you write, the more people you interview and navigate your way through these different personalities to get your story, the better you're going to get at it. Acting's no different.
I started volunteering at an animal shelter, and little by little, my life started getting better. I think that is the secret. It is just being on a mission that is something bigger than me and it's thankless. You do that because it is thankless, and I am not looking for anybody to say, 'Thanks' and 'You are great!'
I think it is a combination of looks, aura, success, the energies that one gives out, the person you are and the person you feel like that makes you 'desirable.' When the outside world sees you as a man who is responsible for himself and his family, as a man who is fit and sensitive, it kind of ups your desirability.
When we were shooting 'The Book Thief,' I was keeping all these journals. And I remember talking to my mom, really trying to verbalize all the experiences I was having. And I remember my mom saying, 'Ben, reflection is a retroactive process.' When you're going through it, that's the time to just let it wash over you.
I go for a couple of parties; you won't find me at every film party and never at award ceremonies. I tried attending for the first three to four years, and I've performed at award shows. I sat in them, and I've also exited pretty fast from them. It's just not my place. I'd rather get their adulation in a cinema hall.
Certainly, those of us in the entertainment industry, we are part of creating fear in people - 'fear' for me stands for 'false evidence appearing real.' We create fantasy, and in certain ways that's wonderful because it allows people to escape. But it can suck people into wanting to achieve something that isn't real.
We've grown up with American movies. Not to say that American movies - or movies that have been based in Watts, Compton, or Inglewood - are a 100% true depiction of that world. But also you have inner-city London, and the foundations are pretty much the same. Especially me, growing up in Southeast London, in Peckham.
Music is very transporting. I'll hear a song for the first time and I rarely listen to the lyrics. I picture that song playing as a soundtrack to a movie, or even just in the background of someone's life. This all sounds weird, but I have an active imagination, and music opens the floodgates of that area of my brain.
My four sons all knew I was a Jew, but they were allowed to be whatever they wanted to be. The only thing important to me was that they be good people who help other people, because all religion should try to make you a better person and a more caring person. Whenever religion does that for you, it's a good religion.
One of the most beautiful things about 'Game of Thrones' is it's told from so many different points of view, and these characters can convince you that what they're doing is right. But they're only showing you a bit of the picture, and when you see it from another character's point of view you may switch allegiances.
The thing about Chicago is that it really isn't like any other place. The architecture and the layout of the city are the best. I'm from the Midwest, and consider myself a Midwesterner. I feel most at home there. I love California. I have great friends in California. I just have always considered Illinois to be home.
I'm so excited about 'Shattered;' it's something I've really enjoyed working in, and it's very different from anything I've done before. I've always been a character actor and done a lot of support work. I've never really been the lead actor, so I'll try and use what I've learned along the way from the other projects.
It's really quite an interesting dynamic. I wanted to play to the truth of who Manute was in the first film, while it's also a prequel and the originator [of the story]. It was an interesting dynamic to work with, definitely. I haven't seen the film yet, but the way it felt when I was doing it, it felt like it worked.
Changes can be made. New decisions can be made. If people say, 'It's not like that in the comics!' Well, comic books reinvent their characters a lot. They do different things with them all the time. They're always changing, always keeping things fresh. So that shouldn't be an issue if the race changes for a character.
I believe we all have the capacity to be masters of many things, and there's nothing that we can't do. You can be a great actor and also be a great writer. There's so many things that all of us have the capacity to do. But somehow, life tries to convince us that we'd be lucky to do even one thing well, and I disagree.
I originally got into this because of a five-year-old's begrudgery of his teacher. Mrs. Lawlor cast me as a tree, and I was disgusted. I was sure I had more to offer than that. It was like, 'OK, if you want me to be set dressing, fine, I'll take it on the chin but I'll show you - I'm going to be a big actor some day.'
I think all actors want to change. When you do something many times, over and over, you want to do something fresh. But movie is still my business. A lot of action actors want change, but no studio wants to spend money on something that is not guaranteed; not proven. I think it is very difficult. It is hard to change.
I would think somebody like Jane Fonda and her idiot husband would be terribly ashamed and saddened that they were a part of causing us to stop helping the South Vietnamese. Now look what's happening. They're getting killed by the millions. Murdered by the millions. How the hell can she and her husband sleep at night?
All the shows we did pre-airdate, and I'd come out - "Rob Lowe!" - and it was [Offers bored applause.] After the show aired? I came out - "Rob Lowe!" - and the place was, like, bedlam. And then the next week, they wouldn't let anyone under the age of 20 into the audience. And I'm going, "So that's how it works! Okay!"
'Saw VI' has a really interesting theme about the ripple effect. Everything you do affects the guy next to you, which affects the guy next to him, which affects her over here. And you might think that what you're doing is not that significant, but just the way you respond to other people makes the world the way it is.
When I was in the 9th grade, on Halloween night, when you're supposed to go and out and burn your city, my mom made me go to 'Cirque du Soleil.' I was kicking and screaming. This girl came out onstage, and I was instantly mesmerized. I dropped out of school and became obsessed with her. I saw the show, like, 70 times.
The wonderful thing about 48 fps is the integration of live action and CG elements; that is something I learned from 'The Hobbit.' We are so used to 24 fps and the romance of celluloid but at 48 fps, you cannot deny the existence of these CG creations in the same time frame and space and environment as the live action.
I haven't been alone in years. It's that alone time when you really look yourself in the mirror and you see what you really want. It just gets a little convoluted in this industry. That said, I really want to act. But, now I think it's time for me to do something else for a while, so that I can feel that passion again.
I am reminded of a piece of advice my father gave me regarding shoes. ...He said it is better to buy one good pair of shoes than four cheap ones. One pair made of fine leather could outlast four inferior pairs and, if well-cared-for, would continue to proclaim your good judgment and taste no matter how old they become.
People listen for cues - when they are searching for a decision, they look to people they know. Young people can be apathetic in certain ways unless they hear from someone they like and admire about why they should be engaged and involved. If someone you love is doing a rally or concert, you may be engaged to register.
That's the great thing about being an actor: Stuff shows up that you never thought was going to go down. You get to play or experience an area of the world that - you know, I live a pretty simple life, I'm not much of an adventurer. I like my couch and my television. So when stuff comes up in the job, it's a good deal.
There's a great metaphor that one of my doctors uses: If a fish is swimming in a dirty tank and it gets sick, do you take it to the vet and amputate the fin? No, you clean the water. So, I cleaned up my system. By eating organic raw greens, nuts and healthy fats, I am flooding my body with enzymes, vitamins and oxygen.
You can't please everyone. When you're too focused on living up to other people's standards, you aren't spending enough time raising your own. Some people may whisper, complain and judge. But for the most part, it's all in your head. People care less about your actions than you think. Why? They have their own problems!
You need to try to find a way to humanize your villains. Genuine villains, in real life, still have mothers and daughters and sisters, and they fall in love. They don't walk around with a big sign saying, "Bad guy," on their head. They think they're good guys. If you can play that, I think it makes it more interesting.
There were times when I thought I had to be completely off-book and ready to give my opening night performance at the audition, but then I swung back to a more relaxed view of it. Certainly you've looked at the material and prepared it, but there's no reason to be off-book. You're not getting points for being off-book.
I found him perhaps the least terrifying man I've ever met in the theater—because at first glance I could see through him and he could see through me, and he knew that I knew that he knew. Look, love, I've been bullied all my life by bigger experts than Larry Olivier, I can assure you, and he's just got to get in line.
I've worked with multiple directors throughout the 'Saw' series with a lot of conversations as they bring their particular installment to the screen. If I've been able to do anything throughout the course of these films, it's been to help shape dialogue and to try to make things as delicate and as intelligent as I can.
I do miss Glasgow but Malibu is home now. I love it here and when I do go back to Scotland it takes me a bit of time to acclimatise. I am a spoilt so-and-so. I live in the mountains of Malibu in the most gorgeous house and I phone my mum every day and tell her that I have got bad news - that it is only 70 degrees here.
If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work. And I didn't think about the material as much. But sometimes I've thought about the material a lot and thought I was doing the right thing, and it didn't work out.